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Showing posts with label Matthew McConaughey. Show all posts
Showing posts with label Matthew McConaughey. Show all posts

Alternate Best Actor 2012: Results

Thursday, February 14, 2013

5. Jack Black in Bernie- Black gives a very different performance here going head first into creating a unique character who is believable as both the nicest man but also a murderer.
4. Liam Neeson in The Grey- Neeson gives a strong performance capitalizing well on his physical, but as well giving a powerful emotional portrayal as well.
3. Matthew McConaughey in Killer Joe- McConaughey proves himself more than capable as an actor through his oddly charming and at the same time freighting performance as a cop who does not mind killing for money on the side.
2. Denis Lavant in Holy Motors- Lavant gives a very different type of performance switching breathlessly from one character never stopping for a moment. It is a striking performance that is absolutely fascinating to watch.
1. Jean Louis Trintignant in Amour-Trintignant gives a quiet very restrained performance that is very moving and poignant while having a perfect chemistry with his co-star Emmanuelle Riva. A strong year for leading performances, and the academy did a pretty good job of selecting them too they nominated six deserving leading performances even if two were in the supporting category.
Overall Rank:
  1. Daniel Day-Lewis in Lincoln
  2. Joaquin Phoenix in The Master
  3. Philip Seymour Hoffman in The Master
  4. Jean Louis Trintignant in Amour
  5. Denis Lavant in Holy Motors
  6. Christoph Waltz in Django Unchained
  7. Matthew McConaughey in Killer Joe
  8. Liam Neeson in The Grey
  9. Bradley Cooper in Silver Linings Playbook
  10. Jack Black in Bernie
  11. John Hawkes in The Sessions
  12. Tom Holland in The Impossible
  13. Suraj Sharma in Life of Pi  
  14. Hugh Jackman in Les Miserables 
  15. Jake Gyllenhaal in End of Watch
  16. Michael Pena in End of Watch
  17. Logan Lerman in The Perks of Being a Wallflower 
  18. Richard Gere in Arbitrage
  19. Martin Freeman in The Hobbit
  20. Daniel Craig in Skyfall
  21. Colin Farrell in Seven Psychopaths
  22. Brad Pitt in Killing Them Softly
  23. Christian Bale in The Dark Knight Rises
  24. Joseph Gordon-Levitt in Looper
  25. Karl Urban in Dredd 
  26. Ben Affleck in Argo
  27. Tom Hardy in Lawless
  28. Christopher Walken in Stand Up Guys
  29. Robert Downey Jr. in The Avengers
  30. Mark Ruffalo in The Avengers
  31. Jared Gilman in Moonrise Kingdom
  32. Chris Evans in The Avengers
  33. Emile Hirsch in Killer Joe
  34. Chris Hemsworth in The Avengers
  35. Tom Cruise in Jack Reacher
  36. Denzel Washington in Flight
  37. Anthony Hopkins in Hitchcock
  38. Al Pacino in Stand Up Guys
  39. Jamie Foxx in Django Unchained
  40. Joseph Gordon-Levitt in Premium Rush
  41. Bill Murray in Hyde Park On Hudson
  42. Shia LaBeouf in Lawless
  43. Sylvester Stallone in The Expendables 2
  44. Will Smith in Men in Black 3 
  45. Zac Efron in The Paper Boy
Next Year: 1968 lead

    Alternate Best Actor 2012: Matthew McConaughey in Killer Joe

    Tuesday, February 12, 2013

    Matthew McConaughey did not receive an Oscar nomination, despite receiving an Independent Spirit Award nomination, for portraying Joe Cooper the titular character in Killer Joe.

    Killer Joe is a film that is bit of a mixed effort it has some good scenes, but at times it seems to trying to trashy just for the sake of it, and it never quite sheds the fact that it originates from the stage. Anyway the film is about a young man Chris (Emile Hirsch), who has a life threatening debt, who decides to hire a killer to kill his mother so his sister Dottie (Juno Temple) can inherit the life insurance money.

    Matthew McConaughey has just in the past couple of years decided to fully shed his old imagine which was that of the romantic lead in bad romantic comedies. He certainly was not known for his acting abilities, although to be perfectly fair to McConaughey it is not like those films really gave him much of challenge, and it really was not his fault that those film where terrible they were bad concept deep for the most part. McConaughey though seems to be trying to reinvent himself by playing far more challenging parts, and perhaps the most in this vein yet is that of Killer Joe a police detective who on the side murders people for money.

    McConaughey interestingly is that in his performance here he does not exactly refute his old screen persona, instead he molds it into this role that is far cry from that of his usual hunk. In his first scene where Joe appears McConaughey actually uses a great deal of his leading man style charm in his performance as he first comes onto to the scene meeting Dottie. As Joe McConaughey has a quiet charisma that he naturally infuses into the part that could have easily been missing in Joe, but it has to be there. He makes Joe not necessarily a man you would immediately suspect as a murderer, and one you could easily get along with, making it believable that he could run a business while being a police detective. 

    McConaughey because he is not at all obvious about the razor edge of the man makes far more effective in the early scene when he does talk about killing someone. McConaughey is great here as has Joe be so casual about the thing. He is good though as he shows just the slightest hesitations just in terms of proper table manners, but after the proper hesitations  McConaughey portrays Joe as a man who can speak about killing pretty easily as basically just a normal things that he does. He is quite chilling because of how easy going he is about it but inserts just the right amount of menace that never is obvious but is always something under his surface.

    McConaughey actually is not in the film for an extraordinary amount of time, and honestly if this same performance was in a more accessible film McConaughey could have easily placed in supporting. I very much consider him lead though as his presence is overwhelming in the film, once he is on screen McConaughey makes such an impact that he can not be forgotten even when he is off. McConaughey tears into every scene, and is excellent as Joe sets up the deal with Chris. He shows Joe very much calculating the entire situation, and when he sets the rule that Chris and his family will die if they mention him in any way he says it calmly yet the threat is absolutely a fact.

    Where the dirty nature of the other characters in the film are pretty much constantly on display, McConaughey makes Joe easily the most compelling though by portraying it as something that comes out. The sexual scenes of his performance are quite bizarre to say the least, yet they absolutely work through the intensity that McConaughey displays in these scenes. When the depraved nature of Joe's sexual appetites do come out it something that McConaughey portrays as having no bounds, and he is particularly striking in showing him even when there is going for this depravity he will still keep up his charm all at the very same time.

    McConaughey works as Joe in a spectacular fashion keeping the element that allows a man to kill for money in check for most of the film until the very last scene which is just an amazing scene for McConaughey. In the scene McConaughey starts out calm and collected in Joe's fashion yet there is an incisive technique that he employs. It is fascinating in this scene because he shows the detective in show, the interrogator and he is incredible as he portrays Joe's ripping into Chris's step mother (Gina Gershon) to find the entire truth. McConaughey makes Joe like a volcano here as he slowly builds in his cruel method of bringing out the secrets the step mother is hiding, McConaughey's performance makes it something that is simply inevitable that she will have to break.

    Due to the way McConaughey builds so brilliantly up in this scene when he finally does burst out in an intense psychotic violent it is entirely earned, and is as frightening as he should be. What is remarkable though is the way he can change on a dime in his performance. Such as in this last scene as he goes from the psychotic killer to the charmer in a seconds notice when it is required of Joe. This might be very hard to believe in the situation, but McConaughey nails it completely. He never misses a step succeeding in bringing about this unpredictability of Joe perfectly. His last scene sums up the strengths of his performance the ease he has in portraying both Joe's charm and brutality is spectacular. This is a very strong performance by Matthew McConaughey, and hopefully it is only an indication of things to come from the actor.

    Alternate Best Actor 2012

    Sunday, February 10, 2013

    And the Nominees Were Not:

    Jean Louis Trintignant in Amour

    Jack Black in Bernie

    Liam Neeson in The Grey

    Matthew McConaughey in Killer Joe

    Denis Lavant in Holy Motors

    304. Magic Mike

    Monday, December 10, 2012

    304. (08 Dec) Magic Mike (2012, Steven Soderbergh) 54



    The gimmicky striptease numbers are undoubtedly the best thing in Magic Mike, full of a vitality and raw sexuality that's otherwise lacking from the film itself. Though Channing Tatum's arc is about how age can damper things, Alex Pettyfer should inject more excitement to show why growing up isn't the easiest option. Without that, the film comes off self-serious and formulaic, ending things where only a shameless rom-com should. Matthew McConaughey has garnered some awards attention for this and, while he's energetic, the only performance of note here is a surprisingly capable Tatum.

    THE PAPERBOY

    Monday, October 15, 2012

    THE PAPERBOY
    Written by Lee Daniels and Peter Dexter
    Directed by Lee Daniels
    Starring Zac Efron, Nicole Kidman, Matthew McConaughey and John Cusack

    Jack Jansen: I smell awful.
    Anita Chester: That’s because that blonde lady peed all over your face.

    If you like the idea of watching a movie where pretty boy, Zac Efron, parades around in tattered white briefs, covered in dirt and sweat, most of the way through it, then THE PAPERBOY is the movie for you! Fortunately for me, I’m a big fan of any movie where Efron strips down to his bare essentials, especially when said movie actually pushes the young actor past his squeaky clean, good boy image. It is refreshing to know he is interested in doing something more with his career than dancing in gymnasiums and headlining Nicholas Sparks pseudo-romances. I’m not sure getting peed on by Nicole Kidman was what he had in mind when he sought out grittier fare, but he didn’t seem to mind it all that much.

    Writer/Director, Lee Daniels’s follow-up to his breakthrough Oscar winner, PRECIOUS, will certainly not earn him the notice and accolades his last film did, but it does solidify him as a director with a clear voice and talent that deserves to be recognized. THE PAPERBOY, based on the acclaimed Peter Dexter novel, is pure trash, but in a good way. It’s the kind of tawdry experience that wears it’s campier elements so boldly and proudly on its sleeve, you might confuse it for actual garbage. Get in on the joke though and it becomes a delightful game, where in order to win, Daniels must constantly top himself with one bewildering atrocity after another. Amidst all this melodrama, and I assure you, there is plenty, there is an actual plot. A convicted murderer (John Cusack) is having his case reinvestigated by a local journalist (Matthew McConaughey) at the insistence of his fiancee (Nicole Kidman, who is deliciously dirty). Efron plays younger brother to McConaughey and is just there to soak it all in.


    Daniels must be an incredibly trustworthy individual. Not only does he get A-listers like Kidman and McConaughey to put themselves in shockingly compromising positions (I wasn’t kidding about that urinary, jellyfish-related incident between Kidman and Efron before), but he also has a knack for getting the viewer on his side despite, the difficult circumstances he immerses them in. THE PAPERBOY may not be anywhere near as emotionally devastating as PRECIOUS was, but by surrendering fully to the trash-tastic (and often racist) nature that the 1960’s deep American south setting requires, it becomes a spectacular homage to a style of filmmaking that has sadly long been forgotten.

    239. The Paperboy

    Sunday, October 7, 2012

    239. (06 Oct) The Paperboy (2012, Lee Daniels)* 47



    A hodgepodge of prurience, decadence and flat-out bad plotting, The Paperboy is as trashy and convoluted as mainstream cinema gets. Something seems off immediately with the inexplicable choice to let Macy Gray narrate. Hers is one of several clumsily developed character arcs in a film where every major plot point seems entirely incidental. Sex, murder and mayhem are presented with astonishing nonchalance.

    Matthew McConaughey gets the worst edit with his storyline taking a backseat to scene after scene of Zac Efron in his tighty whities. To his credit, Lee Daniels so lovingly photographs and exploits Efron and Nicole Kidman it's impossible not to admire their work together. Kidman is frankly sublime; it's an unselfconscious, irresistible performance that none of her peers could have tackled so adeptly.

    MAGIC MIKE

    Saturday, June 30, 2012

    MAGIC MIKE
    Written by Reid Carolin
    Directed by Steven Soderbergh
    Starring Channing Tatum, Alex Pettyfer and Matthew McConaughey

    Brooke: Entrepreneur/Stripper or stripper/entrepreneur?
    Mike: Either one.
    Brooke: I was hoping this was all a joke.
    Mike: It is pretty funny.

    Wow. MAGIC MIKE is one heck of a surprisingly great time! Perhaps I’m still in my post Channing Tatum shaking his incredibly hot stuff all over the place haze but still, who knew you could take a movie about a handful of male strippers and turn it into an insightful and oddly charming film? Steven Soderbergh and his new bro, Tatum, did, that’s who. By loosely adapting Tatum’s own experience getting wrapped up in the sexy world of all naked male revue, Soderbergh strips away all the pretense that has weighed down some of his more recent works. If Soderbergh had hair, this would be him with it down. Way down.

    Alex Pettyfer plays Adam, the character who is supposed to be Tatum and who would later come to be known as The Kid. He is 19 years old, living on his sister’s (Cody Horn) couch in Tampa, Florida, and uninterested in any work that has him answering to any authority or wearing a tie. In other words, he’s lost. He meets Mike (the magic one himself, Mr. Tatum, who impresses with way more than just his perfect pecs here) on a construction site and before he knows what’s happening, he’s being shoved on stage and taking off his clothes for screaming women aplenty. Naturally, with all the ladies hooting, hollering and constantly shoving dollar bills down his G-string, The Kid takes to the lifestyle pretty quickly. Mike takes him under his wing, like a little stripper prodigy, and the two embark on a summer unlike any one I’ve ever had. You can’t have this much fun without consequence though (unless you’re just watching MAGIC MIKE, that is) and summers always inevitably turn to fall.


    The beauty of Soderbergh’s work in MAGIC MIKE is that it is entirely effortless. The guys are up there having a good time and we are having just as much fun watching them. While the film does inspire plenty of cat calling from the audience though, Soderbergh is smart enough to remind us ever so subtly that it isn’t really a party if it happens every night. The Kid is only 19, after all, and even Mike has bigger dreams he’s long put on hold while chasing the easy money he makes on stage. Before it’s over, there is a shift in tone that has been slowly building the whole while, only we were far too distracted to notice. This fantastic world is exposed to be one that can free your mind but trap your soul in the process. Before you know it, you’re 30 years old, the fresh faces are gunning for you and you got nowhere else to go. This isn’t necessarily revelatory but that doesn’t matter because Soderbergh makes it feel real. And damn, it sure was fun while it lasted!

    Black Sheep interviews Matthew McConaughey

    Saturday, March 26, 2011

    Once a Lawyer ...
    An interview with Matthew McConaughey

    The first thought I had when I saw that Matthew McConaughey was starring in Brad Furman’s THE LINCOLN LAWYER, a modern day dissection of just how far the legal system’s corruption reaches, was how could he not be sick and tired of playing lawyers at this point in his career.

    McConaughey’s first big break was in Richard Linklater’s DAZED AND CONFUSED, but he was propelled into the stratosphere of stardom that we know him from, when he starred as Jake Briggance, a fresh, Southern lawyer taking a crack at his first big case in Joel Schumacher’s A TIME TO KILL. Clearly, he was pretty memorable for me as Briggance because it turns out he hasn’t set foot in a courtroom since – well, he hasn’t set foot on a courtroom set since then anyway. And here I was thinking that all the man ever played was lawyers. Fortunately, I did a little research before meeting him.

    “I don’t want to say I like lawyers too much in real life but I sure do like playing one,” McConaughey jokes when we meet at the Thompson Hotel in Toronto, the latest pit-stop on his whirlwind of a press tour for his first film in two years. Speaking of whirlwinds, chatting with McConaughey is a lot like what I would imagine getting stuck in one is like. Ask the man a question and he will give you the long answer every time. I could hardly figure when to ask another question because I could never tell if he was done talking. That said, he is also charming, articulate and quite handsome. I’m pretty sure the same cannot be said of whirlwinds.

    One of McConaughey’s favorite things to talk about? THE LINCOLN LAWYER. “When people like it, I can tell,” the veteran junket junkie proclaims. “And people are enjoying this film so there is stuff to talk about.” McConaughey plays Mick Haller, a recurring character in a series of legal novels written by Michael Connelly, a character he describes as both a “bottom feeder” and an “idealist”. Mick is a defense lawyer who defends whoever can pay him the highest price at the end of the day. He knows every loop and every hole to get around anything the system throws at him. It’s certainly a far cry from the greenery of Jake Briggance (pictured below).

    “Jake was much more small town, just starting off,” McConaughey reveals when asked to compare the two roles. “Mick, this is the world he deals with every day. Everything is barter or a deal. Mick is a poker player.”

    The world McConaughey is referring to is one of mistrust and questionable scruples, disguised as the almighty justice system. Mick is set to defend Louis Roulet (Ryan Phillipe), a hotshot realtor who has been accused of attempted rape and battery on a known prostitute. When it becomes apparent that Louis’s innocence may not be so clear cut, every facet of Mick’s life, from his relationship with his ex-wife (Marisa Tomei) to his work on previous cases, begins to fall apart.

    “He’s juggling a lot of things; it’s a bit vaudeville,” McConaughey quips. “They can’t just all land at once.” If it didn’t appear as though they all would land at the same time though, it just wouldn’t make for very good drama, now would it?

    To further throw off Mick’s balance, he learns that a man he once defended (Michael Pena) was wrongly convicted. He can’t prove it though without breaking the rules he is bound to as a lawyer and this conflict makes his circus act much trickier to uphold. “I was intrigued by this box he is in,” the box being metaphoric, of course. McConaughey continues, “What happens if you found out today that you put, not allowed, but put an innocent man in jail? I can’t imagine a worse nightmare.”

    At 41, McConaughey’s real life is anything but a nightmare. He has starred in nearly 40 films and they have grossed over $1.2 billion in North America alone. The man who was once arrested for disturbing the peace, playing bongos in the nude in his home, is now a family man. He has two children with Camila Alves, a Brazilian model, a baby girl who just turned one and a son who will turn three this summer, and they live a happy little life in Malibu, California. According to McConaughey, he enjoys the change of pace a great deal.

    “I’ve got enough going on that I don’t need any other ‘new stimulus’,” he says cheekily, complete with air quotes. “When I’m on a film and I’m working, it’s work. I go home after and I have a structured lifestyle. Even if that's the watching the game on television.” His family even travels with him on junkets now.

    So what is next now that McConaughey has returned to acting? Well, he continues to go full circle with his career as he is set to star in another Linklater film due out this year, called BERNIE. The best part about this new role? He will once again be playing a lawyer.

    THE LINCOLN LAWYER is in theatres now.
     

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