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Showing posts with label Terrence Howard. Show all posts
Showing posts with label Terrence Howard. Show all posts

WINNIE

Friday, October 5, 2012

WINNIE
Written by Andre Pieterse and Darrell Roodt
Directed by Darrell J. Roodt
Starring Jennifer Hudson, Terrence Howard and Elias Koteas

Winnie Mandela is a controversial political figure, to say the least. In her native Africa, she was once known as the “Mother of the Nation”. While her husband, Nelson, spent 27 years in prison, she was left to fight his non-violent fight for a free Africa in his stead. Their peaceful approach was met with nothing but violence from the ruling African government and it became eventually impossible for Winnie to pacify the masses of angry Africans that were looking to her for guidance. She started to make choices that violated human rights, which got her into trouble with the law and naturally took her out of favour with her people. Hers is a complicated journey that deserves to be told and explored in detail. With WINNIE, a film by Darrell J. Roodt, her story is told, but the details needed to comprehend it fully have been sorely foregone in favour of underdeveloped melodrama.

WINNIE has two saving graces, and they are lead actors, Jennifer Hudson and Terrence Howard, as Mr. and Mrs. Mandela. They make the most out of the material they are given, bringing full bodied character to the famous figures they are tasked with portraying. It is what they are surrounded by that makes all their efforts nearly for not. The South African struggle against the atrocities of the Apartheid is one of the most horrifying the world has ever known but Roodt’s interpretation of the events is so oversimplified that it is often hard to take seriously. Hudson and Howard are compelling enough to pass the time, but the Mandela’s definitely deserved a better director to tell their rich history.


231. On the Road

Tuesday, October 2, 2012

231. (01 Oct) On the Road (2012, Walter Salles)* 44



Where Kerouac's writing is vibrant and rhythmic, Walter Salles' filmmaking style is the opposite. The structure is episodic and the aesthetic uninspired. Occasionally a scene is amusing or provocative, but not one offers insight or excitement. How odd that some of the most iconic characters in 20th century literature are impossible to engage with on-screen, the issue being that the leads are uniformly bland. Kirsten Dunst and Elisabeth Moss shine in supporting roles.

213. Lackawanna Blues

Thursday, September 20, 2012

213. (19 Sep) Lackawanna Blues (2005, George C. Wolfe) 47



S. Epatha Merkerson's world-weary performance is outstanding and the clear standout in an ensemble full of famous faces. She's giving a plainly theatrical performance, fitting in well with George C. Wolfe's stagy, episodic production. This is clearly his first feature, uncinematic and mostly ineffective, but he gets the best out of his actors minus a hammy Jimmy Smits.
 

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