One Flew Over the Cuckoo's Nest

One Flew Over the Cuckoo's Nest, 1975
Directed by Milos Forman
Nominated for 9 Oscars, Won 5
Up Against: Barry Lyndon, Dog Day Afternoon, Jaws, Nashville

When R.P McMurphy arrives at this mental institution, things start changing around there. While many believe McMurphy is faking his mental inability so he doesn't have to work, he starts to wreak havoc in the ward, gathering the patients together and slowly earning their trust, and getting them to rebel against the head nurse, Nurse Ratched, who's a little more than oppressive to the patients. 

This film was just all Jack Nicholson for me. I found the story to be a little bland, but found Nicholson very captivating. He was totally inside the character of McMurphy and you could really tell. He was crazy, yet you pitied him, and wondered why he was there at all, and then sometimes you knew exactly why. He's a complicated character and you wondered how it was all going to end. Would they release him? What would happen if they didn't? But the ending we get is truly disturbing, and it really made the movie for me. 

Along with Nicholson, we had some fun cameos from Danny DeVito and Christopher Lloyd. They played some of the ward's patients and they did a fantastic job, as did all the other extras. They were crazy, they were strange, and they either followed McMurphy blindly or didn't bother with him. 

And then there's Louise Fletcher who plays Nurse Ratched, and won Best Actress. She was so convincing as the dictator of the ward, and oppressor of the patients. She was mean, and cold, and heartless. And Louise Fletcher just nailed her. 

The mix of these characters made for an interesting story of uprising, and of the ward's ways of dealing with patients who don't obey the rules. 

While I wouldn't go so far to say as I loved this film, I would say it was definitely a performance film rather than a story film. While I felt the story was a bit bland, all the performances in the film made up for that. It was extremely well acted, giving Jack Nicholson his very first Oscar (who would go on to be the most nominated actor, and to win 2 other Oscars). This film was good, and definitely deserved the Best Picture win from the acting alone. But would I watch it again? Probably not. 

Acting- 9/10
Directing- 8/10
Screenplay- 8/10
Music - 7/10
"The look"- 8/10
Entertaining- 8/10
Emotional Connection- 7/10
Rewatchability- 4/10
Did I like It?- 7.5/10
"Total Package"**- 8/10  

Total: 75/100

The Lorax Premier - From The Orange Carpet

The sun was out and orange with a dash of yellow was the color of the day. We've seen red carpets, we've even seen green, but the bright orange one, signifying the color of the film, welcomed everyone at the entrance of Birmingham Cineworld who were hosting the premier of the new animation, Lorax, based on the ever famous Dr. Seuss book. The event was also the very first UK premier for a film outside of London.

The event was beautifully organized with gracious hosts and a sense of joy and laughter all around with the Lorax character dancing and mingling on the carpet along with balloon makers and face painters. My sources inside the theater, wife and daughter, informed me the ambience was that of fun and frolic with cupcakes, candy-floss, sweets, Lorax mustaches, along with other goodies, in abundance to keep the young and the young-at-heart pleasantly satisfied.

Emile Heskey, Danielle Lloyd, members of the American Olympic Team, and Joe Egan were among the celebrities who walked down the orange carpet. Joe Egan, who has acted in the Sherlock Holmes films along with a part in the Indian film Ra.One epitomizes the "big lovable" character especially when he said one of his dreams was to walk down the red carpet with his mum. Called "the toughest white man on the planet" by Mike Tyson he modestly talked about how he's enjoying and loving slowly but surely rising up in the entertainment business making a name and mark for himself and can be seen next in the film Crying Wolf.

As expected, the arrival of Danny DeVito was greeted with unanimous cheering from all the fans present around the carpet. A legendary actor, he met with his fans and members of the press with the same kind of excitement and enthusiasm only a newcomer promoting his first movie has. Visiting Birmingham for the first time he was quick to point out that the much needed sunshine probably had something to do with the "Lorax" being in town. Crediting the entire team of the movie including producers, writers, and animators, he spoke about doing the voice for the movie in Russian, German, Spanish, and Italian himself. On stage, he emphasized the message that Lorax gives and how it is important that "if you see somebody abusing something, stop 'em".

I do hope that having the first ever UK premier of a major movie outside of London starts a new trend. The event was thoroughly enjoyed by all present especially the children. You can watch a video I made of my daughter about her experience on her return below. Both my wife and my daughter enjoyed the film and the orange Lorax 3D glasses for the children were a nice little addition to the goodie bag.

I would also like to thank the wonderful people at DDA PR and Prepared PR who organized my very first press pass which I will cherish forever.  

096. Hercules

096. (19 Mar) Hercules (1997, Ron Clements & John Musker) 36



I'm not clear who supported this departure in Disney style. The harsh lines and cheesy background and character design are often shockingly ugly. Ron Clements and John Musker are also saddled with a truly lame score and an irritating plot. It's hard to believe they ever made The Little Mermaid even in Hercules' fleeting moments that work.

The generic, but amiable "Go the Distance" and cute "I Won't Say I'm in Love" suggest Alan Menken, but it's about as minor as his work gets. The music's just not ingrained into the story, which isn't surprising considering how muddled the script is. The wacky concepts, unnecessary sidekicks, and underdeveloped relationships in Hercules are reminiscent of the issues Pocahontas had. That pair of clunkers could've sunk any studio.

DR. SEUSS' THE LORAX

THE LORAX
Written by Ken Daurio and Cinco Paul
Directed by Chris Renaud
Voices by Ed Helms, Zac Efron, Taylor Swift and Danny DeVito


The Lorax: A tree falls the way it leans. Be careful which way you lean.

DR. SEUSS’ THE LORAX is perhaps the most blatantly obvious attempt to speak down to people about the perils of industrialization on the environment since AN INCONVENIENT TRUTH. Yes, I understand this is a children’s film, but the original work from 1971 was a brave warning of trouble to come, while director, Chris Renaud’s follow-up to DESPICABLE ME, is just a complete farce, unlikely to inspire any young people to care about the planet. Sadly, I don’t see it encouraging a lot of laughter and enjoyment in kids either. As is unfortunately too often the case, this is another Seuss adaptation that gets the imagination in the imagery right but doesn’t understand the roots of the story.

It didn’t take very long for me to stop enjoying THE LORAX. This stumpy, little orange thing (voiced by Danny DeVito), with a pretty well maintained mustache appears on screen to welcome us to the tale at the onset of the film. He’s certainly cute but the rhymes he drops sound somewhat watered down. And then before you know it, the entire thing turns into a giant musical number to introduce the good people of Thneedville that make up the story. It is awkward and uncomfortable to watch and while I’m sure Renaud imagined this opening as a grand and triumphant celebration of Dr. Seuss, it merely only serves to confirm that this will be a Seuss translation that doesn’t sustain its expansion into a feature length film. I’m no Seuss expert but I’m pretty sure he would never have used the phrase, “I know, right.”

Weak rhymes and unsuccessful modernization aside, THE LORAX is weighty and that is ultimately its undoing. Ted (Zac Efron) tries to impress a girl (Taylor Swift) by finding her a real tree in a world made entirely of plastic. In doing so, he meets The Once-ler (Ed Helms), who proceeds to tell him about how he chopped them all down long ago to pursue his own greedy needs. Let alone that the entire motivation of this story is about a girl and not really about the environment itself, the manner in which The Once-ler’s story’s is told is almost condemning. By the time he sings about how bad could he possibly be for pushing his own agenda at the expense of the planet, towering on screen and painted as this evil, destructive giant, I was done with it. It’s one thing to use media to scare adults into conforming but its a whole other level of wrong to use that same tactic on children. At least, the movie looks pretty.