The End of the Affair (1955).

The End of the Affair(1955). Directed by Edward Dmytryk. Cast: Deborah Kerr, Van Johnson, Peter Cushing and John Mills. It is based on the novel The End of the Affair by Graham Greene. It was filmed in London, around the Chester Terrace. Gregory Peck was offered the male lead.

After Maurice Bendrix, receives an honorable discharge from the military and goes back to his writing. Soon after, Maurice, is invited to a party at the home of Henry Miles and his wife Sarah. Henry suggests that Maurice interview Sarah for his new book.

 

 A couple of days later, Maurice meets with Sarah and over a short period of time they fall deeply in love, meeting often at a cozy country inn. Maurice, becomes extremely jealous of her.

In London, Sarah meets Maurice at his apartment and the couple are attacked by German "buzz bombs". Maurice suggests they go below to the shelter, but Sarah worries about his landlady seeing them together. Maurice goes downstairs alone and is caught in the explosion and buried under a pile of rubble.

After regaining consciousness, Maurice goes back upstairs and to find Sarah kneeling by the bed praying, as she believed him dead. Sarah tends to Maurice's injuries and then quickly leaves.

Over the next several days, Maurice recovers from his injuries, but.. is unable to find Sarah. Maurice, believes Sarah used the bombing to break it off with him. Maurice, decides to leave London and does not return for a year.

Maurice, is walking home in the rain when he sees Henry, who invites Maurice to his home and after learning that Sarah was not there, Maurice agrees. Where, Henry shares his concern about Sarah's long absences and was considering hiring a detective. Maurice, volunteers to look into it for him, but.. Henry refuses.

The next day, Maurice visits the Savage detective agency and hires them to follow Sarah.

Later, Maurice meets up with Sarah in front of her house and asks her why she broke it off with him, but Sarah.. offers no reason.

The next day, Maurice meets the Savage agency representative, Albert Parkis, and is surprised to learn that his report was about Maurice's own meeting with Sarah.

A few days later, Parkis calls on Maurice to watch Sarah show up at Richard Smythe's, home whom she has visited several times.

Later, Parkis says that he has befriended the Miles's maid and shows him a love letter written by Sarah. Maurice contacts Henry and tells him what he has learned about Sarah's meetings with Smythe and the letter. But... Henry refuses to believes him.

That evening, Parkis gives Maurice Sarah's diary and tells him that Sarah has been ill. Maurice, begins reading the diary: During their affair, Sarah is concerned that, Maurice's jealousy will ruin their relationship. During the night of the "buzz bomb" attack, Sarah finds Maurice buried beneath the rubble and believes him dead. Sarah promises to God, to give up Maurice if he is allowed to live. When she realizes Maurice's is alive, Sarah must keep her promise and on her way home stops at the church and confesses to Father Crompton. Soon after, Sarah begins seeing Smythe, who says that there can not be a God. Because, he would not allow the war to continue. Having a hard time believing him, Sarah continues to see Father Crompton.

The day that Parkis and Maurice follow Sarah to Smythe's, where she plans to break it off with Smythe telling him that his hatred for God has only proved of his is existence.

Returning home, Sarah writes a love letter to Maurice, apologizing and promising to return to him, but then destroys the letter. Henry, arrives home and begs Sarah not to leave him and she unable to keep up the fight agrees.

After finishing the diary, Maurice goes to see Sarah, who refuses to see him. He shows up anyways, Sarah leaves the house running in a rainstorm. Maurice catches up to her and makes her promise to return to him. But.... will she be able to keep her promise to him?

This love triangle film has many plot twists and turns. Just when you think that the movie is over it goes into a flashback to show you what really happened. The acting by, Kerr, Johnson and Peter Cushing, will keep you in your seat until the unexpected ending.

Nora Swinburne (24 July 1902 – 1 May 2000) was a British actress, born Leonora Mary Johnson in Bath, Somerset, daughter of Henry Swinburne Johnson and his wife Leonora Tamar (née Brain). She married English character actor Francis Lister in 1924, actor Edward Ashley-Cooper in 1934, and actor Esmond Knight in 1946. Her stepdaughter is the actress Rosalind Knight.

She was educated at Rosholme College, Weston-super-Mare and studied for the stage at the Royal Academy of Dramatic Art. As a member of Clive Currie's Young Players in 1914, she appeared at the Grand, Croydon, Court and Little Theatres, during that year. While still a student at the Academy she appeared at the New Theatre on 11 April 1916 as The Wild Flowers in Paddly Pools; appeared at the Comedy Theatre, September 1916, as a dancer in the revue, This and That; and in October 1916 appeared in Samples at the Globe Theatre (now the Gielgud Theatre). She also appeared at the Globe in March 1917 as Gabrielle in Suzette.

Other early roles included Lulu in Yes, Uncle! at the Prince of Wales Theatre in December 1917, and Regina Waterhouse at the Strand Theatre in December 1918. At the Apollo Theatre in 1919 she played the title role in Tilly of Bloomsbury "for about six weeks" according to her personal notes in Who's Who in the Theatre, followed by the role of Roselle in The Betrothal at the Gaiety in January 1921, concluding the year with what she charmingly called "several cinema plays".

Best Supporting Actor 1970: Results

5. Richard S. Catellano in Lovers and Other Strangers- Castellano is good even though his role is needlessly gimmicky at first, and rarely focused upon as a whole.

4. John Marley in Love Story- Marley has few scenes but he makes the most of everyone. It is a moving and warm performance that fulfills its purpose.

3. Chief Dan George in Little Big Man- Chief Dan George gives an appropriately wise, humorous, and dignified performance as the Chief who is all three of those things. He does not do much more than that though.

2. John Mills in Ryan's Daughter- John Mills creates a unique character that also has an emotional pull without seeming unnatural as he easily could have been.

1. Gene Hackman in I Never Sang For My Father- Good Prediction Dinasztie, and RatedRStar. Gene Hackman gives an incredible performance from beginning to end. He completely realizes the terrible struggle, and relationship his character has with his father. It is truly memorable and wonderful work from a great actor.

Deserving Performances:
Karl Malden in Patton
Alec Guinness in Scrooge
Trevor Howard in Ryan's Daughter

Best Supporting Actor 1970: John Mills in Ryan's Daughter

John Mills won his Oscar from his only nomination for portraying Michael in Ryan's Daughter.

Ryan's Daughter is an underrated film about a small Isolated Irish village that details an affair between a British Soldier and one of the local women Rosy.

Ryan's Daughter contains more than one supporting performance of note from the town's domineering Priest played by Trevor Howard, to the titular Ryan the father of Rosy portrayed by Leo Mckern, and Rosy's faithful and kind husband portrayed by Robert Mitchum. The only man who ended up being nominated though should not have been too much of a surprise I suppose since John Mills has the most Oscary role playing a mentally handicapped man who is considered to be the "village idiot".

This type of role is popular with the Oscars although I can't say they are particular popular with me. Although there are few I do like, many times they can be examples of needless overacting, or frankly just bad acting. The simply truth about these performances in many ways though are you either like them or you don't, there is not really that much middle ground when it comes to these performances, because the actors go out on such a limb, and the actor's whole performance depends just on that limb.

Well I must admit I do like Mills performance here I can easily see why many wouldn't but I must say what he does in the role works for me. Although perhaps this can be partially attributed to the fact that I have not seen a great deal of Mills besides his Oscar winning role here therefore perhaps that helps him, for me anyways, slip completely into the character of Michael. I have to admit I really do not see him acting the role, like the way many of these performances are he simply is Michael.

I think his mannerisms do work from his almost constant grin, and his look of interest or inquiry. His limp and the way he walks never felt forced, but within Mills' creation of Michael that feels  perfectly natural within his creation. Something that is usually stated although untrue is that Mills' performance is entirely mute, well in fact Michael does make some grunts actually from time to time. These grunts work well with the rest of the performance and again actually do realize Michael very well.

This performance is not only about character creation though as Michael has one very important aspect of his performance which is that he is clearly in love with Rosy even though she finds him revolting. Mills is again good in just giving an earnest performance in this regard showing that Michael loves in a very simple, but a very genuine fashion. He succeeds in making Michael a bit heartbreaking actually because he shows that Michael simply loves her unconditionally, and for her to be simply to be disgusted by him is a tragedy.

It is true that Mills' whole character could be seen as a bit of a contrivance in that even though looked upon as the "village idiot" he is far more descent than the rest of the villagers making the others the real idiots. I actually think Mills makes this work because he keeps his characterization throughout he never makes any concessions, he as well still brings an emotional impact with his performance as well just through his small little scenes showing Michael's love of Rosy. This performance might not be for everyone but for me it absolutely succeeds.

Best Supporting Actor 1970

And the Nominees Were:

Gene Hackman in I Never Sang For My Father

Chief Dan George in Little Big Man

John Mills in Ryan's Daughter

John Marley in Love Story

Richard S. Castellano in Lovers and Other Strangers