GANGSTER SQUADWritten by Will Beall
Directed by Ruben Fleischer
Starring Josh Brolin, Ryan Gosling, Emma Stone and Sean Penn
Mickey Cohen: It’s like they say, all good things must eventually be burnt to the ground for the insurance money.
It’s hard for me to accept that the first major studio release of the year, one featuring a bevy of big names no less, would also be a serious candidate for one of the worst films of the year. I’m not sure why it’s difficult considering how many times it has happened in the past, but when you see this much money invested in such a high profile project like GANGSTER SQUAD, you have to think that Warner Brothers must have put someone in charge who knew what he was doing. Instead, they put Ruben Fleisher in charge, a man whose directorial debut, ZOMBIELAND, can now officially be called a total fluke.
GANGSTER SQUAD is actually a complete joke of a movie, or rather it has to be viewed as one in order to make watching it bearable. Screenwriter, Will Beall, if you want to call him that, has composed a fictionalized account of how infamous gangster, Mickey Cohen, was taken down by an elite and highly top secret gang of super cops, who have banded together in their common goal to see a safer Los Angeles. They are also all post-war soldiers who don’t know what to do with all their misplaced aggression. And in keeping with the facile screenwriting tropes that Beall seems to believe are the foundation of a good genre picture, this band of not-so-merry men is made up of misfits, from a sharp shooter to a hot head to the brains of the operation. Only one of them has a family to worry about so you know exactly which one is going to die first. This is the kind of genius to his writing.
Amidst all the predictable plot development and laughable dialogue, is Fleischer’s total mismanagement of said material. At times, I wasn’t even sure there was a director on set. If there was, I’m sure he would have told Sean Penn and Ryan Gosling to stop trying so hard all the time. Every element of their performances seems forced and rehearsed, without the smallest trace of organic humanity to them. I swear, even the way Gosling puts bacon in his mouth is calculated. That said, over doing it is better than not doing anything at all with your time on screen. I’m talking to you, Josh Brolin. Everyone is either good or bad here; actual character development and layering is not even a consideration. And Emma Stone as Penn’s love interest? That would be disturbing even if Penn’s make-up didn’t make him look like a corpse.
Visually, GANGSTER SQUAD is all style over substance, but with very little trace of taste or ability. There is a brief allusion to the idea that there is little difference between the violence of the mob and the methods used by the squad to bring the mob down, which could give the film some sense of meaning and purpose. Then they take this concept and hammer it into the audience over and over again as character after character questions their moral involvement in the squad. There is only one way for this shell of a film to finish and that would be in a barrage of gaudy gunfire that takes out everything in sight. When the smoke clears, it’s pretty obvious that Fleisher should stick to comedies, if that. At least those are intentionally supposed to be funny.
CRAZY STUPID LOVE is the second directorial effort from duo, Glenn Ficarra and John Requa (I LOVE YOU PHILIP MORRIS), and even though two heads should be better than one, you would think no one was in charge from how aimless and tired this plot plays out. Their choices, whey they actually make some, are simple enough for any love struck idiot to understand. We know from the moment the film starts that the love is gone for Cal and Emily (Steve Carell and Julianne Moore) by what they're wearing on their feet. Everyone at the restaurant is playing footsie under the table with their fancy footwear except for these two. Cal is wearing running shoes so we know that he's given up trying. He also drinks from a straw and his wife does the driving so we know he's a sad man. At one point, they end up in an argument in a school parking lot, shortly after it looks like they might reconcile no less, and it begins to rain down heavily on Carell after Moore walks away from him dramatically. "What a cliche," he exclaims and I could not have agreed any more.
After Cal and Emily separate at the beginning of the film, Cal tries to get back out there. This is where he meets Jacob (Ryan Gosling), a smooth operator, who for some inexplicable reason, takes pity on Cal and decides to help him become a real man. Of course, becoming a man people can respect means buying into a world of materialism and detachment, two paths that certainly do not lead to love. As fantastic as it is to watch Gosling let loose for a change, it is clear from the start that ultimately it will be his womanizing ways that will need adjusting in order for him to find true happiness, especially if he intends to land the beautiful Hannah (Emma Stone). And as if there weren't enough tumultuous sub-plots intersecting already, screenwriter, Dan Fogelman (TANGLED), gives us a few more love conundrums to ponder involving a babysitter with an inappropriate crush, a 13-year-old lovesick boy and Kevin Bacon. The point is to distract and make us laugh but all it does is weight the whole project down with heavy awkwardness.
I will not pretend to know too much about love. It seems to me it comes in many different forms and we can only know what it does to us as individuals when we're in it. I can say that my experience has been that it is a transformative emotion well worth every pain that comes with it. It is tricky enough to navigate in the real world though and hard to take seriously in a world as contrived as the one created in CRAZY STUPID LOVE. While Ficarra and Requa attempt to convey how our modern society has made it even more difficult to find love and hold on to it once we have it, they still hold true to the archaic notion that we all have one perfect partner, a "soul mate" if you will, waiting out there for us to find. As far as love in the present day goes, that notion is about as stupid and crazy as they come.
