Pages

Powered by Blogger.
Showing posts with label Gwyneth Paltrow. Show all posts
Showing posts with label Gwyneth Paltrow. Show all posts

329. The Avengers

Tuesday, December 25, 2012

329. (25 Dec) The Avengers (2012, Joss Whedon) 32



So this is what happens when you team up superheroes from films with disparate aesthetics. Though Whedon goes out of his way to show these powers are evenly matched, he's juggling too many characters to make the action meaningful. Relying on our knowledge of other Marvel films (and nearly giving me PTSD with flashbacks from the heinous Captain America: The First Avenger) isn't objectionable since this is part of a franchise, but there's no continuation of any arc besides everybody kind of becoming friends. We get more characters piled on, including a poorly motivated villain, the always boring Jeremy Renner, and the third Hulk in as many films. The action sequences are boring considering everyone's invincible and there aren't any true dramatic stakes. Like they really have the effects budget to blow up lower Manhattan.

005. Contagion

Tuesday, January 3, 2012

005. (02 Jan) Contagion (2011, Steven Soderbergh) 53



Clinical for the most part, Contagion occasionally lets itself turn mawkish for no good reason. Marion Cotillard's subplot where she's held captive until a vaccine is delivered the compound she's at is especially dumb. The film occasionally allows itself a naivete despite seeming otherwise hard-edged. Jude Law is the standout here. Gwyneth Paltrow would've been if she hadn't ingested that guano.

GLEE: Season 2

Wednesday, September 21, 2011

Dear Glee,

I mean everything I am about to say to you with love. Your third season begins this evening and I have high hopes for the changes you've made. You've branched out your writing staff and have sworn to focus more on longer story arcs instead of one-off theme episodes. You've also decided to reduce the number of songs per episode, so as not to come across like an iTunes jukebox each week. It's not that I don't like to hear all the talented members of New Directions belt them out so often but storytelling has been taking a seat in the back of the choir room for quite some time now.

I've just finished watching your second season on blu-ray. I have to admit, it wasn't as uneven as I remember but if you don't fix some of your problems soon, you will start to lose your audience. That said, there were some fantastic additions to the GLEE lexicon in the second season. Highlights for me include Gwyneth Paltrow as Holly Holiday. I wish Paltrow wasn't such a big movie star because she would make a perfect regular on your program. Not only is she hilarious but she can also hold a note or two. Next up, the introduction of Blaine (Darren Criss) and the Warblers. It was about time the New Directions got some real competition. And of course, having Blaine around allowed for the best gay kiss I've ever witnessed on television. There was no hype for it; it simply just happened. My mouth fell to the floor when I saw it because I feel like I've been waiting my whole life to see such a romantic and honest moment between two male television characters. I'm not going to lie; I wished I was Kurt (Chris Colfer) in that moment.


You are often criticized for being too gay, whatever that means. I don't think that's true; I just think you spend more time developing Kurt's troubles than anyone else's. In the entire season, only Kurt's bullying storyline felt true to me. It is an important subject and one that I think you tackled sensitively and thoroughly. Unfortunately, with all your energy placed there, the rest of the cast was left to bounce back and forth between random couplings that often seemed like they had no basis in any reality whatsoever. It's hard for me to care about characters when they don't seem to really matter to you either. Oh and, please, give Sue Sylvester (Jane Lynch) something to do this year. Her once ferocious character is now just a flat joke (who honestly should have been arrested by now considering how many students she flings down stairs).


I miss how much you used to shock me, GLEE. Lately it seems you just lull me into a state of acceptance instead. Your sophomore year is now behind you. You let your junior year success go to your head and just rested on your laurels all the way through last year. It's time to get serious though; it's your senior year. If you don't find your focus again, I'm not convinced you'll graduate at the end of the year.

Gleefully yours,
joseph.

CONTAGION

Thursday, September 8, 2011

Written by Scott Z. Burns
Directed by Steven Soderbergh
Starring Matt Damon, Kate Winslet, Lawrence Fishburn, Jude Law, 
Marion Cotillard and Gwyneth Paltrow


Dr. Ian Sussman: Blogging is not writing. It's graffiti with punctuation.

I’m not sure I can in good conscious recommend CONTAGION to anyone at all. It’s not that it’s a bad film; it’s just that seeing it has potentially damaging consequences on your psyche. About ten minutes into watching it, you might become hyper aware of your surroundings. Coughing noises will become amplified while your armrest might suddenly feel stickier than it did when you first sat down. In fact, by the time you’ve gotten home from seeing it - after touching door handles, staircase railings and, god forbid, other people - you may never want to leave the house again.


Directed by Steven Soderbergh, CONTAGION stars many an Oscar winner, from Matt Damon and Gwyneth Paltrow to Marion Cotillard and Kate Winslet. For all it’s familiarity though, it presents like a faceless production to demonstrate just how feasible this scenario really is. There is no real character development - there is no time for that - just different people reacting to a common foe. The enemy here is a new disease named MEV-1. It is considered novel because humanity has never seen it before and Soderbergh paints what he believes to be a very real picture of how the planet would handle something like this. As you can imagine, we don’t do very well.


CONTAGION is not as infectious as it could be. With so many plots in the air, some are almost forgotten and Soderbergh is none too subtle about how lackadaisical we all are with everything we touch. Still, with this much talent on screen and Soderbergh’s brilliant eye, CONTAGION remains a tense thriller with plenty of casualties and horrifying moments. Perhaps the most dire thing about it though is the hard reality that even in our darkest hour, humanity still exudes selfishness and greed, leaving every man to fend for himself. Sure, it’s a theory but it’s a plausible one and really just another argument to stay indoors.

COUNTRY STRONG

Thursday, January 6, 2011

Written and Directed by Shana Feste
Starring Gwyneth Paltrow, Tim McGraw, Garrett Hedlund and Leighton Meester


Kelly Canter: Well, I remember that day / when our eyes first met / You ran into the building to get out of the rain 'cause you were soaking wet / And when you held the door / you wanted to know my name / Timing is everything.

There isn’t anything sadder in the world than a good country tune, except for maybe the booze-soaked, sleep-deprived, emotionally impossible days and nights that are the inspiration behind these great songs. Writer/Director Shana Feste’s COUNTRY STRONG is one of those true tragedies. One of the genre’s biggest stars falls off a Dallas stage, five months pregnant and wasted, killing her child and her spirit at the same time. A year later, she is checking out of rehab earlier than she should to return to that same stage and reclaim her career as well her own self. People are fighting, cheating and both breaking and making up, but by the time its done, everyone is crying tears into their beers.

Gwyneth Paltrow is Kelly Canter, a Faith Hill type country superstar, except with a slew of public problems. While her troubles are all very adult, her demeanor is still that of a child. Paltrow plays Canter as a little girl, lost in a big world, who would much rather be tending to a baby bird she found in a field than performing in front of thousands of screaming fans. She isn’t sober for long once her husband checks her out of rehab, as it becomes painfully clear the public is not going to let her forget her own personal hardships. She loses herself in anything and everyone she can in order to avoid her own self, until that’s all she has left - and Paltrow’s got a mess of mascara on her face most of the time to prove it.

COUNTRY STRONG, which also boasts a surprisingly strong supporting cast, culminates into a somewhat simplified commentary about celebrity and people as products. Feste pulls out every country punch she can think of, but lucky for her, Paltrow knows how to roll those punches into something real so that you too can have a silent sob in your beverage.

The Final Conclusion - Best Actress 1998

Thursday, June 24, 2010

About the field: Three totally forgettable works and two brilliant performances. 1998 was not a very balanced year in terms of greatness. The field is worth not more than 3 Meryls, however if we see the individual performances, we can see that actually, this race was very colorful. We can find many characters: a monarch, a poetic young girl, a lonely woman, a cancer-stricken mum and a musician. Not all the performances were great, but I actually liked all the movies except for One True Thing. In the case of this year, the decision was much easier (Gosh, I'm still a bit sour about Carey Mulligan) and probably even obvious for me. Actually, this was the ranking that I imagined at the very beginning. So here it is:



5. Gwyneth Paltrow in Shakespeare in Love

his is a performance of which I did not have a very high opinion and I still don't, but I managed to like or at least appreciate it. In the last 20 minutes she was utterly charming and lovable, probably what she should have been during the whole movie. I'm not saying this is Oscar material but not bad anyway.



4. Emily Watson in Hilary and Jackie

She mostly gives the same performance she did in Breaking the Waves in a more subtle way. From a mediocre actress, this would have been a terrific achievement. However, we must NOT forget that this is Emily Watson, an amazing talent and therefore you can understand why I was so disappointed with this performance.



3. Meryl Streep in One True Thing

This performance was probably not as bad as it might seem to be from my review, yet I was just very-very disappointed as this is probably the weakest performance I've ever seen from Meryl Streep. I really hoped for something heartbreakingly sad, but never reall got what I wanted. Too bad for her.





2. Cate Blanchett inElizabeth

The perfect example of "in another year".The best thing about this performance is probably Blanchett's magnetic and flaming on-screen presence, which is so strong, that she does not only commands the screen, she becomes a true dictator or if you like it, a queen with absolute power.
Amazing work by an amazing talent.



1. Fernanda Montenegro in Central Station

This performance is so indescribable as it relies mostly on emotions, so you cannot really get it across unfortunately. I thought that would not impress me that muchi but I was truly wrong. She does not only break your heart and makes you feel sorry for the character, but also lets you know the regrets, desires, thoughts of this person. Totally mesmerizing, beautiful performance for the ages.



So I can proudly announce my winner for this year is,

Fernanda Montenegro in Central Station



I have already chosen my next year (which I won't begin until next Thursday unfortunately) and I give some clues so that you can find out:

  • a winner with a horrible personal life
  • a nominee who's a member of a legendary comedy couple

  • Britain rules
  • a foreign nominee
  • one of the LEAST talked about races ever (if not the one)
These clues might be misleading, so think twice and don't think about the most obvious one.



Gwyneth Paltrow in Shakespeare in Love

Monday, June 21, 2010

Gwyneth Paltrow received her only nomination and won the Oscar, for playing Viola de Lesseps, a young girl, who's dreaming about becoming an actor and soon gets the part of Romeo in William Shakespeare's (Joseph Fieness) brand new play, Romeo and Juliet and she also becomes romantically involved with the famed author and player, however she's forced to marry the humorless Lord Wessex (Colin Firth) as she has to obey her parents and the Queen (Judi Dench).

Shakespeare in Love is a witty and and entertaining romantic comedy, which is widely hated because it won the Oscar over Saving Private Ryan, still I loved it because of some memories and also because I find it a very good and enjoyable movie, which wasn't necessarily deserving of the Best Picture Oscar. I admit though that it requires a special mood and you cannot always enjoy it (when I rewatched it yesterday I wasn't that impressed either). The music is probably the best thing about it, the screenplay is colorful, witty and smart and the comedy part is OK. Just like the actors, who give solid performances and only the always brilliant Judi Dench stands out, but when doesn't she?

Last time you read anything I wrote (a line) about Gwyneth Paltrow on this blog, it wasn't much of a praise and I kind of regret it, because it just wasn't that fair to say. Gwyneth Platrow is actually a talented and charming performer, who can give very good performances and who's also a very good comedienne (see Iron Man for proof). Just like in the case of Carey Mulligan, she was often compared to Audrey Hepburn at the time (well mainly by the campaign of Harvey Weinstein), which I really don't understand. Paltrow has a totally different personality from Hepburn, she acts in a very different way and they don't even look like each other. This role might be a little like Princess Ann in Roman Holiday. A rich girl who does not enjoy and would rather be with normal people. Roughly, this is the only comparision.

The first time we see Paltrow on scene, she's just laughing charmingly and then whispering the lines of Shakespeare rather awkwardly. We see that she's a girl who's a true dreamer and this is probably too exaggerated in the screenplay and Paltrow could not really handle this. She could either take the role a 100% seriously or emphasise the humor and be a bit ironic, a charicature of Juliet from the play. She wants them both and the two things mix weirdly and the result is being plain and a bit boring.

As this performance is by no means bad, it's only a bit watered and uninteresting. But it's not only the fault of Paltrow, as she's not provided with a very complicated and interesting role and she does not have the opportunity to truly shine. Or there was actually an opportunity but she could not use it. I cannot decide it though.

She also gets the classic comic role of a crossdresser, because in order to become a player Viola has to pretend that she's a man. In the role of Thomas Kent, she's quite good and funny, she brilliantly caught the clumsiness of this young girl who has to act like a man. The way she speaks or walk are both (limitedly) funny, meaning that you are amused by it at first, but then you get nothing special out of it.

However, I have to admit that in the very last scenes she reaches greatness and she even moved me. She perfectly solved her last scene with Shakespeare, which had many traps but she managed to avoid all of them. In the last 20 minutes she was utterly charming and lovable, probably what she should have been during the whole movie and is probably the reason why I give her this rating.

So to sum up, this is a performance of which I did not have a very high opinion and I still don't, but I managed to find like or appreciate. I'm not saying this is Oscar material but not bad anyway. So see my brand new rating system:



Definitely stronger 3 than Sandra Bullock's.



So what do you think? Do you agree?

The next year...

Sunday, June 20, 2010

I have to wait until 1995 to get Dead Man Walking (last time I saw I borrowed it from the school library, but now there's no school), but I figured that I could do another year until then and I decided that it would be...

1998



And the nominees were:
  • Cate Blanchett in Elizabeth
  • Fernanda Montenegro in Central Station
  • Gwyneth Paltrow in Shakespeare in Love*
  • Meryl Streep in One True Thing
  • Emily Watson in Hillary and Jackie
So who do you predict to win? Who do you want to win?
 

Blogger news

Blogroll

Most Reading