Showing posts with label jack lemmon. Show all posts
Showing posts with label jack lemmon. Show all posts
The Apartment (1960).
Saturday, November 17, 2012
The Apartment is a 1960 film produced and directed by Billy Wilder, starring Jack Lemmon, Shirley MacLaine, and Fred MacMurray. It was Wilder's follow-up to Some Like It Hot. The film was nominated for ten Academy Awards, and won five, including Best Picture.
The Apartment is not your typical fuzzy feel good Christmas story. Although.. I still feel that it is a wonderful classic, in which you will see Fred MacMurray in a very different role. Please click here to view past review: The Apartment(1960).
Ray Walston (November 2, 1914 – January 1, 2001) was a stage, television and film actor best known as the title character on the 1960s situation comedy My Favorite Martian.
He is also remembered for his roles as Luther Billis in South Pacific (1949/1958), Mr. Applegate in Damn Yankees (1955/1958), J.J. Singleton in The Sting (1973), high school teacher Mr. Hand in Fast Times at Ridgemont High (1982), and Judge Henry Bone on the drama series Picket Fences (1992-1996).
He started acting at an early age, as a "spear carrier" at many New Orleans theaters.
He played small roles with stock companies, where he not only starred in traveling shows but also worked at a movie theater, selling tickets and cleaning the stage floors. His family moved to Dallas, Texas, where he joined Margo Jones, theater company. He later traveled to Cleveland, Ohio, where he spent three years with the Cleveland Play House.
He then traveled to New York City, where he made his Broadway debut in a 1945 production of Hamlet. Three years later, Walston became one of the first members admitted to the newly formed Actors Studio.
In 1949, he appeared in the short-lived play Mrs. Gibbons' Boys directed by George Abbott, who later cast him as Satan in the musical, Damn Yankees(1955), with Gwen Verdon. They both won awards for their performances. After a decade in New York theater, he won a Tony Award, and he and Verdon were invited to reprise their roles in the 1958 film version.
He starred as Luther Billis in the London production of South Pacific(1949). He reprised that role in the 1958 film adaptation. He and Juanita Hall (as Bloody Mary) were the only cast members to appear in both the stage and movie versions.
Additional Broadway performances: The Front Page, Summer and Smoke, King Richard III, Wish You Were Here and House of Flowers, Rodgers and Hammerstein musical Me and Juliet.
Walston had a successful movie career beginning with: Kiss Them for Me (1957), South Pacific (1958), Say One for Me (1959); Tall Story, with Anthony Perkins and Jane Fonda, Portrait in Black, and The Apartment (all in 1960), Convicts 4 (1962), Wives and Lovers, and Who's Minding the Store? (both in 1963), Kiss Me, Stupid (1964), Caprice (1967), and Paint Your Wagon (1969).
Walston is also featured in the 1973 Best-Picture-Winner The Sting, in which he is crucial to the successful swindling of an unsuspecting griftee (played by Robert Shaw) and in Silver Streak. He also played Mr. Timmer, a prominent character in the 1986 BMX movie "Rad".
He was also among many of the actors who played themselves in cameos for, The Player (1992), although Walston along with several other stars, are actually in character for a movie within a movie sequence.
Walston narrated many U.S. Department of Defense and Atomic Energy Commission (now Department of Energy) films about nuclear experiment, including, the Operation Hardtack I nuclear test film series of 1958.
He made many guest performances in the television shows beginning with, The Outlaws 1960-1961. Walston, was best known playing the title character ("Uncle Martin") on My Favorite Martian from 1963 to 1966, with Bill Bixby. My Favorite Martian, had typecast Walston and he had difficulty finding more serious roles after the show's cancellation.
He later, became a popular character actor in television of the 1970s and 1980s, appearing as a guest star in the shows: Custer, The Wild Wild West, Love, American Style, The Rookies, Mission: Impossible, Ellery Queen, The Six Million Dollar Man, Little House on the Prairie, and The Incredible Hulk with Bill Bixby (in which he played Jasper the Magician in an episode called "My Favorite Magician").
In 1976 he played the part of sleazy Edgar Whiney in the film, Silver Streak. Walston was also known for playing Starfleet Academy groundskeeper "Boothby" in Star Trek: The Next Generation and later on Star Trek: Voyager.
From 1980 to 1992, Walston starred in fourteen movies: 1981's Galaxy of Terror, and 1982's Fast Times at Ridgemont High (as well as its 1986 television adaptation) as Mr. Hand.
In 1984, Walston played a judge on an episode of, Night Court. Six years later, he would work with David E. Kelley while guest-starring on L.A. Law. These roles led to his work as Judge Henry Bone on Picket Fences. Judge Bone was originally a recurring role on the show, but Walston proved to be so popular that he was given a starring role the following year.
In his late 70s, he was nominated for an Emmy Award for the first time.
Walston made an appearance in Star Trek: The Next Generation as Boothby, head groundskeeper at Starfleet Academy in San Francisco, and then reprised the character twice on Star Trek: Voyager, despite the series being set in a distant part of the galaxy.
During his appearance on Star Trek: Voyager in "In the Flesh", he often had trouble with remembering his lines during long one-shot dialogue scenes, but while the cameraman was changing the film for the scene in the briefing room, he quoted a line from Hamlet. Robert Beltran then quoted the next line, and Walston the next. The two went on for several minutes, amazing the entire cast and crew.
In 1985, Walston made a brief appearance in the opening credits of Steven Spielberg's series Amazing Stories, as a caveman acting out a story for his tribe. Only a few seconds long, this performance began every episode of the subsequent series.
In 1992, Walston played the role of Candy in the big-screen remake of, Of Mice and Men. He would work alongside Sinise again two years later in the miniseries adaptation of Stephen King's The Stand.
Walston was nominated three times for Best Supporting Actor in a Drama Series for, Picket Fences, winning twice, in 1995 and 1996. Though Walston enjoyed his work in the series, its ratings were beginning to slip, and CBS cancelled the show after four seasons in 1996.
However, Walston made a guest appearance in an episode of Dr. Quinn, Medicine Woman entitled "Remember Me", in which he portrayed the father of Jake Slicker, who was stricken with Alzheimer's disease.
As his career was coming to an end he played Grandfather Walter Adams, in the Addams Family Reunion (1998), the second sequel to the1991 film, The Addams Family, this time starring Tim Curry as Gomez Addams and Daryl Hannah as Morticia Addams.
One year later, he appeared in the movie remake of his hit series, My Favorite Martian (1999). His final movie role was in the independent film, Early Bird Special.
He also appeared in an AT and T, TV commercial in which his dialogue implied he was Uncle Martin from Mars, looking for good rates to talk to fellow Martians living in the United States. Just before his death, his final TV guest appearance was on, 7th Heaven.
Walston, died at the age of 86 on New Year's Day 2001 in Beverly Hills, California after a 6-year battle with lupus. He was survived by his widow, Ruth, his daughter, Katherine Ann, and two grandchildren.
Alternate Best Actor 1992: Results
Saturday, August 25, 2012
5. Tim Robbins in The Player- Robbins gives a good performance in a somewhat limited role effectively bringing along with him through the great satire that is the Player.
4. Gary Oldman in Bram Stoker's Dracula- A mixed bag from Oldman here with his somewhat uninteresting although adequate scenes as the younger looking Dracula, but he has as well extremely entertaining moments as the older looking Dracula.
3. Harvey Keitel in Reservoir Dogs- Keitel gives a good performance here portraying both the professionalism as well as the humanity within his career criminal.
2. Jack Lemmon in Glengarry Glen Ross- Lemmon is amazing in the role he is always believable as the salesman past his prime, and completely heartbreaking in his realization of this tragic character.
1. Harvey Keitel in Bad Lieutenant- A difficult year to choose both the winner between Kietel and Lemmon and Eastwood. All three are amazing in their roles, but I will have to settle for one and at the moment Keitel is my choice. Kietel gives an incredible performance here as the titular dirty cop. Keitel portrays him in an effective down to earth fashion showing there is nothing special about this man, leading to an powerful ending where the Lieutenant must face his flaws.
Overall Rank:
4. Gary Oldman in Bram Stoker's Dracula- A mixed bag from Oldman here with his somewhat uninteresting although adequate scenes as the younger looking Dracula, but he has as well extremely entertaining moments as the older looking Dracula.
3. Harvey Keitel in Reservoir Dogs- Keitel gives a good performance here portraying both the professionalism as well as the humanity within his career criminal.
2. Jack Lemmon in Glengarry Glen Ross- Lemmon is amazing in the role he is always believable as the salesman past his prime, and completely heartbreaking in his realization of this tragic character.
1. Harvey Keitel in Bad Lieutenant- A difficult year to choose both the winner between Kietel and Lemmon and Eastwood. All three are amazing in their roles, but I will have to settle for one and at the moment Keitel is my choice. Kietel gives an incredible performance here as the titular dirty cop. Keitel portrays him in an effective down to earth fashion showing there is nothing special about this man, leading to an powerful ending where the Lieutenant must face his flaws.
Overall Rank:
- Harvey Keitel in Bad Lieutenant
- Jack Lemmon in Glengarry Glen Ross
- Clint Eastwood in Unforgiven
- Michael Caine in The Muppet Christmas Carol
- Robert Downey Jr. in Chaplin
- Tony Leung Chiu-Wai in Hardboiled
- Chow Yun-Fat in Hardboiled
- Joe Pesci in My Cousin Vinny
- Tim Roth in Reservoir Dogs
- Harvey Keitel in Reservoir Dogs
- Gary Sinise in Of Mice and Men
- Gary Oldman in Bram Stoker's Dracula
- Daniel Day-Lewis in The Last of the Mohicans
- Stephen Rea in The Crying Game
- Tim Robbins in The Player
- Anthony Hopkins in Howard's End
- Denzel Washington in Malcolm X
- Al Pacino in Scent of a Woman
- Harrison Ford in Patriot Games
- John Malkovich in Of Mice and Men
- Mike Myers in Wayne's World
- Charles Grodin in Beethoven
- Tom Cruise in A Few Good Men
- Chris O'Donnell in Scent of a Woman
- Michael Douglas in Basic Instinct
- Macaulay Culkin in Home Alone 2
- Tom Cruise in Far and Away
- Billy Crystal in Mr. Saturday Night
Alternate Best Actor 1992: Jack Lemmon in Glengarry Glen Ross
Friday, August 24, 2012
Jack Lemmon did not receive an Oscar nomination for portraying Shelley "The Machine" Levene in Glengarry Glen Ross.
Glengarry Glen Ross is a terrific film about a group of real estate salesman made by the great script and the ensemble of great actors in top form.
Jack Lemmon portrays Shelley Levene who is a real estate salesman who seems to be now on one long losing streak when it comes to making a single sale. Lemmon is one giant mess in all the right ways with his performance here as Shelley. Lemmon makes Shelley a man represented by his constant desperation. This is not some simple desperation that has come overnight, rather Lemmon is able to convey the history of failing that has befallen Shelley leaving him in this state.
Lemmon is excellent though because he does not show Shelley's desperation to really be a depression. Shelley never stops during the film he is always trying to finally break his losing streak at any times. Lemmon's basis his performance well around the spark of life that still is in Shelley as he tries hard to do anything to alleviate his terrible situation he has fallen into. It would have been easy to make Shelley a far more downer of a man, but Lemmon effectively shows more about Shelley's past by not doing this.
Jack Lemmon is able to bring to life the past of Shelley to life by subtly suggesting his successes were once great. Lemmon never has Shelley really did lose that life in Shelley that shows that he was not always a failure in his job. Lemmon of course does not have this as something that is always apparent in Shelley, as he most certainly is downtrodden but he handles it extremely well by having it an underlying factor throughout. He does have a glint of his strength that he once had.
Interestingly though there are even moments where there is even a pompous quality that Lemmon does bring in with Shelley in just a few moments. He does not overdue do it, and it is only shown in his scenes with Kevin Spacey's Williamson. There is an anger in few times where Shelley tries to basically tell off Williamson by telling him about his former power within their organization. Lemmon is great in these scenes because it is a genuinely portrayed moment of anger in Shelley, anger in that he has fallen so far and can get as much disrespect from his organization.
A great deal of the performance comes in with his scenes where Shelley is trying to get that one sale that will turn things around for him. Lemmon is excellent in everyone of these scenes. In his earliest ones where he is calling someone over the phone Lemmon shows Shelley's style perfectly being a calm and charismatic salesman pushing forward the sale carefully through simple tricks. Lemmon though off sets this wonderfully though by conveying in his face that there still is that same nervous desperation, even when he is so calm and professional in sales trickery.
Lemmon very best moment might come in one very disheartening scene where Shelley tries to get a sale out a man who clearly does not have the slightest interest in one. Lemmon is wonderful as he brings to life the struggle Shelley has to try to keep going, and trying anything he can do to do to convince this man to buy something from him, even though clearly the man does not have the slightest interest. It is a heartbreaking scene because Lemmon completely brings to life the fact that Shelley is giving everything, everything that he has and knows as a salesman and can't get anything out of the man.
Lemmon though is equally outstanding though in the second half of the film after Shelley has apparently successfully made big sale. Lemmon is amazing here as he really brings about that underlying spark fully out as Shelley becomes his old self again. Lemmon portrays Shelley as completely being rejuvenated the desperation is gone and he is joyous over his success after so long. Lemmon before showed us Shelley always trying to be his old self, but here Lemmon shows us the old salesman. A man completely sure of his self , his prowess and absolutely proud as one can be over his achievement.
His scenes are great here, particularly his reactions with Pacino's Ricky Roma as he describes with the utmost energy his method of selling the property. This continues on to him helping Roma try to finish securing his sale with a jittery man (Jonathan Pryce). Pacino and Lemmon are perfect in their scene together as the two men put on a ruse over the man to try to keep Roma's sale despite the man's reservations over it. They bring to life the abilities of the two men in a highly entertaining fashion after as they play off each other to attempt to keep the man in on the deal. Lemmon again shows us Shelley's old self secure and confidant although maybe too confidant.
Lemmon shows that Shelley not only completely loses his desperation but too much believes himself once again the infallible machine. Lemmon portrays an insistent pride in his accomplishments and abilities that pushes Shelley basically to say too much and go too far that leads him into trouble. Lemmon is just incredible in his final scene as Shelley tries basically one last desperate sale. In this moment when he sees the odds are against him Lemmon effectively portrays that Shelley loses all that pride and confidence before and returns to the same desperation from the beginning. It is a heartbreaking scene as Lemmon shows one last failure in his moving portrait of this tragic man.
Glengarry Glen Ross is a terrific film about a group of real estate salesman made by the great script and the ensemble of great actors in top form.
Jack Lemmon portrays Shelley Levene who is a real estate salesman who seems to be now on one long losing streak when it comes to making a single sale. Lemmon is one giant mess in all the right ways with his performance here as Shelley. Lemmon makes Shelley a man represented by his constant desperation. This is not some simple desperation that has come overnight, rather Lemmon is able to convey the history of failing that has befallen Shelley leaving him in this state.
Lemmon is excellent though because he does not show Shelley's desperation to really be a depression. Shelley never stops during the film he is always trying to finally break his losing streak at any times. Lemmon's basis his performance well around the spark of life that still is in Shelley as he tries hard to do anything to alleviate his terrible situation he has fallen into. It would have been easy to make Shelley a far more downer of a man, but Lemmon effectively shows more about Shelley's past by not doing this.
Jack Lemmon is able to bring to life the past of Shelley to life by subtly suggesting his successes were once great. Lemmon never has Shelley really did lose that life in Shelley that shows that he was not always a failure in his job. Lemmon of course does not have this as something that is always apparent in Shelley, as he most certainly is downtrodden but he handles it extremely well by having it an underlying factor throughout. He does have a glint of his strength that he once had.
Interestingly though there are even moments where there is even a pompous quality that Lemmon does bring in with Shelley in just a few moments. He does not overdue do it, and it is only shown in his scenes with Kevin Spacey's Williamson. There is an anger in few times where Shelley tries to basically tell off Williamson by telling him about his former power within their organization. Lemmon is great in these scenes because it is a genuinely portrayed moment of anger in Shelley, anger in that he has fallen so far and can get as much disrespect from his organization.
A great deal of the performance comes in with his scenes where Shelley is trying to get that one sale that will turn things around for him. Lemmon is excellent in everyone of these scenes. In his earliest ones where he is calling someone over the phone Lemmon shows Shelley's style perfectly being a calm and charismatic salesman pushing forward the sale carefully through simple tricks. Lemmon though off sets this wonderfully though by conveying in his face that there still is that same nervous desperation, even when he is so calm and professional in sales trickery.
Lemmon very best moment might come in one very disheartening scene where Shelley tries to get a sale out a man who clearly does not have the slightest interest in one. Lemmon is wonderful as he brings to life the struggle Shelley has to try to keep going, and trying anything he can do to do to convince this man to buy something from him, even though clearly the man does not have the slightest interest. It is a heartbreaking scene because Lemmon completely brings to life the fact that Shelley is giving everything, everything that he has and knows as a salesman and can't get anything out of the man.
Lemmon though is equally outstanding though in the second half of the film after Shelley has apparently successfully made big sale. Lemmon is amazing here as he really brings about that underlying spark fully out as Shelley becomes his old self again. Lemmon portrays Shelley as completely being rejuvenated the desperation is gone and he is joyous over his success after so long. Lemmon before showed us Shelley always trying to be his old self, but here Lemmon shows us the old salesman. A man completely sure of his self , his prowess and absolutely proud as one can be over his achievement.
His scenes are great here, particularly his reactions with Pacino's Ricky Roma as he describes with the utmost energy his method of selling the property. This continues on to him helping Roma try to finish securing his sale with a jittery man (Jonathan Pryce). Pacino and Lemmon are perfect in their scene together as the two men put on a ruse over the man to try to keep Roma's sale despite the man's reservations over it. They bring to life the abilities of the two men in a highly entertaining fashion after as they play off each other to attempt to keep the man in on the deal. Lemmon again shows us Shelley's old self secure and confidant although maybe too confidant.
Lemmon shows that Shelley not only completely loses his desperation but too much believes himself once again the infallible machine. Lemmon portrays an insistent pride in his accomplishments and abilities that pushes Shelley basically to say too much and go too far that leads him into trouble. Lemmon is just incredible in his final scene as Shelley tries basically one last desperate sale. In this moment when he sees the odds are against him Lemmon effectively portrays that Shelley loses all that pride and confidence before and returns to the same desperation from the beginning. It is a heartbreaking scene as Lemmon shows one last failure in his moving portrait of this tragic man.
Alternate Best Actor 1992
Friday, August 17, 2012
And the Nominees Were Not:
Harvey Keitel in Bad Lieutenant
Harvey Keitel in Reservoir Dogs
Jack Lemmon in Glengarry Glen Ross
Gary Oldman in Bram Stoker's Dracula
Tim Robbins in The Player
Harvey Keitel in Bad Lieutenant
Harvey Keitel in Reservoir Dogs
Jack Lemmon in Glengarry Glen Ross
Gary Oldman in Bram Stoker's Dracula
Tim Robbins in The Player
Best Supporting Actor 1955: Results
Thursday, December 1, 2011
5. Joe Mantell in Marty- There is nothing wrong with Mantell's performance, but there just is not much to it either.
4. Arthur O'Connell in Picnic- O'Connell most certainly has a certain charm to his performance, and does not fall into the melodramatic overacting of some of his co-stars, but on a whole he still does not do anythign substantial.
3. Arthur Kennedy in Trial- Kennedy spends a little too much effort to be noticed in this film but having said that he still does give an effective performance.
2. Sal Mineo in Rebel Without a Cause- Mineo gives a very strong quiet performance, that conveys the troubles of his character without fault.
1. Jack Lemmon in Mr. Roberts- Good Predictions Eddie, and Moviefilm. Lemmon is my choice of the year with his very entertaining and enjoyable performance. It is very easy to do comedy like this poorly, but Lemmon hits all the right notes, as well manages to bring the more dramatic aspects of his performance to life as well as the comedic ones.
4. Arthur O'Connell in Picnic- O'Connell most certainly has a certain charm to his performance, and does not fall into the melodramatic overacting of some of his co-stars, but on a whole he still does not do anythign substantial.
3. Arthur Kennedy in Trial- Kennedy spends a little too much effort to be noticed in this film but having said that he still does give an effective performance.
2. Sal Mineo in Rebel Without a Cause- Mineo gives a very strong quiet performance, that conveys the troubles of his character without fault.
1. Jack Lemmon in Mr. Roberts- Good Predictions Eddie, and Moviefilm. Lemmon is my choice of the year with his very entertaining and enjoyable performance. It is very easy to do comedy like this poorly, but Lemmon hits all the right notes, as well manages to bring the more dramatic aspects of his performance to life as well as the comedic ones.
Labels:
1955 Best Supporting Actor,
Arthur Kennedy,
Arthur O'Connell,
jack lemmon,
Joe Mantell,
Sal Mineo
Best Supporting Actor 1955: Jack Lemmon in Mister Roberts
Wednesday, November 30, 2011
Jack Lemmon won his first Oscar from his first nomination for portraying Ensign Frank Pulver in Mister Robert.
Mister Roberts details the struggle on a naval ships in the back waters of the pacific during World War II between the kindly Mister Roberts, and the tyrannical ship's captain (James Cagney).
Jack Lemmon plays Ensign Pulver the laundry and morale officer aboard the ship. He might have this position though he mostly just seems to sleep in his quarters, and randomly attempt to come up with things to help pass his time on the rather boring ship. Lemmon is an actor I will admit that I actually tend to prefer him in dramatic roles oppose to his comedic roles, since I find he can easily go a little too far with his comic performance, or that his shtick can eventually become old during the course of a film.
Luckily in this film though Lemmon is used just the right amount, as well as he finds the right tone for his performance to work as it should. This is one of Lemmon's better comedic performances, because he does not overplay his role to the point of ever coming off as annoying or obnoxious but instead makes Ensign Pulver the most entertaining character in the film. Also really he makes his performance the mainly comedic performance that works best in the film, unlike the rest of the crew who shows just how one can constantly overact while attempting to be funny, but than not be funny at all.
Lemmon on the other hand succeeds in creating a very enjoyable performance as Ensign Pulver. As usual with most Lemmon performances, especially his comedic ones, he infuses a great deal of energy into his performance, and it is all well spent with Ensign Pulver. Lemmon manages to be very entertaining with simply his body language of Pulver who manages bring life to every scene he is in through his uneasy manner, I particularly like his scene where he accidentally runs into the ships Captain, and Lemmon shows just how little confidence Pulver really has.
Lemmon never really wastes a moment in his performance as Pulver, and manages to make more out of every scene he is in than there would have been otherwise. He has pitch perfect reactions throughout, and manages to make the lazy and rather meek Pulver a very enjoyable character. All of his behavior is made endearing by Lemmon, when it easily could have gone the wrong way. Lemmon has just the right charm in his performance to make Pulver as he should be. His performance though is not only comedic and does have some dramatic weight that is found in the end of the film.
Lemmon though manages just as well with his final dramatic scene as he did with all his comedic ones. He shows in his single scene how much the titular Mister Roberts meant to everyone and actually Lemmon's performance is what makes the final climax of the film work. He shows a transformation at the end with Pulver, that is made believable despite being a fast one, because he is able to show how Pulver sees his sense of duty and finally does it. This is a very good performance by Lemmon that seizes his opportunities of his part, and manages to make his performance the most memorable part of his film.
Mister Roberts details the struggle on a naval ships in the back waters of the pacific during World War II between the kindly Mister Roberts, and the tyrannical ship's captain (James Cagney).
Jack Lemmon plays Ensign Pulver the laundry and morale officer aboard the ship. He might have this position though he mostly just seems to sleep in his quarters, and randomly attempt to come up with things to help pass his time on the rather boring ship. Lemmon is an actor I will admit that I actually tend to prefer him in dramatic roles oppose to his comedic roles, since I find he can easily go a little too far with his comic performance, or that his shtick can eventually become old during the course of a film.
Luckily in this film though Lemmon is used just the right amount, as well as he finds the right tone for his performance to work as it should. This is one of Lemmon's better comedic performances, because he does not overplay his role to the point of ever coming off as annoying or obnoxious but instead makes Ensign Pulver the most entertaining character in the film. Also really he makes his performance the mainly comedic performance that works best in the film, unlike the rest of the crew who shows just how one can constantly overact while attempting to be funny, but than not be funny at all.
Lemmon on the other hand succeeds in creating a very enjoyable performance as Ensign Pulver. As usual with most Lemmon performances, especially his comedic ones, he infuses a great deal of energy into his performance, and it is all well spent with Ensign Pulver. Lemmon manages to be very entertaining with simply his body language of Pulver who manages bring life to every scene he is in through his uneasy manner, I particularly like his scene where he accidentally runs into the ships Captain, and Lemmon shows just how little confidence Pulver really has.
Lemmon never really wastes a moment in his performance as Pulver, and manages to make more out of every scene he is in than there would have been otherwise. He has pitch perfect reactions throughout, and manages to make the lazy and rather meek Pulver a very enjoyable character. All of his behavior is made endearing by Lemmon, when it easily could have gone the wrong way. Lemmon has just the right charm in his performance to make Pulver as he should be. His performance though is not only comedic and does have some dramatic weight that is found in the end of the film.
Lemmon though manages just as well with his final dramatic scene as he did with all his comedic ones. He shows in his single scene how much the titular Mister Roberts meant to everyone and actually Lemmon's performance is what makes the final climax of the film work. He shows a transformation at the end with Pulver, that is made believable despite being a fast one, because he is able to show how Pulver sees his sense of duty and finally does it. This is a very good performance by Lemmon that seizes his opportunities of his part, and manages to make his performance the most memorable part of his film.
Best Supporting Actor 1955
Saturday, November 26, 2011
And the Nominees Were:
Sal Mineo in Rebel Without a Cause
Joe Mantell in Marty
Jack Lemmon in Mister Roberts
Arthur O'Connell in Picnic
Arthur Kennedy in Trial
Sal Mineo in Rebel Without a Cause
Joe Mantell in Marty
Jack Lemmon in Mister Roberts
Arthur O'Connell in Picnic
Arthur Kennedy in Trial
Labels:
1955 Best Supporting Actor,
Arthur Kennedy,
Arthur O'Connell,
jack lemmon,
Joe Mantell,
Sal Mineo
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