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Showing posts with label Tim Robbins. Show all posts
Showing posts with label Tim Robbins. Show all posts

Alternate Best Supporting Actor 1988: Results

Sunday, January 6, 2013

5. Tim Robbins in Bull Durham- Robbins gives an entertaining performance finding the endearing qualities within his rather unintelligent character.
4. Christopher Lloyd in Who Framed Roger Rabbit- Lloyd gives an effective villianous turn by putting so much conviction in his performance even when saying the most absurd things.
3. Philippe Noiret in Cinema Paradiso- Noiret gives a moving performance that nicely conveys the warmth and wisdom his character has.
2. Alan Rickman in Die Hard- Rickman creates a deliciously evil villain and is effectively amusing and imposing sometimes even in the same scene.
1. Michael Palin in A Fish Called Wanda- Good Prediction Lezlie. My favorite this whole year is Michael Palin, although it was close between his Oscar winning co-star and Alan Rickman. Despite loving all three though Palin's performance, which succeeds in making assassination and dog killing funny, is my favorite.
Overall Rank:
  1. Michael Palin in A Fish Called Wanda
  2. Kevin Kline A Fish Called Wanda
  3. Alan Rickman in Die Hard
  4. Alec Guinness in Little Dorrit
  5. Philippe Noiret in Cinema Paradiso
  6. Christopher Lloyd in Who Framed Roger Rabbit 
  7. Jacques Perrin in Cinema Paradiso
  8. Martin Landau in Tucker: The Man and his Dream
  9. Salvatore Cascio in Cinema Paradiso
  10. Tim Robbins in Bull Durham
  11. Raul Julia in Moon Over Parador
  12. Dean Stockwell in Tucker: The Man and His Dream
  13. Reginald VelJohnson in Die Hard 
  14. Michael Keaton in Beetle Juice 
  15. Williem Dafoe in Mississippi Burning
  16. Charles Fleischer in Who Framed Roger Rabbit
  17. David Strathairn in Eight Men Out
  18. John Forsythe in Scrooged
  19. John Amos in Coming to America
  20. Tom Georgeson in A Fish Called Wanda
  21. John Cusack in Eight Men Out
  22. Harrison Ford in Working Girl
  23. John Mahoney in Eight Men Out
  24. John Glover in Scrooged
  25. Douglas Seale in Ernest Saves Christmas
  26. Brad Dourif in Mississippi Burning
  27. Dean Stockwell in Married to the Mob
  28. Robert Mitchum in Scrooged
  29. Judd Hirsch in Running on Empty
  30. David Johansen in Scrooged
  31. William Atherton in Die Hard 
  32. Robert Loggia in Big
  33. Stephen Tobolowsky in Mississippi Burning
  34. Michael Rooker in Eight Men Out
  35. John Ashton in Midnight Run
  36. John Murray in Scrooged
  37. Lloyd Bridges in Tucker: A Man and His Dram
  38. Alexander Godunov in Die Hard
  39. George Kennedy in The Naked Gun
  40. Arsenio Hall in Coming to America 
  41. Lou Diamond Phillips in Stand and Deliver
  42. Jeffrey Jones in Beetle Juice
  43. Bobcat Goldthwait in Scrooged
  44. R L. Ermey in Mississippi Burning
  45. Yaphet Kotto in Midnight Run
  46. Elias Koteas in Tucker: A Man And His Dream
  47. Marco Leonardi in Cinema Paradiso 
  48. Val Kilmer in Willow 
  49. Frederic Forrest in Tucker: A Man And His Dream
  50. Alan Tilvern in Who Framed Roger Rabbit 
  51. Keith David in They Live
  52. Glenn Shadix in Beetle Juice
  53. Bill Pullman The Accidental Tourist
  54. Tray Wilson in Bull Durham
  55. Christian Slater in Tucker: A Man And His Dream
  56. Robert Wuhl in Bull Durham
  57. Paul Gleason in Die Hard
  58. Liam Neeson in The Dead Pool
  59. John Heard in Big
  60. Joe Pesci in Moonwalker
  61. Jim Carrey in The Dead Pool
  62. Keanu Reeves in Dangerous Liaisons
Next Year: 1973 Leading

Alternate Best Supporting Actor 1988: Tim Robbins in Bull Durham

Friday, January 4, 2013

Tim Robbins did not receive an Oscar nomination for portraying Ebby Calvin "Nuke" LaLoosh in Bull Durham.

Bull Durham is an enjoyable enough film about a wise but not especially talented minor league player Crash Davis (Kevin Costner), who tries to teach a talented but brash player to be truly great, while both of them seek the affection of a baseball groupie Annie (Susan Sarandon).

Tim Robbins plays the brash pitcher Nuke LaLoosh who can throw a ball fast, but has some serious problems when it comes to efficiently aiming the ball in the right direction. Robbins portrays Nuke as a brash overly confidant sort, but above all a doofus. The simple thing is that Nuke just is not very smart, and even when told what he is doing is wrong it is a bit hard for him to understand. Robbins although at first wears on you a little at the very beginning as Nuke, but once Costner's character shows up and knocks him down a notch Nuke becomes far more tolerable. 

That is not really a problem with Robbins's performance because at that point you are not really suppose to like him all that much at first, and he properly leaves room for certain changes to occur. Also Robbins does not make the mistake many actors make well playing an obnoxious character by nature. Robbins certainly does play up the obnoxiousness to the right degree without going over board. Importantly what he also shows is a certain childlike enthusiasm with his performance that manages to make Nuke endearing even though Robbins never does stray from the brashness of Nuke either. 

What really changes his character from his lunkhead approach to throwing though his relationship with Annie and Crash. Annie being a baseball groupie takes it as her duty almost to sleep with Nuke to reach his full potential for the team. Robbins and Sarandon are good together although not through some sort of normal warm filled chemistry, but rather between lust filled student of sorts and a lust filled teacher of sorts. Robbins though is quite enjoyable about how unabashed he is in Nuke's lust for Annie. Robbins is appropriately hapless as there is nothing romantic about his scenes with Sarandon rather the two create the scene amusingly as sex with lessons about how to be a better pitcher.

His relationship with Crash is one of almost pure antagonism at first, although Crash tries to make him hone in his game through tips he gives throughout. Robbins and Costner play this pretty well as the two basically ease on their dislike for each other, and Robbins is particularly effective in portraying Nuke slowly getting over himself. Robbins does not rush it but eases into it well that makes it an enjoyable journey, but as well a believable one. He and Costner are entertaining together as the two mentor/student role grows even to the point in which Crash convinces Nuke to stop sleeping with Annie since he says it will break his winning streak.

Robbins gives a good performance here as Nuke playing up nicely his character's lacking qualities in which a way he still can have a certain likability particularly as he slowly seems to learns how play better. What is important is that Robbins does not show Nuke to really get all that much smarter in in the end, but rather just he portrays Nuke as more of learning to do exactly what he is told to do more than anything else. He does this with a great degree of earnestness that works very well for the part.

Alternate Best Supporting Actor 1988

Wednesday, January 2, 2013

And the Nominees Were Not:

Michael Palin in A Fish Called Wanda

Tim Robbins in Bull Durham

Philippe Noiret in Cinema Paradiso

Alan Rickman in Die Hard

Christopher Lloyd in Who Framed Roger Rabbit

Alternate Best Actor 1992: Results

Saturday, August 25, 2012

5. Tim Robbins in The Player- Robbins gives a good performance in a somewhat limited role effectively bringing along with him through the great satire that is the Player.
4. Gary Oldman in Bram Stoker's Dracula- A mixed bag from Oldman here with his somewhat uninteresting although adequate scenes as the younger looking Dracula, but he has as well extremely entertaining moments as the older looking Dracula.
3. Harvey Keitel in Reservoir Dogs- Keitel gives a good performance here portraying both the professionalism as well as the humanity within his career criminal.
2. Jack Lemmon in Glengarry Glen Ross- Lemmon is amazing in the role he is always believable as the salesman past his prime, and completely heartbreaking in his realization of this tragic character.
1. Harvey Keitel in Bad Lieutenant- A difficult year to choose both the winner between Kietel and Lemmon and Eastwood. All three are amazing in their roles, but I will have to settle for one and at the moment Keitel is my choice. Kietel gives an incredible performance here as the titular dirty cop. Keitel portrays him in an effective down to earth fashion showing there is nothing special about this man, leading to an powerful ending where the Lieutenant must face his flaws.
Overall Rank:
  1. Harvey Keitel in Bad Lieutenant
  2. Jack Lemmon in Glengarry Glen Ross
  3. Clint Eastwood in Unforgiven
  4. Michael Caine in The Muppet Christmas Carol 
  5. Robert Downey Jr. in Chaplin
  6. Tony Leung Chiu-Wai in Hardboiled
  7. Chow Yun-Fat in Hardboiled
  8. Joe Pesci in My Cousin Vinny
  9. Tim Roth in Reservoir Dogs
  10. Harvey Keitel in Reservoir Dogs
  11. Gary Sinise in Of Mice and Men 
  12. Gary Oldman in Bram Stoker's Dracula
  13. Daniel Day-Lewis in The Last of the Mohicans
  14. Stephen Rea in The Crying Game
  15. Tim Robbins in The Player
  16. Anthony Hopkins in Howard's End
  17. Denzel Washington in Malcolm X
  18. Al Pacino in Scent of a Woman
  19. Harrison Ford in Patriot Games
  20. John Malkovich in Of Mice and Men
  21. Mike Myers in Wayne's World
  22. Charles Grodin in Beethoven 
  23. Tom Cruise in A Few Good Men
  24. Chris O'Donnell in Scent of a Woman
  25. Michael Douglas in Basic Instinct 
  26. Macaulay Culkin in Home Alone 2 
  27. Tom Cruise in Far and Away
  28. Billy Crystal in Mr. Saturday Night
Next Year: 1984

    Alternate Best Actor 1992: Tim Robbins in The Player

    Monday, August 20, 2012

    Tim Robbins did not receive an Oscar nomination for portraying Griffin Mill in The Player.

    The Player is an excellent satire on Hollywood about an executive who murders a writer he believes was sending him death threats.

    Tim Robbins portrays the executive who does the murdering and I must say watching this film the very first time I frankly expected a bit more of a sleazy portrayal than the one that Robbins provides. Robbins actually pretty much at first shows Griffin Mill to be pretty much just in the role of the Hollywood executive. Robbins does not really show him to be really evil just a Hollywood executive always thinking about the money involved in the process of course, but really he never is obviously implying that Griffin only cares about that.

    Robbins plays Griffin basically how a character actor would portray a studio executive in a different movie. Robbins is in many simple in his approach and the only major difference is that he does convey Griffin's sense of paranoia over the death threats quite well. He doesn't overplay this as they are not driving him crazy but rather they are something just pressing on his mind and making him slightly nervous and Robbins portrays this fairly effectively by still keeping it downplayed.

    The Player though I feel is very much a directors and writers films as the actors are just players in the story, and many of them are used for a quick satirical puns, particularly the numerous cameos by various actors. Robbins is many ways is just the figure we follow thorough to enjoy the satire, which does not have a great deal to with his performance. Really what makes The Player the great satire it is is almost in entirely in writing and the direction most of the performance really do just play it straight.

    Robbins though is perfectly fine in the role as the executive though, and certainly allows all the satire to occur by not overplaying the part. There is a bit more to his character though in that the film does partially cause him to become in a way more ruthless, but as well as slowly more disheveled over murdering the writer. This though is less overarching than one might think, and it all goes along at natural enough pace as portrayed by Robbins but it also never is really made all that substantial in terms of the film overall.

    This is a good performance by Tim Robbins but I can't quite say it is an amazing one. There is not anything wrong at all with his performance, but it never really is a powerhouse tour de force though. The slow decay into being a worse person that Griffin is by the end of the film is well enough handled, but frankly the impact just is not there. At the same time I must say Robbins certainly still fulfills the role as the man we follow through the great satire that is the Player.

    Alternate Best Actor 1992

    Friday, August 17, 2012

    And the Nominees Were Not:

    Harvey Keitel in Bad Lieutenant 

    Harvey Keitel in Reservoir Dogs

    Jack Lemmon in Glengarry Glen Ross

    Gary Oldman in Bram Stoker's Dracula

    Tim Robbins in The Player
     

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