JEFF, WHO LIVES AT HOME

JEFF, WHO LIVES AT HOME
Written and Directed by Jay Duplass and Mark Duplass
Starring Jason Segel, Ed Helms and Susan Sarandon

JEFF, WHO LIVES AT HOME is a movie about brothers, made by the same brothers who scored last time out with the indie hit, CYRUS. This time around, the Duplass brothers have enlisted two of today’s greatest comic actors, Jason Segel and Ed Helms, to embody their special brand of misunderstood losers. Jeff (Segel), who incidentally lives at home if you had not already heard, is as lost as one would expect a 30-year-old living in his parent’s basement to be. As he looks for a sign to show him the way, he finds his brother, Pat (Helms), who doesn’t live at home but is just as lost. They find each other while we find quiet and endearing laughter.

This review was originally published in Hour Community.

DR. SEUSS' THE LORAX

THE LORAX
Written by Ken Daurio and Cinco Paul
Directed by Chris Renaud
Voices by Ed Helms, Zac Efron, Taylor Swift and Danny DeVito


The Lorax: A tree falls the way it leans. Be careful which way you lean.

DR. SEUSS’ THE LORAX is perhaps the most blatantly obvious attempt to speak down to people about the perils of industrialization on the environment since AN INCONVENIENT TRUTH. Yes, I understand this is a children’s film, but the original work from 1971 was a brave warning of trouble to come, while director, Chris Renaud’s follow-up to DESPICABLE ME, is just a complete farce, unlikely to inspire any young people to care about the planet. Sadly, I don’t see it encouraging a lot of laughter and enjoyment in kids either. As is unfortunately too often the case, this is another Seuss adaptation that gets the imagination in the imagery right but doesn’t understand the roots of the story.

It didn’t take very long for me to stop enjoying THE LORAX. This stumpy, little orange thing (voiced by Danny DeVito), with a pretty well maintained mustache appears on screen to welcome us to the tale at the onset of the film. He’s certainly cute but the rhymes he drops sound somewhat watered down. And then before you know it, the entire thing turns into a giant musical number to introduce the good people of Thneedville that make up the story. It is awkward and uncomfortable to watch and while I’m sure Renaud imagined this opening as a grand and triumphant celebration of Dr. Seuss, it merely only serves to confirm that this will be a Seuss translation that doesn’t sustain its expansion into a feature length film. I’m no Seuss expert but I’m pretty sure he would never have used the phrase, “I know, right.”

Weak rhymes and unsuccessful modernization aside, THE LORAX is weighty and that is ultimately its undoing. Ted (Zac Efron) tries to impress a girl (Taylor Swift) by finding her a real tree in a world made entirely of plastic. In doing so, he meets The Once-ler (Ed Helms), who proceeds to tell him about how he chopped them all down long ago to pursue his own greedy needs. Let alone that the entire motivation of this story is about a girl and not really about the environment itself, the manner in which The Once-ler’s story’s is told is almost condemning. By the time he sings about how bad could he possibly be for pushing his own agenda at the expense of the planet, towering on screen and painted as this evil, destructive giant, I was done with it. It’s one thing to use media to scare adults into conforming but its a whole other level of wrong to use that same tactic on children. At least, the movie looks pretty.

THE HANGOVER PART II

Written by Craig Mazin, Scot Armstrong and Todd Phillips

Directed by Todd Phillips

Starring Bradley Cooper, Ed Helms and Zach Galifianakis

Alan: I wish monkeys could Skype. Maybe one day.

I must begin by stating that I was not a big fan of THE HANGOVER, the 2009 comedy sensation that would go on to become one of the biggest R-rated successes in history and put director, Todd Phillips, on the map. My expectations going into the highly anticipated sequel were pretty low, as a result. I feel very confident in saying that this time around, I will not be in the minority with my distaste.

THE HANGOVER PART II opens exactly the same way the first one does and essentially plays out the same from there on in, except with significantly less laughter. This time out, Stu (Ed Helms) is getting married and his happy cohorts, Phil and Alan (Bradley Cooper and Zach Galifianakis) are on board to attend the impending nuptials. An innocent beer on a beach in Thailand turns into a night of cataclysmically irresponsible and morally reprehensible behavior, that finds them all waking up in a Bangkok hotel room with zero recollection of how they got there and even less remorse for the damage they've done. It is then of course time to piece the evening back together again in order to find Stu’s future, teenage brother-in-law, Teddy (Mason Lee), whom the threesome have misplaced.

The original works because we’ve all been there before – well, maybe not quite there but at least some variation of that experience, where we cannot quite remember what went down the night before. Despite not being terribly likable characters, the audience can relate and wants to forgive them their foolishness, thus forgiving themselves. The fact that it has happened to them again only portrays the guys as people with serious drinking problems who have no regard for anyone other than themselves. By the time Stu declares that he can’t believe this is happening again, I would be hard pressed to find someone who didn’t agree while shaking their head in shame. I think it's time to get off the sauce, fellas.