Showing posts with label 1980's. Show all posts
Showing posts with label 1980's. Show all posts
CHARIOTS OF FIRE (1981, GREAT BRITAIN)
Thursday, January 31, 2013
80’s movies I forgot to watch the first time around month Post #11
Chariots of Fire
"I saw where Chariots of Fire just won Best Picture. I’ll get around to seeing it."
Chris, a student, sometime in 1981
"All right. I still haven't seen Chariots
of Fire, and now I can't get that song
out of my head. "
Chris, a librarian, the first blog post on 1001: A Film Odyssey from August, 2009
I’ve listed Chariots of Fire several times as a heading on this blog whenever I couldn’t think of any other heading to use, even though I’d never seen it. I was going to keep using this and have Chariots of Fire as my last movie of the 1001 list, but I thought since I was doing 80’s Movies I never got around to seeing before this month, I figured it was probably time to watch it. I guess I’ll have to find another film for my heading for any more miscellaneous blog listings.
When a lot of people think of Chariots of Fire, the first think you think of is the theme song by Vangelis. Even if you haven’t seen the movie, you’re probably familiar with the majestic theme, usually associated with Olympic runners running dramatically in slow motion. This has been referenced and parodied countless times, from National Lampoon’s Vacation to Madagascar.
The actual film isn’t bad, though doesn’t really strike me as a Best Picture winner. Some thought that Reds or even Raiders of the Lost Ark should have won that year.
What strikes me as interesting about this film is how old fashioned it is. If you take away the sophisticated camera angels and slow motion of the actual athletic competition and the use of the score (though I think the score is used even more dramatically in the accompanying Vangelis music video), I think this film could have been made in 1951 just as easily as 1981. It’s a definite throwback plotwise, which is interesting that it came as a Best Picture winner in the aftermath of radical 70’s cinema. Definitely a sign of a change in direction.
Now that I've gotten that Chariot off my back, I can feel the closure and know it's finally time for me to forge ahead.
FERRIS BUELLER'S DAY OFF (1986)
Monday, January 28, 2013
80’s movies I forgot to watch the first time around month Post #10
Ferris Bueller’s Day Off
Why haven't I seen this before: I actually have seen parts of it. I have never really understood the movie stardom of Matthew Broderick, but Ferris Bueller is on the list and I’ll give it a go.
After viewing: For the romp it is, it isn’t too bad. Many can relate to 80’s high school hooky players with the 80’s designer names: Ferris, Cameron and Sloane-all being pursued by the persistent but always faltering principlal Mr. Rooney.
We know Ferris and his friends will thwart Mr. Rooney in the end. You know their will be the potential for growth for Cameron, his never seen father and their red '61 Ferrari-This is an 80’s movie after all. But what if this movie had a more 70’s type ending? I think it would go something like this.
Ferris Bueller’s Day Off: Epilogue
Ferris, Sloane and Cameron are playing hooky again. We see them outside driving the '61 Ferrari down a road, clearly outside the busy streets of
Chicago and their safe neighborhood of privilege.
Cameron and his father have clearly had a moment of understanding, since the car has been restored and he is letting Cameron drive it. The joy the three of them feel as they are speeding down the road is clear.
It is then that Ferris spots an image in the distance, which causes Cameron to slow down. A mysterious figure is blocking their path. As the Ferrari approaches the figure, they see a Harley Davidson parked sideways in the middle of the road. A leather cladded figure wearing a helmet with an American flag decal gets off the bike and approaches them.
It is then, the group notices that this figure is carrying a shotgun. He pulls off his helmet. It is none other than their principal, Mr. Rooney!
Mr. Rooney's only words (which he says inexplicably in a rural Louisiana accent) are “Why ain’t you kids in school?”
We see the shocked expression on their faces as Mr. Rooney turns the gun in their direction.
The first shot flies out of the rifle and hits Cameron in the chest. Ferris grabs onto his slumping friend, who looks back into Ferris's eyes and says, “Ferris, we blew it,” before closing his own eyes for the last time.
Sloane screams as she leaps out of the car and begins to run away, only to be cut down by a single shot from Rooney’s shotgun.
The blood soaked Ferris leaps out of the car and runs madly toward Rooney. Rooney takes careful aim before taking his final shot in Ferris’s direction.
We don’t actually see Ferris get hit. Instead we see the symbolic image of the Ferrari exploding into a fiery heap.
Cut to an aerial shot that clearly shows the carnage below as Mr. Rooney speeds away on his motorcycle. As the picture continues to ascend, we hear the strains of Fraternity of Man’s Don’t Bogart That Joint on the soundtrack. As the credits begin to roll, the song then changes to one more round of The Beatles version of Twist and Shout.
THE END
DO THE RIGHT THING (1989)
Sunday, January 27, 2013
80’s movies I forgot to watch the first time around month Post #9
Do the Right Thing.
Why haven't I seen this before: Honestly, I'm not sure. I've seen other Spike Lee movies, just not his most famous one.
After viewing: I remember now why I haven't seen this before. There is a hell of a lot of unpleasantness depicted here! Of course, it does have some light moments early in the film.
Overall, it does ring true, and has a lot to say about race relations and living in poverty. And It's definitely a film that should be seen once...though I'm not sure I'd want to see it twice.
Personal note: Ossie Davis (pictured below) was the commencement speaker at my graduate school graduation ceremony from Clark Atlanta University. He was a very inspirational speaker, and is even better as The Mayor in Do the Right Thing.
DANGEROUS LIAISONS (1988)
Thursday, January 24, 2013
80’s movies I forgot to watch the first time around month Post #8
Dangerous Liaisons
Why Haven't I seen this before?: 18th century setting with the French aristocracy…once again you got to be in the mood for it.
After viewing: The major appeal of this film is in watching the interchange between the main characters in their hathcing of various plots and intrigues. Once the these intrigues between Glenn Close, John Malkovich and the rest of the cast get going, the story becomes very interesting.
And a note to Uma Thurman: Please put your clothes on, there might be kids watching!*
*Unless there aren't any kids in the room and then it's fine.
THE COLOR PURPLE (1985)
Tuesday, January 22, 2013
80’s movies I forgot to watch the first time around month Post #7
Why haven’t I seen it before? The combination of Steven Speilberg and Alice Walker always seemed a little odd to me. I know that isn't a very good reason to put off seeing it for twenty-seven years, but there you have it.
After viewing: It’s a pretty strong and involving drama, I must admit. I’m not usually a big Whoppi Goldberg fan, but she seems perfectly cast in the main role of Ceily.
Other memorable supporting players include Danny Glover as Whoppi's reprehensible husband, Margaret Avery as Shug and Oprah (I forget her last name) as Sofia.
BABETTE'S FEAST (1987, DENMARK)
Sunday, January 20, 2013
80’s movies I forgot to watch the first time around month Post #6
Babette’s Feast
Why haven’t I seen it before?
It certainly got good reviews when it came out. It was also studied quite often (at least the Isak Dinesen short story) at the college library where I worked. It became one of those “I’ll see it eventually movies” that I never got around to seeing.
After viewing: This is a film that starts very slowly. It is about as far to the opposite side of the adrenaline scale from an Indiana Jones movie as you could possibly get and I did have a little trouble getting into the story intially. But I think if the viewer reamins patient, and waits for the servings to come out, Babette's Feast really does beat the hell out of the standard Hollywood burgers and fries.
PRIZZI'S HONOR (1985)
Friday, January 18, 2013
80’s movies I forgot to watch the first time around month Post #5
Why haven’t I seen it before?
I honsestly don't know. Directed by John Huston...Jack Nicholson and Kathleen Turner...Well reviewed thugs and hoods movie. Seems to have all the elements of something I would have seen.
After viewing:The battle for dominance between the hired guns Turner and Nicholson was fun to watch. It was also different to see Nicholson playing someone that seemed far removed from the usual Jack persona. And how many directors other than Huston put out important films in five different decades? I don't actually have the answer to that question, but I'm guessing not too many.
SAY ANYTHING (1989)
Tuesday, January 15, 2013
80’s movies I forgot to watch the first time around month Post #4
Say Anything
Why haven’t I seen it before?
My main image of this movie is that of a mopey John Cusak holding a ghetto blaster over his head to play a song to a girl who one presumes broke his heart. I just couldn’t bring myself to watch it.
After viewing: As I was watching the opening credits, I did notice several respected names flashing by: Polly Platt, Laslo Kovacs, Cameron Crowe. It turns out to actually be a sweet little romance and the lead actors (and John Mahoney as the dad) are engaging and Crowe’s story usually hits the right tone.
And cinematographer Laslo Kovacs really gets around.
BRAZIL (1985)
Sunday, January 13, 2013
80's Films I never got around to seeing when they first came out month Post #3
Brazil
Why haven’t I seen this before?
This seems like the kind of film that I would have seen by now. I began to watch it on cable one night a few years ago, but I just wasn’t in the mood to see it. I never got back to it.
After viewing: I can see why this bizarre Terry Gilliam film is beloved by some and causes total confusion in others. The futuristic storyline of a series of events began by a bureaucratic error is not in itself that complicated, but the way Gilliam tells the story is often confusing but so visually striking that you really want to stay with it.
Note: If you get the DVD, make sure you watch Gilliam’s description of all the problems he had getting this film made.
DAS BOOT (1981, GERMANY)
Friday, January 11, 2013
80’s movies I forgot to watch the first time around month Post #2
Das Boot
Why haven’t I seen this before?
It's one of those movies that you heard about and heard how much people loved it but you just never got around to seeing.
Even in later years, I heard talk about what a great movie this was. But the bottom line is that I just never had the motivation to sit and watch a three hour movie set almost entirely on a German sub. But now I’m ready. Or at least I'm going to try to make myself ready.
After viewing? First, Das Boot is a bit long at three hours. We are dealing with a movie that spends 90% of its time locked up on a sub with these Germans. And although,these guys may be Germans, they never seem like Nazis fighting for Hitler and the Third Reich even though that's what they're doing! We never see their enemy (the Brits) so there is no counterbalance of sympathy possible. The Germans on the sub are just soldiers doing their job and when horrible things happen to them, you begin to feel not only bad about what befalls them but even worse that you are feeling bad about the side that history recorded as the ultimate evil!
Damn you for making me feel this way, Das Boot!
THE BREAKFAST CLUB (1984)
Wednesday, January 9, 2013
80’s movies I forgot to watch the first time around month Post #1
Breakfast Club
Why haven’t I seen this before? Because I was just never excited about seeing films with members of the brat pack. No, a movie with Molly Ringwald and Judd Nelson would have never been on my must see list.
After viewing: How you relate to certain movies depends on where you were in your life when it came out. I was probably about the same age as most of the people in this movie when it came out, though they were playing high school students. So I’m 21 or 22 years old and I’m suppose to relate to these constantly whining teengaers? I’m supposed to relate to a movie with Judd Nelson in it?
But you know, it’s not all that bad and does have some occasional insight.
I do give the movie points for being set in a library as well, though I did have to close my eyes during the scenes where Judd Nelson began defacing library property.
I did see a lot nostalgic sadness when director John Hughes passed away a couple of years ago, so I do understand that many related to and grew up with his films. If only it would have come out in 1979, I might like this one as much as Rock n Roll N'High School. Of course, P. J. Soles wasn't in The Breakfast Club either.
BATMAN: THE SERIES (1966-1968), BATMAN (1989), THE DARK KNIGHT (2008)
Monday, January 7, 2013
Batman: The Series (1966-1968), Batman (1989), The Dark Knight (2008)
Joker…Joker… Joker
It’s interesting that the only two Superhero movies on any of the 1001 Movies You Must See Before You Die lists are both Batman movies. And it is no accident that both of the Batman movies listed have the same supervillain: The Joker.
I grew up watching the campy but endearing Batman television series. One of its many pleasures was the villain of the week. We had the waddling Penguin, The constantly giggling Riddler, the sexy Catwoman and many, many other guest bad guys or gals visit Gotham City during the three year run of the show. But I’ve got to admit, that despite the infectious laugh of the Riddler, that weird quacking noise the Penguin made and the obvious charms of Julie Newmar in the Catwoman outfit, the one that stood out the most was The Joker.
Cesar Romero was kind of a second tier Latin lover leading man during the 1930’s and 1940’s, but I really only think of him as The Joker. Bright green hair, white face makeup painted right over Romero’s moustache and that purple suit were The Joker’s signatures and this pretty much cemented into my head how The Joker was supposed to be. The way Romero drew out his words, “Yeeees, Batman,” the way he clapped his gloved hands together in rapid succession and of course that laugh, (Hoo hoo hoo hoo)were all signatures. I also liked the scenes when the Joker traded fisticuffs with the caped crusader and a stuntman for Romero in a Joker’s getup would get really get it! Biff! Kapow! Splaat!
The impression of the television show (as well as the comic books) was pretty strong and I really didn’t think anyone could make a successful Batman movie that wasn’t camp. Then Tim Burton brought his Batman to the screen in 1989. I don’t have any direct proof of this statement, but my guess is that it was the most hyped movie ever up until that time. At least it seemed that way. When it was announced that the Joker was going to be the villain, there was clearly only one choice for the role: Jack Nicholson.
Some have said about Burton’s Batman, that it should actually have been called The Joker and it is really just as much about him as Batman.
In this Batman, Jack Napier is a criminal long before he becomes The Joker. We find out later that Jack was the one that killed Bruce Wayne’s parents("Ever dance with the devil in the pale moonlight"). It is during an altercation with Batman that Jack falls into acid, which disfigures him and turns him into The Joker. Nicholson’s Joker is hammy, but scary. He’s full of one-liners, (“Where does he get those wonderful toys?” “Those are my balloons. He stole my balloons! Why didn't anyone tell me he had one of those... things?") He even compares their respective origins with Batman during their final scene ("Give me a break! I was a kid when I killed your parents. When I say 'I made you' you gotta say 'you made me.' How childish can you get?"). IDespite the oddity of seeing Nicholson prance around to Prince songs, Nicholson’s Joker works, and Batman's initial return to the screen was a success. Subsequent films were popular, but as the Batmen kept changing (Michael Keaton to Val Kilmer to George Clooney) and the villains became a little less compelling (Arnold Schwarenaggers’ endless cold related puns from Batman and Robin), the series eventually died.
Christopher Nolan brought the series back in 2005 with the film Batman Begins, based on The Dark Knight graphic novels by Frank Miller. Nolan’s films are bleaker than the Burton inspired series and are about as far away from the original Batman television show as you can get. But it’s the second film, The Dark Knight that is included on the 1001 list. What sets it apart from Batman Begins? The obvious answer is that villain of villains: The Joker. But unlike the casting of Jack Nicholson in the previous series, the casting of Heath Ledger seemed a bit odd. You mean one of the gay cowboys from Brokeback Mountain as The Joker? Obviously, Nolan or whoever cast Ledger in the part knew what they were doing. In the Burton Batman, you might really like what Nicholson does with The Joker, but you never forget that it’s Nicholson’s Joker. In The Dark Knight, I don’t think of it being Ledger’s Joker, that’s just the freaking Joker! Unlike Nicholson’s Joker, The Dark Knight’s Joker has no past, no origin story, no traditional criminal motivation and no previous connection with Batman/Bruce Wayne. He is a terrorist, pure and simple whose modus operandi is identified by Alfred the butler in that some people just want to see the world burn. That is what makes this the scariest Joker of all.
CHARIOTS OF FIRE* (1981, GREAT BRITAIN)
Saturday, January 5, 2013

*Today’s blog isn’t really about Chariots of Fire
I have now been doing this blog since Septemeber 2009. I have seen 450 movies so far out of 1103 from the original 1001 list and all updated lists. Yes, I am now working from the 1100-Plus list of Movies You Must See Before You Die. I've seen a little over 40% of the films on all the lists.
Maybe I’ll finish. Maybe I’ll quit. Maybe I’ll die first.
If it is the latter, please have my obituary read something like “Keeled over from angst while experiencing an Antonioni film or dropped dead from an excessive adrenaline rush while watching The Seven Samurai.”
You just never know what will happen in this life. As they say in one of the 1001 films, “Life is like a box of chocolates, you never know what you are going to get.” I can’t remember which film that is from, but you get the idea.
THE SHINING (1980)
Monday, December 31, 2012
Color Me Kubrick Month: Final Installment
The Kubricking
2PM
The distinct clanging of the food tray signaled the writer’s wife’s entrance into the living room. The writer shot up from the keyboard of his computer and closed the program he had been on.
“How’s it coming along, honey?,” she asked him.
“Oh, it’s moving along just fine,” he said as he stretched his arms.
“I hope I didn’t interrupt I brought you a sandwich and some milk”
“No. No. That’s fine. Most thoughtful of you. Thank you, dear.” The writer took the plate from his wife and took a bite of the grilled cheese.
“Mmmm. Good stuff,” he said.
The wife looked around the room at the pictures on the wall.
“Honey…how long are you going to keep these photographs up here? I mean…if you need them, it’s okay. I was just wondering,” she said.
The writer wiped his mouth. “Now, dearest. You know I need these pictures on the wall to inspire me to finish my Stanley Kubrick book. A picture of Kubrick at the helm of every one of his films and...” He paused long enough to point to the picture hung on the wall next to the stairs. "This one of the young Kubrick with his camera, the one taken of him when he was at Look magazine! That’s my favorite.”
His wife nodded. She had heard this explanation several times already, but was too tired to call him on it.
Noticing her quiet demeanor, he became less animated. “I’m sorry, dear. You know with this house being built directly above an old Chickasaw Indian burial ground, I just feel the spirit rise within me at times.”
“I know you do,” she said. “But I was wondering how much more do you have left to do on this book?”
“I’m almost finished,’ the writer said. I’m on page 237, which is going to be the last page. This is truly going to be the best book on Kubrick yet. I know there have been others, many others, but my point of view is going to be unique.”
“Of course it is dear. But don’t you think it’s time for you to go to bed?”
“No, I’ve got to think a little bit more. I’ve still got to come up with a good way to end it.”
The writer stood up and began to pace around. He picked up his baseball bat and rubber ball and tossed the ball against the side wall and gently poked at it with the bat when it returned to him. When he picked up the ball to do it again, his wife interrupted him.
“Please don’t play ball in the house. I’ve told you not to do that.”
“But I was just bunting. I wasn’t swinging for the fences or anything.”
The writer’s wife didn’t answer him but gave him the stare that he had seen so many times before.
“All right. You’re the boss.” The writer said laughing. “I think I’ll go in the kitchen and fix myself a glass of milk from the bar before bed.”
3PM
The writer went into his kitchen, the door from the living room swinging behind him as he entered. The glow from the fluorescent light above him seemed brighter than normal. He stopped at the front of the kitchen bar and sat down for a moment, remembering all the times when the refrigerator had been stocked with sustenance a lot more exciting than milk. As he sat down on the stool, he got the odd feeling it was like old times. The writer grabbed a glass from the bar and looked at the empty contents within before staring into the mirror ahead. ”Set 'em up, Joe” he said.
“My name’s not Joe,” a voice from behind the bar said and would certainly would have caused the writer to do a spit take if he had been drinking at the time.
The man that stood behind the bar was a tall, impressive figure who wore an army officer’s uniform. The man was chomping on a cigar, his craggy features and slightly graying hair making him look like there was nothing in this world he hadn’t ever seen or experienced. The writer looked at the man’s nametag, which read General Jack D. Ripper.
The writer breathed a sigh of relief as a snap of recognition sank in. He rocked back from his stool.
“Jack. Old Jack. I didn’t know you did any bartending.”
Jack took out the unlit cigar from his mouth to speak. “Just because I’m probably the most vital cog in the machinery of the United States Army doesn’t mean I can’t also be a certified bartender.”
The writer nodded in agreement and couldn’t suppress a smile as he noticed that behind Jack, the bar seemed to now be fully stocked. He rubbed his hands together. “So.”
“You want a drink? You sure wifey will let you have one?”
The smile disappeared from the writer’s face.
“She has no say so on this issue, Jack and yes, I could use a beer if it’s not troubling you too much.”
Jack shook his head.
“I think you need something a little stronger. Here you go. Bourbon and water." He placed the drink in front of the writer who stared at it for a minute before smiling and picking it up.
“Hair of the dog that bit me, Jack,” he said as he brought it to his mouth. “Hair of the dog that bit me.” The writer paused for a moment. “You didn’t use that fluoridated water did you.”
“You know better than that. All my water comes from Norway springs. Nobody does water like the Norwegians in the search for preservation of our precious bodily fluids.”
The writer smiled again. “That’s good. Because there’s nothing wrong with my fluids. And another thing, Whatever I do with my said precious bodily fluids is my business and my business only.” He downed the drink in one long gulp. He stood up and put his right arm under his left armpit and began flapping his left arm. “Nyick. Nyick. Nyick. Hoooo! That’s some good stuff Jack. Think I’ll have another.”
The writer sat back down and noticed the next drink was already waiting for him. “My wife,” the writer began. “I always had this childhood dream about becoming a ballerina before she squashed those ambitions…”
Ripper slapped the writer across the face.
“What’s wrong with you, man?” Ripper said. “That’s wasn’t your ambition! That was the dream of those twin girls that grew up down the street from you. You know the ones that were…”
“Murdered.” The writer finished the general’s sentence as he rubbed the side of his face. “I wonder why I said that about being a ballerina?”
“Your wires are just crossed, man. I tell you what. Let’s play a game of chess. That should clear your mind up.”
“I don’t have a chessboard handy. I think I sold the last one in the house at a yard…”
Before the writer could complete his sentence, he noticed a new chess board on the bar next to him ready for playing.
“Your move,” General Ripper said.
After a few moments of silence during the first moves of the game, the writer finally spoke.
“I had forgotten what a great combination bourbon and chess were.”
“Absolutely.” Ripper said. “We need to stay sharp on the chessboard to keep up with the Ruskies. Now that your head is clear, tell me what you were saying about your wife.”
“Well, you know about her and that navy officer don’t you?”
Jack shook his head. “Damn Navy men!”
“Well, two can play at his game, eh Jack?” The writer leaned over the bar and gave Ripper an lighthearted tap on the shoulder.
“Speaking of your wife,” Ripper said as he poured the next drink. “There is something about her that I think you may not be aware of.”
The writer looked at Ripper but didn’t say anything.
Ripper leaned over the bar and looked around the room before whispering in the writer’s ear. “She’s a red.”
The writer looked confused. “She’s red?”
“No, she’s a red. A pinko. A subversive. A Commie.”
“What? Come on. The Cold War is over. We won. Jack.”
Ripper whispered to him again. That’s just what the Ruskies want us to think and while our guards down…Fluoridation! Or maybe something even worse.”
“Or something even worse,” the writer said before taking another drink.
Ripper placed something to the side of the chessboard. “You know what this is?” he asked.
“It looks like an old dueling pistol.”
“That’s right. A Queen Mary Dueling Pistol manufactured during the seventh year of The Seven Years War if you believe the legend behind it. But you better believe it is loaded and fully functional. You think you know how to use it?”
“I don’t know. I haven’t fired a gun in….”
“We can’t have any hesitation soldier. Do you know how to use it or not?”
When the writer didn’t answer, Jack cleared his throat and began singing the German folk ballad La Troeyer Hussar to the writer. When the song of a man’s love for a young maiden was completed, the overwhelmed writer was on his feet with tears streaming down his face.
“Yes, I know how to use it,” the writer said. “And use it I shall.”
6PM
The writer’s wife was about to go see what was keeping her husband for so long in the kitchen when curiosity overcame her. She looked around to see if he was coming before turning on his computer screen. She knew his password, which was the password he used for everything, HAL9000. She went into his Word documents and pulled up the file that said Kubrick Book.
Kubrick Book 237 pages.
The first page contained nothing but the repeated sentence
Kubrick is God.
Kubrick is God.
Kubrick is God.
The second page had only a caps variation.
KUBRICK IS GOD.
KUBRICK IS GOD.
KUBRICK IS GOD.
The third page had the same phrase alternating between upper and lower case
KuBrIcK iS gOd
KuBrIcK iS gOd
KuBrIcK iS gOd
The fourth page had the same three words all in lower case
kubrick is god
kubrick is god
kubrick is god
And so forth. And so forth. And so forth.
The text ran for 237 pages, all with those same three words.
The writer’s wife felt faint as she struggled with the keyboard and log out of the computer. She turned around quickly to make sure her husband hadn’t seen what she had been up to…but it was too late. He was only a few feet away from her with a shit-eating grin on his face.
“You like it?” he asked as he raised the pistol in her direction.
“One…” he began counting as he pointed the weapon in her direction.
His wife began hyperventilating while at the same time desperately seeking out something to defend herself.
“Two!” he continued a little louder.
“Three!” The gun went off but the bullet pounded into the floor. The writer’s wife had grabbed her husband’s baseball bat and smashed it against his right wrist just as the gun fired. The writer grimaced as he held tightly to his broken wrist.
“That really hurt. You could kill somebody doing that,” he said.
He reached slowly in an attempt to grab his pistol with his one good hand, but noticed her ready to strike again with the baseball bat.
“I wouldn’t do that if I were you, Dave,” he said robotically as he reached for the pistol before being thwacked again by his own baseball bat. She had swung wildly this time and hit the writer on his left ankle, but it was effective. The writer moaned in agony as he lunged at his wife, knocking the bat out of her hand as he plowed into her.
Both of them were knocked to the floor, but the uninjured but frightened wife got up first and managed to run up the steps away from him.
The writer struggled to get up, balancing himself on his one working hand. He smiled manically as he made his way to the hall closet door and went inside. On the top shelf was an army helmet that had BORN TO KILL inscribed on it. He pulled it down and put it on. He began to make his way up the stairs slowly, dragging his bad leg methodically up the stairs. He tried to think about where she might be hiding and put his hand up to his ear. He smiled as he heard a rustle from the guest room.
Then he began warbling,
I’m singin in the rain. Just singing in the rain.
What a glorious feeling. I’m…happy again.
As he got to the top of the stairs, he turned in front of the closed guest room door.
He cleared his throat and began talking to her in a calm voice, “Oh, Lolita, light of my life, fire of my loins. My sin, my soul. Please open up the goddam door, my dearest angel!”
When she didn’t answer his face contorted.
“We can play it your way then. You want to see my war face dear? Ahhhhhh!”
He let out a yell as he crashed his head into the door. His entire upper torso smashed through the top part of the door.
He raised his one good hand on the other side of the door in a triumphant fist, “I AM SPARTACUS!”
But as he turned his gaze to her, a Doc Marten came crashing down on his head. The helmet protected part of the impact of his wife’s blow, but the force of it knocked him down. He tumbled over just enough for him to land on the top step where he continued rolling down to the first floor and crashed hard onto the landing. As he lay on his side, the writer realized he couldn’t move his body. He began fading from consciousness as he looked at that picture on the wall of Kubrick with his camera from Look magazine. The writer swore he could hear Beethoven’s Ninth gently playing in the background. He looked intently at the photograph and noticed something astonishing. The picture of Kubrick with the camera wasn’t Kubrick after all. It was the writer. It had been the writer all along.
FULL METAL JACKET (1987)
Tuesday, December 25, 2012
Color Me Kubrick Month Post #9
Full Metal Jacket
Full Metal Jacket is broken into two sections. The first section has a platoon of Marines being trained by a colorfully relentless drill instructor in preparation for Vietnam.
The second part of the film has one of those Marines actually joining a platoon on the actual field of battle.
The first time I saw it, the problem I had was that the first part was so intense, it made the second section pale by comparison. However,on my most recent viewing, I really appreciated the second part as well, especially the platoon’s desperate search to find a sniper.
Three memorable scenes:
1.It’s hard to break his scenes down into one, so I will just say any part with D. I. Hartman (Lee Ermey) addressing his troops. As long as he's not talking to me, I could listen to Lee Ermey all day long.
2. The desperate attempt of the platoon looking for the hidden sniper.
3. The final confrontation between Pvt. Lawrence and Hartman. And what emotional depths did Vincent D'Onofrio have to go to come up with that maniacal stare?
TERMS OF ENDEARMENT (1983)
Friday, November 30, 2012
It's OK for a guy to watch a Romance/Chick flick/Women's picture month (Film 12 of 12)
Terms of Endearment
It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture if...
Jack Nicholson plays an ex-astronaut. If he ever played a current astronaut, I guess that would be acceptable as well.
We hope you have enjoyed It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture month. Now if you’ll excuse me, I’m going to shoot an animal before consuming it, drink a beverage with an extremely high alcohol content, fix a mechanical maintance problem on my Harley Davidson, watch all the Die Hard movies in succession because, why? Because I am a man! I am Spartacus!...Spartacus? Yes, that's it! Forget Die Hard. It's Stanley Kubrick movies next month.
OUT OF AFRICA (1985)
Thursday, November 29, 2012
It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture if...month
(Film 11 of 12)
Out of Africa
It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture if…
It won the Best Picture Oscar for the year it came out and you’re trying to see all the movies on that list, too. Of course, that means I still have to sit through Broadway Melody of 1929 and Cimarron.
A ROOM WITH A VIEW (1986, GREAT BRITAIN)
Wednesday, November 28, 2012
It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture if...month
(Film 10 of 12)
A Room With a View
It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture if…
It's a Merchant Ivory film, so then people can say at cocktail parties things like "Have you seen the latest Merchant Ivory? I think Merchant Ivory films are exquisite! The nineteenth century comes alive whenever I see a Merchant Ivory!" or if they're really being honest they can say, "I watch Merchant Ivory films, so that makes me better than you!"
THE PRINCESS BRIDE (1987)
Sunday, November 25, 2012
It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture if...month (Film 9 of 12)
The Princess Bride
It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture if…
To paraphrase Peter Falk, "if there’s lots of fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles" and I'll thrown that anything is OK if it has Wallace Shawn (pictured above) in it.
My knew favorite line from The Princess Bride is Wallace saying to Andre the Giant, “Do you want me to send you back to where your were? Unemployed…in GREENLAND!" (It doesn’t print funny, it’s all in how he says it.)
WHEN HARRY MET SALLY (1989)
Sunday, November 4, 2012
It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture if...(Film 2 of 11)
When Harry Met Sally
It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture if...
The lead actor is Billy Crystal
or
If someone that looks like Billy Crystal can win over someone that looks like Meg Ryan.*
*I do have to mention that this film is an exception to what I call The Meg Ryan exclusionary rule. It’s still NOT okay for a guy to watch either Kate and Leopold, IQ, The Women, French Kiss, Prelude to a Kiss, etc. But When Harry Met Sally, that is OK.
When Harry Met Sally
It’s OK for a guy to watch a Romance/Chick flick/ Women’s picture if...
The lead actor is Billy Crystal
or
If someone that looks like Billy Crystal can win over someone that looks like Meg Ryan.*
*I do have to mention that this film is an exception to what I call The Meg Ryan exclusionary rule. It’s still NOT okay for a guy to watch either Kate and Leopold, IQ, The Women, French Kiss, Prelude to a Kiss, etc. But When Harry Met Sally, that is OK.
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