TO ROME WITH LOVE

TO ROME WITH LOVE
Written and Directed by Woody Allen
Starring Alec Baldwin, Jesse Eisenberg, Ellen Page, Penelope Cruz and Woody Allen


Jack: What’s so great about suffering?
Monica: There’s just something attractive about a man who is plagued by the perils of existence.

Woody Allen remains true to form with his latest international comedy TO ROME WITH LOVE. And by that I mean that he has followed up a genuine hit with a complete misfire. This is Allen’s pattern after all. On occasion, he gets it just right and many people thought he did just that with last year’s MIDNIGHT IN PARIS. The Oscar winner for Original Screenplay is not my favourite Allen film by any means, but it did certainly enchant with its whimsical look at Paris and people from a cross-generational perspective. His latest hopes to achieve that same success in Rome, but it is such a disconnected collage of familiar Allen talking points that I don’t see the masses swooning this time around. And sadly, if history continues to repeat itself, we will be in store for a few more Allen misses before another hit.

I’m not really sure where to begin with TO ROME WITH LOVE. Alec Baldwin plays an architect vacationing in his former stomping grounds and Jesse Eisenberg is, what I interpret as, a younger version of himself. Baldwin revisits his past by observing Eisenberg (the character Allen himself said he would have liked to play, y’know, if he was fifty years younger) as he waffles between passion (Ellen Page) and stability (Greta Gerwig). Alison Pill referees between her new fiancé, Michelangelo (Flavio Parenti), and her parents (Judy Davis and Allen, making his first film appearance since SCOOP, another real winner), as Allen tries to make Antonio’s father (famed tenor, Fabio Armiliato) into a famous opera singer by staging him in shows where he sings in a shower. Meanwhile, Penelope Cruz plays a prostitute who is mistaken for the new wife of a young businessman (Alessandro Tiberi). They parade around the city with his family while his actual wife (Alessandra Mastronardi) remains perpetually lost in Rome. And then, as if the rest of it wasn’t absurd enough, Roberto Benigni plays a nobody who suddenly and inexplicably becomes an overnight sensation, his every move, from breakfast to bedtime, becomes public fascination. As individual parts, they are more or less amusing and occasionally very witty, but as a whole, they never cohesively come together to mean anything substantial.

TO ROME WITH LOVE was originally called, “Nero Fiddled”. The name change itself exposes what I believe to be the only major selling point about this movie. Clearly, the hope was that those who fell in love with Allen in Paris would do the same in Rome, which is, of course, just as picturesque. The reality is that there will certainly be more interest in this film as a result, but once those patrons get there, I doubt very much they will feel the warmth and charm they are expecting. Before long, everyone who celebrated Allen last year after years of denouncing him as over, will probably find themselves wondering if his late in life romp through Paris, was just a fluke.

Black Sheep interviews Jay Baruchel

THE ENFORCER
An interview with GOON star/writer, Jay Baruchel

For Canadians, it is considered borderline sacrilegious to not be a hockey fan. I know this because I am not actually a hockey fan. Despite this horrible aspect of my personality, I still managed to greatly enjoy GOON, a new hockey movie that practically does away with the sport itself and strips it down to what everyone secretly really wants to see - the moment the gloves come off and these massive guys on skates go to town on each others’ faces with their fists.

GOON co-stars and was co-written and co-produced by Ottawa born and Montreal homed, Jay Baruchel, who is a big, big hockey fan. “Hockey is my religion,” he tells me over the phone, with not a single hint of sarcasm. “The Habs play 82 games a year; I probably watch 76 of them. It’s how I organize my weeks.” And while that might sound extreme, just you wait. “Even as I sit here right now, I’m wearing a Habs jersey, sitting on a Habs pillow and playing with my Habs wallet.”

Yes, I’d say Baruchel is a very big hockey fan. It suits him well too.

Baruchel’s love (read, obsession) for the game served him well on GOON, which was directed by Michael Dowse, of FUBAR fame. The film shines for two main reasons, not the least of which is its authenticity and evident appreciation for the sport itself. “There’s no bullshit you can smell in this movie,” Baruchel jokes. “It is a passion project built by people that love this game and are fascinated by this way of life.”

Baruchel celebrating co-star, Scott

The second reason, is the film’s star, Seann William Scott. Famous for comedic parts in the AMERICAN PIE series and the classic, DUDE, WHERE'S MY CAR?, Scott would not be my first choice for the sensitive role of Doug Glatt, a guy going nowhere and getting up there in years, who discovers his calling working as an enforcer for a minor league hockey team in Halifax, Nova Scotia. For Baruchel, there was no other choice.

“We were very lucky that he was able to do it and I can say this now that the movie is made and about to come out, but we didn’t have a backup!” Aside from being glad it all worked out, Baruchel also has nothing but kind things to say about Scott. “Anybody who has ever met Seann for 30 seconds knows that he has a massive heart and is the most humble, disarming guy you’ll ever meet. He puts most Canadians to shame.”

With co-star and fiancee, Toronto native, Alison Pill

While Baruchel has been making waves in both Canada and the USA with acting turns in GOOD NEIGHBOURS and as the voice of the hero in HOW TO TRAIN YOUR DRAGON, GOON marks the first time he has written a feature screenplay. “It’s the first time anything I’ve written has ever been made,” he corrects me. For Baruchel, the rewards of writing carried certain expectations but he was still unprepared for the reality of how it all played out. “When you see these people connect to these characters that you created so much so that they start to know the character better than you, that was what was most exciting. These are people I wrote but the actors took ownership of them.”

Baruchel, looking smooth.

Unbeknownst to Baruchel, his own appreciative nature during our conversation was also quite disarming for me. While Baruchel is riotously vulgar as Doug’s best friend in GOON, it is clearly his role as writer that left him feeling smashed against the boards, y’know, in a good way. “It was a difficult movie to make but even at its hardest point, it was still this thing that came from my heart and my head that was now becoming real. I was just on a high the entire time we were filming.”

470. Midnight in Paris

470. (20 Nov) Midnight in Paris (2011, Woody Allen) 54



There's clumsiness in both the film's key plot device and the way famous individuals who populated 1920's Paris are introduced. Though warmth and charm carry a handful of scenes, it's burdened by inobservant observances like no time period recognizing its own significance. Owen Wilson's character wants to take his chances with an entrancing young woman in the past rather than his clearly dreadful fiancee in the present; that sort of deck-stacking prevents the film from feeling romantic or insightful. There are also some smug moments like Wilson pitching a scenario to Luis Buñuel.