My mood today...

After three Homeland wins, some great motion picture winners and two fantastic hosts, I'm simply speechless. This year's Globes were dead on and better than I've ever seen. :) 

But of course, above all my favorite moment EVER at the Globes: 

BTW, this is a demonstration of how I felt after each performance of Great Glenn.

Oh, you know me too well. :))

The Final Conclusion - Best Actress 1988

1988

So the much anticipated ranking is:

5. Sigourney Weaver in Gorillas in the Mist
I liked and admired Sigourney Weaver in Gorillas in the Mist. Although I saw the dedication and her commitment to her character, somehow she never really won me over completely, which is extremely unusual for me with a performance by Siggy. She shows the passion and the development of her character wonderfully, she doesn't go too much over the top, except for some scenes. And her scenes with the gorillas are just thrilling. 

4. Jodie Foster in The Accused
Jodie Foster gives a very good and intense performance as Sarah Tobias. Although she's much less effective the second time around, her strength is occasionally captivating and she leaves a lasting impression in the end. Jodie minimises the scenery chewing and her acting is never too much in your face. And her courtroom scene is one of the best acted scenes of Jodie's career. Memorable, strong work.

3. Melanie Griffith in Working Girl

I don't care if it's fashionable or not, I love Melanie Griffith in Working Girl. I sympathized with her and felt for her character throughout the movie, no matter if she was hoovering topless or changing her look or interacting with her men. I laughed with her, got sad with her and I just always wanted her to get to the top. I loved Melanie's clear, almost naive emotions, her optimism, her glowing, funny, joyous personality.

2. Meryl Streep in A Cry in the Dark
Meryl Streep gives an excellent performance as Lindy Chamberlain. Although I'm not as enthusiastic about her in this film as so many others, I can perfectly see why they fell in love with this performance. It's compelling, complex, multi-layered and very-very effective. Some may accuse Meryl of being too calculating and planned, but to me this is one of her most natural and emotional performances, she's a real force on the screen and always a thrill to hear and look at.

1. Glenn Close in Dangerous Liaisons
Amazing or fantastic or career-best doesn't even begin to describe how brilliant Great Glenn is as Marquise de Merteuil. Each and every movement and word of hers is so great that I just keep marvelling. Naturally, the Academy refused to acknowledge this earth-shattering performance with an Oscar win and yet that tells something about the Academy itself instead of Great Glenn who's simply electrifying. A true masterclass in acting, which makes me think if I should call Great Glenn Brilliant Glenn or Greatest Glenn from now on.

So I can proudly announce

that the winner is...

Glenn Close 

in 

Dangerous Liaisons

Glorious Great Glenn

Final thoughts: A truly interesting, wonderfully rich year, the best comeback I can imagine. :) It was the last review for Siggy and more sadly, Great Glenn (for the time being, I hope) and I'm so glad that they've both come out triumphant at least once (I'm a bit sad that I didn't leave Aliens last for Siggy). The real surprise was Melanie whom I liked way more than last time. I'm glad about her nod though it might seem weird that she got nominated instead of some very-very acclaimed performances (I guess you're very surprised by how much I liked her). But I don't really mind that she got nominated. Jodie Foster was Oscar's choice and I'm kind of baffled by her win, especially with hindsight. She went on to win another Oscar, while Great Glenn and Siggy remained Oscarless. And then there's Meryl who has a renaissance among bloggers with her Lindy Chamberlain performance. I suppose that review was the most anticipated and exciting. I don't think that anyone was surprised by my thoughts on Great Glenn and her subsequent (to me no-brainer) win. :)))

Omissions (never seen Sarandon and Michelle Pfeiffer but planning to):

• Jamie Lee Curtis in A Fish Called Wanda
• Carmen Maura in Women on the Verge of a Nervous Breakdown

The next year:

• It will be a surprise; I don't know yet. :) It starts on 15th July.  

What do you think? Any thoughts on your mind?

Glenn Close in Dangerous Liaisons

Great Glenn received her fifth unsuccessful Oscar nomination for playing Marquise de Merteuil, a bored and vicious aristocrat in the adaptation of Choderlos de Laclos's novel, Dangerous Liaisons. After you fail to win the Oscar for a smash hit, which becomes a classic in a second and you get your fifth nomination, you can expect some goodwill from the Academy and yet Great Glenn, the greatest of them all, has been really unlucky at the Academy Awards. I'm 100% sure that if the precursor awards had been on her side, she would have won, hands down (it's always those damn precursor awards that prevent her from winning the Oscar, I tell you). I suppose she was second even this way and was actually really threatening Jodie Foster's win. Since then, Jodie has won Oscars, Great Glenn zero. Discuss. :)

Dangerous Liaisons is simply one of the best movies ever made, simple as that. I don't like to often use this word, but this movie is just perfect. Not only did it deserve to win for all its nominations, it also should have earned John Malkovich an Oscar for the best male performance of 1988 (by far). Also, the fact that the Oscar field that year was so damn weak makes Dangerous Liaison's case even more puzzling. And Michelle... my goodness, is that woman amazing and very underrated here! Honestly both hers and Malkovich's performances left me breathless on their own right and they cannot even contend for being my favorite performance in this film (OK, we all knew awho it would be). 

I don't even start to talk about how and why I love Great Glenn. I don't give a fuck if it's a popular thing to do, I absolutely adore her, and yes, I think SHE is the greatest living actress who can do no wrong and who's probably one of the most underrated performers. There isn't a performance of hers that doesn't blow my socks off. No matter if it's Alex Forrest or Patty Hewes, Great Glenn's constant, dazzling greatness and magnetic personality shines through the scene. Each and every movement of hers suggest intelligence, confidence and natural greatness. I suppose why I love her to such an extent is down to the fact that her typical stage energy adds something unusual and infinitely amazing to her performances.

And Marquise de Merteuil is the crowning achievement of Great Glenn's whole brilliant career. Although I expected to adore her here and find her amazing (I had already seen the movie, like, six times), I wasn't prepared to be this blown away. It actually took me some time to finally really get this performance and what this whole character is all about. Now all the negative comments I've read about her have become clear. The Marquise is manipulative. True. Playing manipulative is easy. Maybe. Was this part easy? Hell no. Hell no. In the Marquise, Great Glenn created a fascinating, amazing and endlessly intriguing character, with much more under the surface than one would initially expect and Great Glenn reveals all the layers of the Marquise in the most fascinating and mysterious way one can imagine.

It's also amazing to me how Great Glenn added a touch of delicate humor to her performance. Bitchiness is always very delicious if done properly, and boy does Great Glenn nail it: her acidic dialogues are delivered as sharply by her as a razor blade. Great Glenn doesn't miss one single opportunity to kick ass and entertain the viewer. She's vivid, enjoyable, fascinating and utterly irresistable. Her work's just like great chocolate: smooth, delicious and in the end, it's nothing but sheer guilty pleasure. So far I would say that this part was very easy, especially for an actress of Great Glenn's stature.

However, what constantly fascinates me about this performance is Great Glenn's wonderful ability to portray the decline of not only the Marquise, but also a whole society and an era. At one point,  Great Glenn delivers a  very sinister and disturbing line: the century is coming to its end very soon. She fills this simple, almost meaningless sentence with so many meanings, making it probably the very essence of her movie. It seems like the Marquise and the Vicomte are trying to enjoy their brief time left in this world. Their life (on the outside) is limited by the rules of society and the daily routines, just like it's shown at the beginning of the movie. It's just like watching actors prepare for their performances. These bored aristocrats do nothing but constantly putting on shows for each other. 

Also, Great Glenn brilliantly uses her face to portray the viciousness of the Marquise. One blink can add multiple layers to a simple sentence and you just keep marvelling at how strong of an effect she can have on you with one look (no pun intended; or yes... maybe). She tells everything with her strange, assymetric eyes, her mouth and her powdered face. This makes the screen almost explode and also makes her a magnetic, luminous presence. No matter how vicious and evil she is, you just keep pulling for the Marquise. 

However, the only vulnerable side of the Marquise is her desire for Valmont. She says "It's the only time I've been controlled by my desire". It's no surprise that the chemistry between Great Glenn and Malkovich is just brilliant. They are both trying to control one another and it seems as if the two of them are in fact competing with each other. They are allies, friends, lovers, adversaries, even enemies. They can only be hurt by each other and yet both actors show how much these people depend on each other. Great Glenn shows it wonderfully that the Marquise is actually jealous and even a bit broken about the special love the Vicomte feels for Madame de Tourvel. You can see her sorrow when she leans against the wall, breathing. It's one of those rare moments when Great Glenn reveals the insecurities of the Marquise. 

Another proof is the long monologue where the Marquise reveals how she "invented" herself. Not only is it the highlight and the best scene of the Great Glenn in this particular movie, but it's also up there with one of her best acted moments of her whole career. Each and every word of hers made me feel like I was hit by a sightseeing bus. Great Glenn's acting seems so subtle, cold or even calculating and yet for me, it only proves how passionate she is in her acting. Although her tools are subtle and she's quite technical, there's something astonishingly real and very emotional about this part, very much like  in the case of Jane Fonda in Klute. Both of them show women deformed by society's expectation and both actresses put on seemingly calculated and atrificial performances in order to show how these women are constantly putting on performances.

Also, I found it really astonishing how we were able to look inside the head of the Marquise while Great Glenn was able to maintain the mysterious aura of the character. We understand the hows of this woman, but Great Glenn only gives us hints about why she acts this way (again, very much like Jane in Klute). And both of them are able to communicate the moral of story through their character, without being obvious or predictable. Both ladies are just showing how their respective societies' downfall affects these two women,  who live under very different circumstances.

The huge breakdown of the Marquise towards the end after the death of we-all-know-who seems extremely odd and out of place in the movie and yet considering the things mentioned above, it seems perfectly reasonable. The calculated surface disappears and all that remains is an overwhelming amount of emotions. I always thought the fact that Great Glenn's trying to rip off her own clothes was a symbol of trying to leave the rules of society behind her.

And yes I might have to withdraw my earlier statement. The conclusion of Great Glenn's performance is just pure perfection and it's just as brilliant as her big monologue (Great Glenn has always thought that this ending was one of the most difficult scenes for her). But boy, was she able to pull it off! She doesn't say a single word and yet she was able to affect you only by playing with her face. We can see a total meltdown, a  truly disturbing danse macabre: eventually, the society that created the Marquise destroys her as well and this downfall becomes incredibly terrifying thanks to Great Glenn. The directing was 100% behind her, but in the end, it was all up to Great Glenn if the movie turns out to be a masterpiece or just a great effort, because she could have screwed its effect up by one false movement in those final moments. However, she was able to balance the emotions incredibly and eventually created not only a fabulous character, but also made the whole movie what it is: a real masterpiece.

So in the end, amazing or fantastic or career-best don't even begin to describe how brilliant Great Glenn is as Marquise de Merteuil. Each and every movement of hers is so great that I still keep marvelling at it. Naturally, the Academy refused to acknowledge this earth-shattering performance with an Oscar win and yet that tells something about the Academy itself instead of Great Glenn who's simply electrifying. A true masterclass in acting, which makes me think if I should call Great Glenn Brilliant Glenn or Greatest Glenn from now on. Again, the rating is just wasted.

  

What do you think? I already painted a red spot on my shirt. 

The Next Year

1988

So the nominees were:

• Glenn Close in Dangerous Liaisons
• Jodie Foster in The Accused
• Melanie Griffith in Working Girl
• Meryl Streep in A Cry in the Dark
• Sigourney Weaver in Gorillas in the Mist

Continuing a Streepathon celebrating Meryl's third, a year with three previous winners of mine and two ladies I haven't yet reviewed. Great Glenn seems to be the odds-on favorite to win here but let's see if I'll jump on the Meryl bandwagon like many of my fellow bloggers or pick someone else. :)

What do you think? Who's your pick? What's your prediction for my ranking? :)

The Final Conclusion - Best Actress 2011

2011

So the much anticipated ranking:

5. Michelle Williams in My Week with Marilyn

I suppose my biggest issue with this performance was that Michelle could have been given so much more. She's proven it over the years that she's able to perform miracles on the screen with the right material. Well, this material just wasn't right for her. She did all that she could with this part, both technically and emotionally. It's a great performance, it's just not something to go crazy about.

4. Glenn Close in Albert Nobbs

Great Glenn's performance as Albert is not her best work, and it doesn't have the totally mindblowing and disturbing effect of some of her other roles, it's a wonderfully touching and emotional performance. It may not give you a huge experience, it's like reading a chapter from a classic novel: inspiring, uplifting and beautiful in itself and more than serves its purpuse. I stand by her!

3. Rooney Mara in The Girl with The Dragon Tattoo

Rooney Mara gives a wonderful, impressive and very complex performance as Lisbeth Salander. What may seem robotic to others is just pure greatness for me. She brilliantly portrays her character's vulnerability and humiliation, but also her cool and incredibly exciting personality. She shows so many sides and reveals so many layers of this woman so effortlessly that she might come off as doing no acting at all.

2. Viola Davis in The Help

Viola Davis is able to give a layered and heartbreaking performance as Aibileen. In each and every moment of the film, she's endlessly loveable, showing so many emotions and faces of this character. Her incredible talent shines through this somewhat thin material and is able to be wonderfully moving, natural and funny at the same time. I have my isssues about her role, but she's just fantastic

1. Meryl Streep in The Iron Lady

In the end, this is a very obvious choice in every possible way. Meryl is everything that a Best Actress winner should be. She gives a fantastic performance as Margaret Thatcher. She's just brilliant in the technical part of her performance, nails the emotional scenes and she's just thoroughly impressive playing this very controversial and divisive character. Simply brilliant.

 So I can proudly announce

that the winner is...

Meryl Streep 

in 

The Iron Lady

Hail Meryl!

Final thoughts: So Meryl wins her third... from me at the very least and FROM THE ACADEMY AS WELL! YAY!. :) Moreover, she's set a record as my only three time winner so far. Moreover, she's also my first consecutive winner. :) I hope that I won't get too repetitive with Meryl. After the rare vicious comments about her in the past, I feel like going back to her. She's downright brilliant as Thatcher. Viola was also fantastic and I wouldn't be mad if she won (I would be happy for her), just quite disappointed. Michelle was an obvious fifth, Great Glenn and Rooney were pretty much equal to me. My love for Great Glenn caused kind of a controversy here, but I was incredibly glad about the supportive comments. And I'm not someone who remains ungrateful so mrripley, Louis and Fritz can all pick a year (and of course, the previously requested years of Louis and Fritz will be done next, I just didn't have time, sorry). Thank you guys! Also, congrats to Joe Burns and greysie on the correct predictions, they can also pick a year! (Available years: 1933, 1938, 1951, 1953, 1956, 1960, 1967, 1968, 1981, 1985, 1988, 1991, 1993, 1994, 1999, 2000, 2008)

Omissions: Kristen Wiig in Bridesmaids; (haven't seen the others yet, but planning to) 

The next year: 

• I Want To Live: The sequel!
• Klute: The Sequel! 

What do you think? Any thoughts on your mind? Any comments on this  Oscar year (I'll do some posts and rankings on it during the weekend)?

Glenn Close in Albert Nobbs

Great Glenn Close received her sixth Oscar nomination for playing the title role of Albert Nobbs, a woman pretending to be a man in order to survive in the 19th century Ireland. When the project was announced Great Glenn fans all over the world (including yours truly) started to hope that this movie might be the ONE after all for her. As of now, it seems that it wasn't enough for Great Glenn to get enough votes for her Oscar. As a lifelong Great Glenn devotee, I still hope secretly that a Viola and Meryl vote split will help her stage that miraculous upset on Oscar night and she will get some real love from Oscar. 

Albert Nobbs is said to be a boring, lifeless picture but I couldn't disagree more. I really enjoyed it, especially for the second time. The direction is nothing to write home about and neither is the story and the screenplay (it really annoyed me when Great Glenn was saying those cheesy life to herself). The acting, however, is just wonderful all around. Again many will disagree with me, but I think the ensemble was just fascinating. Janet McTeer gives a really strong performance, richly deserving of the nomination, but I have to emphasise Pauline Collins who's so wonderful in her role as the vicious and bitchy owner of the hotel. She was a clear highlight of the movie (for me, at least). 

Great Glenn is so special for me. Although, like every sane person on this planet, I'm obsessed with her unforgettable and amazing performances in Fatal Attraction and Dangerous Liaisons, I'm equally impressed by her more quiet and less talked about works, just like the ones in The World accoring to Garp, Reversal of Fortune (her best performance, in my humble opinion) and most recently, her work on Albert Nobbs. As amazing as she is as Patty Hewes in Damages (and is she amazing in it!), I didn't feel very satisifed by the fact that she has to be on tv. Albert Nobbs was a comeback for her to the big screen and I hope that this Oscar nomination will lead to more great roles and a possible future win. 

Albert Nobbs was a passion project for Great Glenn and what I admire most about this movie that it's not pushing her in the spotlight. She's of course the most important part of it but her role is surprisingly quiet and subtle. It's very different from the scheming and/or neurotic and/or psychotic women that people most like to see her play. I'm still stunned by the fact that people went on praising Meryl Streep and Michelle Williams for their transfromation, but very few people were raving about Great Glenn as Albert. She's just considered to give a dreary performance that got recognised because of who she is and the passion project factor. 

However, there's me who doesn't stop being amazed by Great Glenn's fantastic talents as an actress and I'm saying right here and right now that this is quite probably the most beautiful, engaging and touching performance she's ever given. Her radiant "Great Glenn personality" is shining through the screen like never since her first feature film performance as Jenny Fields. 

Great Glenn doesn't have many lines so she uses her body to her greatest advantage. She's so in control of herself without ever seeming to be too forced or calculated. If Albert Nobbs was a silent movie, I imagine she would be just as brilliant as Albert. Her whole story is written on Great Glenn's expressive, beautiful face. And she can communicate so many emotions just by using her eyes or mouth. 

There are no huge breakdowns of Albert like the ones that Meryl got in The Iron Lady or teary-eyed monologues of her dead son, she doesn't get to play a movie icon or a tough hacker detective. Albert is a very reserved person, who's trapped inside her body and who's very uncertain about her own identity. I presume she still thinks of herself as a woman yet she considers Albert her real name. You don't get to break out of her own shell, but she becomes so close to it. There's so much beautiful hope inside this character that Great Glenn so wonderfully shows: it's such always a grand moment when we see her only counting her money and dreaming about that tobacco shop she's planning to open. 

I was also stunned by the scenes where we get to see how wounded Albert is emotionally. A great example is when Hubert finds out that Albert's a woman and Great Glenn's desperately begging to her not to reveal her secret. We see her biggest fear come true and her humiliated reaction is incredibly heartbreaking. 

It was an incredibly hard role to make very impressive for everyone (in that way, Great Glenn failed as it seems) because her of the lack of flashy, showy parts. The only scene where we get to see her crying last for like 15 second and yet it was an incredibly heartbreaking and almost cathartic moment for me. However, if you really ask me about the most breathtaking moment of the movie, it has to be her monologue about "how she invented herself" (Great Glenn can really nail these ones, right? :D ) It's a highly emotional, touching and delicate moment, which implies much more than it actually says. It's gutwrenching to really get to know Albert, only to find out that we had already suspected these things thanks to the wonderful and careful interpretation of Great Glenn. I would say that it has to be one of the most emotionally intense and heartwrenching scene of 2011. 

It was amazing to see how wonderfully Great Glenn showed the doubts of Albert about herself, her personality and indentity. Her friendship with Hubert is a very safe point in her life and her realization of the fact that there is somebody like her is just brilliant. Out of the many touching scenes (how many times did I use this word in this review exactly?), her walk on the beach is one of the most luminous and effective ones. It's one of the rare moments when she can really be herself and let her emotions and feelings out. Her stumbling is a wonderful symbol of this being a very unfamiliar thing for her and Great Glenn portrays in such a wonderfully subtle way. 

This performance is so incredibly rich that it would be incredibly difficult to mention all the things about her that impressed me. Her chemistry with Janet McTeer and Mia Wasikowska is incredible. With Mia and the hotel, it's much like a Father Goriot story for Great Glenn and I admit that they are not as strong as some of the other ones. They are, quite frankly, quite unorignial and cheesy, but Great Glenn wonderfully enlightens them with her wonderful presence. 

It's really the scenes about Albert's personality that makes you totally amazed by her: her dreams, her hopes, her love and her doubts about herself. Although the ending of her story is no surprise, its not depressing or devastating at all, it's rather an uplifting, emotional and, I dare say, cathartic experience (at least for me, I don't see many people being amazed by her, how sad, really). 

Although I agree that Great Glenn's performance as Albert is not her best work, and it doesn't have the totally mindblowing and disturbing effect of some of her other roles, it's a wonderfully touching and emotional performance. It may not give you a huge experience, it's like reading a chapter from a classic novel: inspiring, uplifting and beautiful in itself and more than serves its purpuse. A wonderful, unforgettable experience for me, given by a fascinating actress who's brilliant with or without Oscars.

What do you think?

Winner Breakdown: Makeup

Makeup:
 - Albert Nobbs
- Harry Potter and the Deathly Hallows – Part 2
- The Iron Lady


I think this is a pretty solid category, to be honest. There's not really any clear winner, as all are extremely strong competitors. Albert Nobbs, while I haven't seen it, just seeing Glenn Close as a man shows how well the makeup was done. Close truly looked like a male, and she is very feminine looking in real life. Harry Potter, I'm shocked it hasn't been nominated for make-up before, especially for something like the first or second film. This film was have an array of make-up for battle wounds, for goblins, and for Voldemort. While many people think it's mostly CGI, it really isn't (see photo of Fiennes in makeup here: http://www.filmonair.com/img/video/harrypotter7_voldermortsmakeup_hd.jpg). And even Hagrid and Dumbledore. Both wonderful. And finally, we have The Irony Lady, who transformed Meryl Streep into an elderly lady. The make-up, here too, was quite flawless, and Meryl looked utterly convincing as an old woman, with thick wrists and ankles, and wrinkles and liver spots. Who will win? I'd say it's a big showdown between The Iron Lady and Harry Potter, but I'm really hoping Harry Potter can take it. The make-up was truly flawless there, and this win will make it Potter's first (and possibly only) win at the Oscars, ever. I wouldn't count The Iron Lady out though. Nor Albert Nobbs.


Will Win: Harry Potter
Could Win: The Iron Lady
Dark Horse: Albert Nobbs
Who I Want to Win: Harry Potter

The Next Year

2011

So the nominees are:

• Glenn Close in Albert Nobbs
• Viola Davis in The Help
• Rooney Mara in The Girl with the Dragon Tattoo
• Meryl Streep in The Iron Lady
• Michelle Williams in My Week with Marilyn

So, another year has come and as of now, the race is very exciting. All of them have a more or less legitimate shot at winning (except for maybe Rooney) so we'll just have to wait until SAG announces (tonight) :). 

But more importantly ;), who will get my vote? What do you think? Can Meryl get her third win from me (and become my first consecutive winner)? Or will I go with one of the four other fantastic ladies, including Great Glenn? Who's your pick? What's your prediction for my ranking? (I'm really interested in that) :) 

ALBERT NOBBS

ALBERT NOBBS
Written by Glenn Close and John Banville
Directed by Rodrigo Garcia
Starring Glenn Close, Mia Wasikowska, Janet McTeer and Aaron Johnson


Dr. Hollaran: We are both disguised as ourselves.

Glenn Close first played the titular role of ALBERT NOBBS on stage nearly thirty years ago. She defined the role for the stage and has been trying to get the play, based on a short story, made into a film ever since. Her aspirations have finally been realized, resulting in what may be one of the finest turns this 5-time Oscar nominated actress has ever given. As Nobbs, she shines so brightly on screen by blending so perfectly into the background and going with as little notice as possible. And though her character is inherently humble, she is simply unforgettable.

At the turn of the 19th century, Albert Nobbs is going on thirty years or so as a servant in a popular British hotel. That’s three decades of knowing which guest prefers which flowers, when each guest takes their tea and keeping a rather significant secret. Albert is not the man he portends to be; Albert is actually a woman. Every day, she puts on her armour, including some rather constrictive binding to hide her chest, and faces the world in character. She fools everyone around her and has been doing such a good job at it for such a long time that she has very little idea of who the woman she used to be still is. Her finely woven web begins to unravel though when she meets another lady disguised as a man to get work (Janet McTeer, in an incredibly ballsy performance). Seeing her lead both a public and private life as a man shows her how her life of servitude has forced her to miss out on some of the finer things she never dreamed she could have.

ALBERT NOBBS deals with issues of identity and class with delicate care and all their due and it does so with a lighter than expected tone. The film, under the direction of Rodrigo Garcia (MOTHER AND CHILD), is unexpectedly amusing, deeply touching and an incredibly revealing character study. And despite the impressive efforts from the entire ensemble, including the young and talented Mia Wasikowska and Aaron Johnson, this is Close’s picture. It may have taken ALBERT NOBBS thirty years to reach the screen but that just may have been the time it needed to become this good.

The Final Conclusion - Best Actress 1987

1987

So the much anticipated ranking is:

5. Holly Hunter in Broadcast News

I was impressed by Holly Hunter to a certain extent, I wasn't as amazed by her as I was when I first saw her a couple of years ago. She still has a wonderful presence and she's a joy to watch but I felt something missing from her work. Very entertaining and loveable work but not something to fall in love with. 

4. Sally Kirkland in Anna

I was completely impressed by Sally Kirkland's performance as Anna. She communicated Anna's despair brilliantly and she has an extremely powerful presence on the screen. Although her movie drags her down, she's still really great as the aging actress. Still, there's something in me that's preventing me from being completely taken by her.

3. Cher in Moonstruck

Cher succeeds in every possible way with the character of Loretta Castorini. Although this is not a towering performance for the ages, it's fantastic and incredibly entertaining anyhow and it displays Cher's talent brilliantly. Despite being relatively new to the craft, she was courageous enough to take a risk by being incredibly subtle. Each and every movement and delivery of hers is just perfect.

2. Meryl Streep in Ironweed

In an unbelievably amazing movie, Meryl Streep is unbelievably amazing as Helen Archer, a worn out, tired woman. She masterfully works with the emotions, brings the right amoung of commitment to the role and she identifies with the pain of Helen incredibly well. Not only is she wonderfully strange on the screen, but also really heartbreaking and disturbing. This unfairly rarely praised work of Meryl is just fantastic. 

1. Glenn Close in Fatal Attraction

Great Glenn is just astonising in her iconic performance as Alex Forrest. She makes Alex a terribly human character whose actions seem to come from her desperation and not her evil nature. She brilliantly develops her character from a sexy, confident woman to a devastated wreck. She's chilling, heartbreaking and just unforgettable. A truly incredible performance by an amazingly gifted and dedicated actress.

So I can proudly announce

that the winner is...

Glenn Close 

in 

Fatal Attraction

Why don't you love me, Academy?

Final thoughts: What a great year! OK, it's basically Great Glenn, Meryl and the others. The win was obvious though Meryl came close (but then Great Glenn said she was not gonna be ignored :D). I enjoyed all of these wonderful performances, some more, some less. But you know it was really great to do a year that you were seemingly interested in. I was glad about the lots of feedbacks and arguments. I've wanted to do this year from the very beginning and now that it's over it all seems so cool, but I'm also a bit sad to let it go. :) This 1987 series was a dream come true for me. :)

Omissions:

• Maggie Smith in The Lonely Passion of Judith Hearne 
• Stéphane Audran in Babette's Feast

About the next year: Well, I haven't decided it yet. It depends on a lot of things. First, I don't know if I have time to do a year till January unfortunately and I have to consider lots of other things. I haven't really decided it yet. :)

What do you think? 

Glenn Close in Fatal Attraction

Great Glenn Close received her fourth Oscar nomination for playing Alex Forrest, a lonely, psychotic woman who's after a man with whom she had a brief affair in the movie Fatal Attraction. Considering the hit status of Fatal Attraction and the fact that Great Glenn had already received three Oscar nominations must have made her a serious contender for the Academy Award. However, unlike Cher she wasn't the sentimental favorite and unlike Sally Kirkland she didn't campaign as hell to win the award so she once again lost (and she's still Oscarless, what a shame on the Academy, it's disgusting). It's ironic that out of the five performances nominated it's only hers that became truly iconic and most frequently talked about. You know, time always tells which performances are really good.

Fatal Attraction is an excellent movie. It's not an art flick, it very much knows what the audience wants and serves it, but it's still just chilling and fantastic. Adrian Lyne is very talented at creating tension (in every way) and he's just great here. I think all the Oscar nominations were richly deserved for this movie and I guess Michael Douglas would have been deservedly nominated, too had it not been for his Oscar winning turn in Wall Street. Anne Archer, however, absolutely deserved to win the Academy Award for her excellent work as Dan's wife. In my opinion, Ellen Hamilton Latzen was also worthy of the nomination (I know, I know...)

But oh boy, this movie is about Great Glenn. And I love this woman, I truly do. I literally watch everything she's in (movie, television show and if I can see bits and pieces of her work theatre). She has an acting style unlike anyone that I know. There's something about her that draws me constantly, a kind of a special aura or radiation that keeps telling me all the time: "She's great. She's great. She's great. She's great. She's great.". And yes, she's Great Glenn and no I can't call her anything else. I might even say she's my favorite actress besides Jane Fonda. And according to most people, her finest hour was her work as Alex Forrest in Fatal Attraction.

Fatal Attraction basically created a whole new genre with the crazy ex-girlfriend who's ruining happy families. And most of that is due to the marvelous and devastating performance of Great Glenn who's simply marvelous at communicating Alex's feelings and demons. The movie and the screenplay are quite standard and not very original (to say the least) and it was up to the actors (and especially Great Glenn) to elevate it to something really special. They all succeeded, especially Great Glenn who created one of the most iconic characters of all time.

If you have noticed, I just keep saying that Glenn is great and iconic but I don't give reasons why. The explanation is quite simple: no words can perfectly describe Great Glenn's gigantic power and force as Alex. From the first moment, her performance is just perfect. We get to see her for the first time at a party, being an ordinary 80s sexy woman. She presents Alex as a confident, smart and sexy woman with a sense of humor but also as someone who's very realistic about life. She's an incredibly seductive presence (I can only compare her to Sharon Stone in Basic Instinct) and you can easily see why Michael Douglas' character falls head over heels for her.

For me, the most wonderful aspect of this performance is the way Great Glenn develops Alex: she goes step by step, very carefully without being too obvious or forced in her acting. You can notice some small hints here and there so that you can say in the end "of course, that was the obvious thing for her to do." At first, she seems to be more and more proud, but she turns out to be a devastated, depressed person. SPOILER The scene where we see her attempting suicide is just perfectly played by Great Glenn. The amount of sadness and devastation that she displays in that scene alone is worthy of an Oscar, in my opinion. Thanks to her timing, it becomes just as shocking as it's dramatic. SPOILER OFF!

It's well-known how much Great Glenn prepared for this role and that she actually consulted with two psychiatrists about the part and played her according to the diagnosis. And she just chillingly shows the symptoms, actually, she does much better than the movie would have asked for. However, it's Great Glenn's careful approach to this woman that really paid off. Great Glenn realized that Alex is not just a woman who wants to take revenge on her lover, but a mentally ill person who's just desperate to have somebody in her life.

The movie, however, is constantly trying to drag Great Glenn down. With the famous rabbit and roller-coaster scenes, it's just trying to say that Alex is just a crazy witch but miraculously Glenn was able to play the character the way she deserved to be played. Alex seems like Ophelia who sinks deeper and deeper into mental illness. Her face is just devastating where Alex is turning the lamp on and off. I couldn't help feeling sorry for that woman and hate Dan for what she did to her. In a way, Alex's behavior is justified and Great Glenn emphasises that every story has two sides and unlike what we should believe, Alex is not a just a crazy bitch. She turned her very sexist movie into a really complex and fascinatig character study that doesn't cease to amaze the viewer. I guess that was the main ambition of Great Glenn and she more than succeeded. She makes the viewer compassionate about Alex's fate.

Alex's feeling are best shown by Great Glenn in the scene where we can hear her narration and watch her teary face in the car. Glenn (I always want to type Alex, that must mean something) is just chillingly brilliant there. I was naturally frightened by her but the whole thing was also deeply heartbreaking. She makes Alex so terribly human despite constant effort of the movie to make her the devil itself.

I guess that's why Glenn was disappointed that the original ending (where Alex commited suicide) was replaced by a showier, scarier ending, which would say that the movie won and Alex is a monster. However, Glenn was able to benefit even from this. She just kept up doing what she originally did and that's it. She did it as if it was what Alex would have done. She didn't overdo the craziness of Alex. and was a really haunting presence. However, I don't see the comparisions with Madame Butterfly this way which would have been so beautiful with the original ending.

In the end, I can say that Great Glenn is just astonising in her iconic performance as Alex Forrest. She makes Alex a terribly human character whose actions seem to come from her desperation and not her evil nature. She brilliantly develops her character from a sexy, confident woman to a devastated wreck. She's chilling, heartbreaking and just unforgettable. A truly incredible performance by an amazingly gifted and dedicated actress.

Don't tell me you were suprised! :) 

The Next Year

1987

So the nominees were:

• Cher in Moonstruck
• Glenn Close in Fatal Attraction
• Holly Hunter in Broadcast News
• Sally Kirkland in Anna
• Meryl Streep in Ironweed

A truly WOW year, that I've wanted to do ever since I started these reviews. I'm eager to watch and rewatch these performances and movies that cover a wide range. Careerist women, aging women, tired women and one of them doesn't like being ignored. Oh, I'm über excited!

What do you think? Who's your pick? What's your prediction for my ranking? :) 

475. Albert Nobbs

475. (23 Nov) Albert Nobbs (2011, Rodrigo Garcia) 51



Not since Barbra Streisand in Yentl has there been a less convincing actress masquerading as a man than Glenn Close. Janet McTeer very slightly completes the illusion better. There are emotionally effective moments in Albert Nobbs, all of them due to Close letting some emotion break through an otherwise stoic character. She won't win the Oscar and shouldn't, but it's a performance that has its share of nuance and success.

Mia Wasikowska is in dreadful form and former model Aaron Johnson is completely inappropriate casting for a 19th century period piece since his shirt comes off. Their romantic subplot is a major inconvenience to the film. For the most part, it's a competent enough film about the miserably high price of repression. In the hands of Ang Lee, it might have been noteworthy.

UPDATED September 1 Oscar predictions

It's about that time again.  In the weeks since my initial, first of the year predictions, not all that much has changed but a few hits and misses have been identified.  In particular, Tate Taylor's racial drama The Help was helped by decent reviews and a surprisingly stellar box office.  Given the Academy's "feel good" nature of late, this is the first certified Best Picture nominee of the year, and with it the one-two performances of Viola Davis and Octavia Spencer (however, the category whereabouts of Miss Davis has yet to be identified, but many are speculating Lead, though this type of role typically lands a win in Supporting).

Others interesting notes, Roman Polanski's Carnage, George Clooney's political drama The Ides of March, and David Cronenberg's S&M-laced A Dangerous Method have made an interesting splash at the Venice Film Festival, but none have registered quite the level of enthusiasm granted towards Black Swan last year.  In the meantime, I've personally begun to turn more speculative towards Clint Eastwood's too-good-to-be-true J. Edgar.  Clint hasn't been hitting on all cylinders since he made a surprise splash into the 2006 Best Picture race with Letters from Iwo Jima.  That is one I'll wait for the payoff to predict.  Techs coming soon.

BEST PICTURE

The Artist

*The Descendants

Extremely Loud and Incredibly Close
The Help

The Ides of March
*J. Edgar

Midnight in Paris

*My Week with Marilyn

Tinker, Tailor, Solider, Spy
War Horse
(* indicates those I'm predicting only in an overflow capacity)

BEST DIRECTOR

Michael Hazanavicius, The Artist
David Cronenberg, A Dangerous Method

Stephen Daldry, Extremely Loud and Incredibly Close

Woody Allen, Midnight in Paris

Steven Spielberg, War Horse
(Eastwood out, Allen in)

BEST ACTOR IN A LEADING ROLE

George Clooney, The Descendants

Leonardo DiCaprio, J. Edgar

Jean DuJardin, The Artist

Michael Fassbender, A Dangerous Method

Gary Oldman, Tinker, Tailor, Soldier, Spy
(Unchanged)

BEST ACTRESS IN A LEADING ROLE

Glenn Close, Albert Nobbs

Viola Davis, The Help

Elizabeth Olsen, Martha Marcy May Marlene

Meryl Streep, The Iron Lady

Michelle Williams, My Week with Marilyn
(Felicity Jones out, David in)

BEST ACTOR IN A SUPPORTING ROLE

Kenneth Branagh, My Week with Marilyn

Albert Brooks, Drive

Viggo Mortensen, A Dangerous Method

Christopher Plummer, Beginners
Christoph Waltz, Carnage
(Seymour Hoffman out, Waltz in)

BEST ACTRESS IN A SUPPORTING ROLE

Zoe Caldwell, Extremely Loud and Incredibly Close

Vanessa Redgrave, Coriolanus
Octavia Spencer, The Help

Marisa Tomei, The Ides of March

Shailene Woodley, The Descendants
(Tomei out, Spencer in; Redgrave new projected winner)