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Showing posts with label Prometheus. Show all posts
Showing posts with label Prometheus. Show all posts

Ask JKM a Question #62: The Xenomorphs in Prometheus?

Monday, January 21, 2013



A reader, Skeptical Gnostic, writes:

“Hi Mr. Muir, I wanted to know your thoughts on a Prometheus theory I have.”

“Now, the evolution of the xenomorph still hasn’t been explicitly explained (yet), but really, to retain a sense of mystery that was robbed in sequels, all we needed to know was that it evolved from simple beginnings at one point in time; the crew in Prometheus merely set off a chain of events that the engineers already experimented with thousands perhaps millions of years prior and the parasite evolved over time to be the perfect weapon. All we saw were some missing links in the early beginnings of the xenomorph so there was more than enough to suggest that this is how they began and obviously they evolved. 

Now, It’s quite clear to me and many others I've spoken to that the xenomorph evolved from worms; worms are hermaphroditic, they shed skin, they lay eggs, they have no eyes, they sense light and will move away from light...Newborn xenos are worm-like in morphology indicating their worm/hammerpede ancestry (ontogeny recapitulates phylogeny), they have no eyes, they shed skin, they appear hermaphroditic and xenos are well known to be afraid of fire. Notice how the hammerpede had acid for blood? Notice how it strengthened its constriction around Milburn’s arms when it was touched? Quite obvious clues there. Over time the hammerpedes mate and lay eggs (remember there were a few swimming around in the ampule chamber) and every generation evolves; growing fingers and more efficient ways of depositing embryos inside hosts.”


“So now we know what came first; The Queen or the Egg? Neither; it was the black-goo, worms and hammerpedes. The worms and the hammerpedes are an example of the Chekhov’s Gun trope and I think the uber-facehugger (Trilobite) and the deacon are red herrings. It’s all implied right there in the film, and we see an indirect route of the process with the black goo used on human intermediaries that resulted in an uber-facehugger and a deacon xenomorph. What we see there is just common descent; in evolution may organisms share common descent if they have a common ancestor, which in the film is revealed to be the black goo. And since there are several temples on LV-223 this implies several versions of the xenomorph bioweapon.”

“Also, notice how the deacon infant wasn’t worm-like? It had no tail...Another clue was a deleted scene showing Milburn finding the shed skin of the hammerpede...Scott and co probably thought it was too obvious a clue! Worms as the ancestors of the xenomorph corresponds directly with H.R. Giger's life-cycle.”

“What do you think?”

Hi, Skeptical Gnostic.  Very intriguing stuff.  I noted the presence of worms in the film with avid interest, and wondered about them, so your theory definitely dovetails nicely with the details of the text.

Truly, you have struck on the thing about PrometheusI love so very much: it is open-ended enough to inspire speculation on the part of the audience.   Where I have read some people complain about the fact that the film doesn’t tie up every loose end, or spoon-feed us ALL the information, I feel that many folks -- yourself included -- are absolutely inspired by the film to think about all it has to say…and all it is trying to tell us.  Who are the Engineers?  Is that Earth in the first scene?  How does the xenomorph develop in terms of a life cycle?  These are questions the film raises, but doesn’t definitively answer.

In my opinion, Prometheus is a great work of art precisely because it doesn’t fill in all the gaps, and thus leaves us the possibility (and glory) for multiple interpretations.  I certainly see no reason, right off, why your theory doesn’t fit with what we see on screen, or learn from the filmmakers. 

I last watched the film about two months ago, for the fifth time.   But rest assured, when I watch it again next (and I will…) I’ll have your thesis close at hand, and be actively considering it!

Thanks for giving me something to think about, and obsess upon, regarding one of my favorite films.

Don’t forget to ask me your questions at Muirbusiness@yahoo.com

The 4-in-1 Movie Review by Bright Eyes Long Lashes

Saturday, October 13, 2012

For a change from my normal reviews, I asked one of my Twitter friends Leah to let me post some of her film review vLogs. She's a fun reviewer who speaks her mind and is "challenging herself to review every movie released theatrically in 2012". Below she talks about some of the most anticipated movies of the year...



PROMETHEUS




LOOPER & PREMIUM RUSH





THE DARK KNIGHT RISES


Bright Eyes Long Lashes is a YouTube channel that focuses on movie reviews. As Leah is currently on a mission to view all films released theatrically in 2012, you can subscribe to her channel at www.youtube.com/Brighteyeslonglashes and visit her website at www.LeahHather.com

Review: Prometheus (2012)

Thursday, June 14, 2012

Michael Fassbender in Prometheus

Directed by Ridley Scott
Produced by David Giler, Walter Hill, Ridley Scott, and Tony Scott
Written by Jon Spaihts and Damon Lindelof
Starring Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green, and Charlize Theron

***1/2

Ridley Scott's much-anticipated Alien prequel (of sorts) is a highbrow science fiction film in the vein of 2001: A Space Odyssey (1968) and the aforementioned Alien (1979). The film follows a group of scientists as they explore a deep-space planet for their creators, meta-humans known as Engineers. These beings hold the apparent answer to human existence, but they turn out to be hostile towards their creations, i.e. the scientists. As the crew is wittled down by the foreign elements, one scientist (Rapace) and a robot (Fassbender) are left to find the answers, to seek out the Engineers and discover the reason for their hostility. Though the film ends here, it does depict the birth of the Alien right before the ending credits.

It is a film structured like Alien, but it has a number of ideas behind it to freshen the familiarity of the narrative. The questions of intelligent extraterrestrial life, creationism, war, and genetic mutation are present, giving the film an admirable quality that most blockbusters do not carry. That said, the film is a slight disappointment. With the weight of these ideas, the film still suffers from a few problems, such as exposition issues with the Engineers, that hold it back from reaching the level of other sci-fi masterpieces. Of course, the film is technically superb, and the cast as a whole performs arguably better than the cast of Scott's Alien. The film offers great entertainment and features stimulating ideas, but the execution of those ideas leaves something to be desired.

Oscar Potential: Best Art Direction, Best Original Score, Best Makeup, Best Sound Mixing, Best Sound Editing, Best Visual Effects


PROMETHEUS

Saturday, June 9, 2012

PROMETHEUS
Written by Jon Spaihts and Damon Lindelof
Directed by Ridley Scott
Starring Noomi Rapace, Michael Fassbender and Charlize Theron

David: Sometimes to create, one must first destroy.

The ship which Ridley Scott’s latest foray into outer space is named for, PROMETHEUS, is itself named after a Greek god. In case you’re unfamiliar, this particular God is not only credited with the creation of man, from clay no less, but also with providing mankind with fire and the possibility of progress. The trouble is he had to steal the fire in the first place and so his deed would need to be punished. Aside from eternal torment and torture, Prometheus would also be forever known as a symbol for overreaching and the often unfortunate consequences of doing so. There is only one person doing any overreaching on this ship though and that’s the director. Not to mention, it would seem to me that naming an exploratory space ship thus would just be more of a subconscious effort to sabotage your chances for success than anything else.

PROMETHEUS opens with stunning shots of landscapes and waterfalls and culminates in a bizarre spectacle that announces the possibility of a truly unique and breathtaking film experience. It then moves rather quickly into all too familiar territory. Type on the screen dictates the time and place of the mission, while people are asleep in pods on the ship, and an android watches carefully over them with some potentially questionable motivation. There were months of speculation but now there is no denying that this is an alien movie, somehow connected to Scott’s seminal 1979 film, ALIEN. It isn’t made clear just how at first but it certainly follows exactly the same pattern as his original film, as well as James Cameron’s sequel, ALIENS. After everyone wakes up, they pal around in the cafeteria; the ship’s authorities have money on their minds at all times; disposable crew members are picked off in small increments; heck, there are even things that pop out of stomachs and girls in tiny, objectifying briefs. The technology allows the film to look fresh and updated but the familiarity left me wondering if I was watching a remake and also why no one told me ahead of time.


So, once you realize PROMETHEUS is an ALIEN movie, the question becomes is it actually a good ALIEN movie? It is, to some extent, if you consider the word “alien” to mean beings from outer space and not the specific ones from the original film. Go in expecting them and you will be disappointed. That said, I can’t guarantee you won’t be disappointed if you go in not expecting them either. We wait to see what all the fuss is about for a good hour, and marvel at its beauty, because PROMETHEUS is nothing if not beautiful, but by the time the action comes, we have been waiting for it for so long that it almost feels forced. And I know that genre pics like this warrant all secrecy but the fact is that the spoiler moments in this film almost spoiled it completely for me. There are moments that are just too hard to believe or too sadistic to be taken seriously. Some of these moments are too hard to truly recover from even. Scott may know aliens but he doesn’t seem to know much about creating credible human beings here.


PROMETHEUS is co-written by LOST alumni, Damon Lindelof (along with relative newcomer Jon Spaihts). Like in the popular television series, Lindelof again attempts to tackle ideas about where we came from and where we’re going. And once again, he provides vague musings about our nature that truly only beg more questions. Hence the reason any characters left at the end of the film are only left with one question on their minds; why is this happening? Naturally, they must find out and so PROMETHEUS seems destined to continue its quest, which, while noble in intention, is really nothing more than a setup for a sequel. With that, PROMETHEUS the film reveals its true mission is not so dissimilar to that of the ship. Profit at any expense is always more important than understanding humanity.

The Black Sheep Summer Movie Previews

Saturday, May 5, 2012


With THE AVENGERS now officially smashing records in theatres around the world, there is no denying that the summer movie season is officially upon us. As a film critic, the summer is always an iffy time for me. I am all for big budget blockbusters; I like to shut my mind off and chill out just like the rest of you. Unfortunately, turning off these days is often not good enough for Hollywood. It seems to enjoy some of today's summer movies, one has to actually lower their intelligence to get on board. That's where I usually draw the line, y'know, while I still know how to do so. And so I scoured this summer's calendar and the following is a list of 10 titles I am betting will prove that a great summer movie doesn't have to be dumb to be enjoyed. In order of expected release ...

MOONRISE KINGDOM
Directed by Wes Anderson
May 25




I'm a big Wes Anderson fan so anytime he comes out with a new film, I'm going to be excited for it. With a cast like this, how can I not be?

SNOW WHITE AND THE HUNTSMAN
Directed by Rupert Sanders
June 1




After that last Snow White movie, I'm ready to see the story be given a real chance to be re-imagined.

PROMETHEUS
Directed by Ridley Scott
June 8




I'll see anything with Michael Fassbender in it these days. And I love this viral video!

BRAVE
Directed by Mark Andrews
June 22




After Pixar's last offering (CARS 2), it will be refreshing to see them get back to their original roots again. Well, I hope it will be anyway.

TO ROME WITH LOVE
Directed by Woody Allen
June 22




Woody continues to travel the world and I am ready to follow him anywhere. Side note: I'm so happy to see the words, "Written & Directed by Woody Allen" to finally be proudly displayed in a trailer again.

MAGIC MIKE
Directed by Steven Soderbergh
June 29




A Channing Tatum stripper movie directed by Steven Soderbergh. Need I say more?

THE AMAZING SPIDER-MAN
Directed by Marc Webb
July 3




Amazing, indeed. Too soon for a reboot? Who cares?! It's Spider-Man! I love the cast and I'm very curious to see how the (500) DAYS OF SUMMER director holds up in the big leagues.

TED
Directed by Seth MacFarlane
July 13




MacFarlane brings his FAMILY GUY humour to the big screen for the first time and I'm skeptical but intrigued.

THE DARK KNIGHT RISES
Directed by Christopher Nolan
July 20




This is the big one! It might be the only movie that really matters this summer. Will it match the grosses of THE DARK KNIGHT? I doubt it. Will it be even better? I'm seriously hoping!

PARANORMAN
Directed by Sam Fell
August 17




I still haven't seen an animated film this year that I liked. My money is riding on this one.

And that's it! 10 whole movies I actually want to see all summer. I'm sure there will be more that pop up along the way but that's it for now. Geez. I might actually have to spend some time, gulp, outside! Getting fresh air! And playing sports! Or I can just see THE DARK KNIGHT RISES over and over again.

Bon cinema!
 

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