El último Elvis (The Last Elvis)

Armando Bo's debut film tells the most unexpected story about an Elvis Presley impersonator in a kind of weird, wonderful and bittersweet film that if you know the real Elvis sound you could be fooled by this Elvis as non-actor John McInerny really sounds like the older real one.

Most interesting is to find that McInerny sang live -no studio recording-, he's an architect and also a real life Elvis impersonator; but his performance when not singing is done more with silences plus face/body expressions and he is impressively good. He won the Best New Actor award at 2012 Premio Sur and is very well-deserved.

So you might think that this is a musical, there are songs but belong within a narrative so is not a musical. So then, is a drama? Yes is a drama but there is nothing dramatic in it as story is told very, very slowly, in almost dream-fashion style of every day life, where not much is happening on the screen; there are moments that you wish movie could go faster or to give you hints of what is going on besides what you see in the screen and when finally you start to get hints of what will come whatever you guessed I assure you will not be what comes at the very end. Quite unexpected finale done in a very non-dramatic way while something quite dramatic happens; but then if you think twice that was the only way this story could end.

There are many readings about story, some say is an emotional father/daughter story while others say that's about a looser, a musician/singer that never made it, a failing husband, father and son, trapped in a boring manufacturing job by day and impersonating someone else by night. No matter if you see one or the other story interpretation (or more) there is one certain fact, main character never is himself, he is Elvis, calls his wife Priscilla and her daughter's name is Lisa Marie.

Co written by Bo and Nicolás Giacobone (co writers of Alejandro González Iñárritu's Biutiful) and produced by González Iñárritu film has top tech specs that give film a look/feel that everything is happening in the 60s or 70s but a cellular phone tells you is not; most spectacular use of light, great attention to detail and more gives the impression that film is from a more accomplished director and not a first timer.

It is a great film but because is very slow tend to believe that is not for everyone, only those that are patient, like to admire details, and don't mind that not much happens for almost half the movie will be able to endure entire movie. Still know that those that are real Elvis fans will be fascinated by how striking alike this Elvis is to the real one in more ways than his singing and his mannerisms.

I'm no Elvis fan but after watching movie read a little about Elvis life only to discover a few key facts that made me see this film story very differently, but won't spoil the movie for you so watch it and then read about Elvis surely you will uncover a different story interpretation.

Enjoy!!!

Watch trailer @MOC

2012 Premio Sur Award Winners

From news winners are in *BLUE. Link to official site will come as they update.

Infancia Clandestina sweep this edition as won all top awards plus more for a total of 10 awards out of the 16 nominations it had. Even when not won Best First Film, El último Elvis collected 6 awards to be the second most honored film.

Pablo Giorgelli's Las Acacias is so-good that I'm glad was honored at "home" after winning many honors in the international festival circuit.

---///--

A while back the Argentinean Academy announced the nominees for this year's Premio Sur and Infancia Clandestina, which is Argentina's submission to Oscar, tops the ranking with 16 nominations followed by El último Elvis (13), Elefante blanco (11), Las Acacias (9) and Dos más Dos (8).

Truth is that thanks to the very non-friendly Academy official site I forgot about this award but better now than never; besides the award ceremony will be soon, in December, and of course I wasn't able to find the exact date for the ceremony in the official site, but from news seems that will be on December 4th, 2012.

These are the nominees for some categories and if you wish to check all the categories please go here.

Best Film
El último Elvis (The Last Elvis), Armando Bo
Elefante Blanco (White Elephant), Pablo Trapero
*Infancia Clandestina (Clandestine Childhood), Benjamín Ávila
Las Acacias, Pablo Giorgelli

Best First Film
El último Elvis (The Last Elvis), Armando Bo
*Las Acacias, Pablo Giorgelli
Medianeras (Sidewalls), Gustavo Taretto
Todos Tenemos un Plan (Everybody Has a Plan), Ana Piterbag

Best Director
*Benjamín Ávila for Infancia Clandestina, (Clandestine Childhood)
Armando Bo for El último Elvis (The Last Elvis)
Pablo Giorgelli for Las Acacias
Pablo Trapero for Elefante Blanco, (White Elephant)

Best Actress
Julieta Díaz in Dos más dos, Diego Kaplan
Dolores Fonzi in El Campo (In the Open), Hernán Belón
*Natalia Oreiro in Infancia clandestina (Clandestine Childhood), Benjamín Ávila
Carla Peterson in Dos más Dos, Diego Kaplan

Best Actor
*Ernesto Alterio in Infancia clandestina (Clandestine Childhood), Benjamín Ávila
Ricardo Darín in Elefante Blanco, (White Elephant), Pablo Trapero
Germán De Silva in Las Acacias, Pablo Giorgelli
Adrián Suar in Dos más Dos, Diego Kaplan

There are a couple of films I have not seen but from those I have definitively Las Acacias is my favorite to win honors.

Elefante Blanco (White Elephant)

According to the Merriam-Webster dictionary this is the definition of "white elephant":

a : a property requiring much care and expense and yielding little profit
b : an object no longer of value to its owner but of value to others
c : something of little or no value

According to Pablo Trapero's film all three definitions apply to his film and story as tells about life in a real-life Buenos Aires urban slum that surrounds an unfinished sixty-years-old abandoned hospital that was supposed to become "the largest hospital" in Latin America. A true "white elephant". So by now you can imagine that this film is another portrait of social realism but this time in my opinion Trapero lost his great golden touch as decided that his protagonists had to be two Catholic priests and while watching this story is impossible to see story in only one direction as to me film perhaps is more about another "white elephant": the Catholic Church.

But is his storytelling style what really bothered me as has an extremely weak screenplay that toys with the misery in slums life (like happens in many countries of the world and especially in Latin America), idealistic priests that end up killed (like many priests in Latin America), priests caught in between the Catholic Church hierarchy and both Church and country government politics, and most unconvincingly (a very lost opportunity) toys with priests breaking their celibacy vow. Themes that are daily news in Latin American and could have been interesting if well-developed, especially if he had focused more clearly in the second "white elephant" I mention.

Performances are adequate but nothing saves this movie that no matter how you wish to see story leaves you with a bitter taste and a very unpleasant feeling of disgust.  Saying all this while remembering that I have seen a large quota of Latin American films set in slums and have highly enjoyed the social realism style, the story and even the necessary violence.

Hard for me to say the following, as is a Pablo Trapero movie, but I cannot recommend this movie and suggest you skip it.

Sigh.

Watch trailer @MOC

The Long Hot Summer Movie Bits

My summer was hot, too hot. I'm talking about the weather as many movies I saw were not hot at all. I'm glad this season is about to be over so my favorite season of the year will come next. I'm an Autumn person, because the weather as well as for the movies and all the cinema industry events.

Bonsai by Cristián Jiménez, Chile, Argentina, Portugal and France
Wanted to like movie at least as much as Ilusiones Opticas but I did not. At first couldn't figure out why but believe was because the narrative as movie as a movie is not that bad. Imagine many could like it but not me. Sigh.

Dark Shadows by Tim Burton, USA
While watching wondered if Burton saw what he did, I don't think so. One of the worst movies I have ever seen and the story idea was good, but the end result was awful. Sorry to see Johnny Depp involved with such a bad movie. Sigh.

Chelovek s kino-apparatom (Man With A Movie Camera) by Dziga Vertov, USSR, 1929
Wanted to love this silent film as many have enjoyed the ahead of its time documentary. Started watching in awe but too soon it became the same, something different was being shown but it was the same. Still agree that its ahead of its time, but after a while was too much to endure. Maybe it was the music of the version I saw (there are several music versions) so I muted sound but the visuals did not improved. Saw it complete but watching was hard until the end even when is just 8 minutes more than an hour. But is a classic and one film that everyone should see, maybe you will enjoy it more than I did. Enjoy.

Skoonheid (Beauty) by Oliver Hermanus, South Africa, Germany and France
Came with great credentials but I was not prepared to see a film that look and felt old, very old. I do admit that what happens here still exists today all over the world and never ends well for anyone. There are many homophobic married men that are homosexuals and this is just one story. Never before have seen man-to-man rape, was very unpleasant to watch as much as it is with any kind of rape. I did not enjoyed this film. Sigh.

Fjellet (The Mountain) by Ole Giæver, Norway
The location was absolutely stunning and film had great visuals but fast, very fast I stopped enjoying the sights as this grieving story became truly annoying. Film tells about a couple of women, lesbians, trying to save their relationship while one of them (the biological mother) can't overcome the death of their child. Everything in this film is underestimated and maybe in the hands of a female director film could have been better, at least to help bring more credibility to these two women drama. Film is quite short, 13 minutes more than one hour, but felt like it was three or more hours Sigh.

The Dark Knight Rises by Christopher Nolan, USA
Not impressed at all. Batman has so little time in the screen that doesn't seem like a Batman movie which is similar to the Dark Knight; but unfortunately is NOT the Dark Knight as no one can do what Heath Ledger did in that movie. Marion Cotillard is here and I hardly notice her. Wanted my money back. Sigh.

I had not much luck with those movies but my luck was better with several documentaries.

First Love by Claire Gorman, Australia and USA
A true surprise very enjoyable to watch with a great story about three teenage girls that are in love, not with boys but with surfing. Narrative is so well constructed that makes documentary look and feel more like a movie, a very entertaining movie. Highly recommend watching film and definitively is must be seen for women that enjoy surfing. Enjoy!!!

Senna by Asif Kapadia, UK
Another surprise as yes I know who Ayrton Senna is, no I'm no motor-racing fan (even do once, only once I drove a Formula One) and no, knew nothing about Senna's life. A very emotional roller-coaster tale that shows us a very interesting human being. Very hard to believe that a car-racing driver story could be that much entertaining and so highly emotional but documentary has excellent tech specs and a most impressive storyteller and filmmaker. Bravo. Must be seen. Enjoy!!!

Marina Abramovic: The Artist Is Present by Matthew Akers and Jeff Dupre, USA
Very interesting documentary mainly because the story it tells. Documents the Serbian performance artist as she prepares for a retrospective of her work (we see old footage of some of her work) at The Museum of Modern Art in New York City, but also takes us into the most amazing, compelling performance she does for 3 months every day. I love Art as much as I love movies, but not much a fan of performance art; still this amazing artist has changed my mind, I fell in love with performing art. Bravo. I strongly suggest you experience this film. Big Enjoy!!!

The Tsunami and the Cherry Blossom by Lucy Walker, UK
Lucy Walker makes impressive documentaries but this short documentary is more than impressive as is really beautiful to watch but at the same time awfully hard to watch and you can't help but shred tears while and after watching. For me was a very emotional experience. Tells a story about survivors in the areas hardest hit by Japan's recent tsunami and how they find the courage to revive and rebuild as cherry blossom season begins. Suggest you watch it, but maybe you have to be prepared for a strong emotional ride. Enjoy!!!

Vito by Jeffrey Schwarz, USA
Another surprise as documentary is very well constructed while the story is compelling. Tells the story of Vito Russo, founding father of USA gay liberation movement, vociferous AIDS activist in the 1980s and none the less, the author of the quite famous and the most iconic guide to gay and lesbian cinema history, The Celluloid Closet. I knew him for his work but his life story is very compelling and touching thanks to the great storyteller and filmmaker. I believe that even if you're not interested in the genre films, the story in this documentary could interest you as after all is part of the history of the United States of America, and in a way, that's exactly how I believe is portrayed in the documentary. Find this documentary many times more interesting than The Times of Harvey Milk documentary and yes, also than the film, Milk. Enjoy!!!

Surely I'm forgetting some movies but as you can suspect, where not interesting enough for me to like or dislike them.

Rompecabezas (The Puzzle)

An objective camera introduces us to a woman moving in her small kitchen doing all sort of dishes with extreme precision and care, as we leave the kitchen we notice there are many people outside which made me think of a typical Sunday lunch, but soon enough as we continue to see how the woman so expertly moves among them bringing the food, how people converse, eat we notice is a home party. A celebration, for her children? her husband? No, is the 50-years-old birthday party for María del Carmen.

Quite a fantastic very-long and chaotic opening for the debut film by Natalia Smirnoff that takes us into a very ordinary Latin American middle class family where the mother lives a common life as the sole household keeper of a family where she is the only woman. If you know Latin America you know this "happy" family and if you don't know this side of the world what you saw -and will see- could surprise you and probably will set your mind in a direction that's not intended, but try to remember that this is a common, ordinary happy family and the word "happy" is the key.

What follows is how María del Carmen (great María Onetto), the woman that so diligently prepared her own 50-years-old celebration, becomes alive, leaves her ordinary everyday happy life, her anonymity as a family member and flourishes as a human being, which in the end makes her a better person, wife, and mother. It's an amazing, beautifully told, uplifting story that I can't say is original but nevertheless is quite compelling and engaging.

Surely I enjoyed this little movie more than most people will as I love to do puzzles which transport me to the only zone where my mind stops thinking, goes blank and allows me to full-concentrate into only one thing. Somehow I was able to feel exactly that with this movie that as any puzzle, has pieces all over and is you, the viewer, who has to put them together to gasp what really this movie is all about besides the ordinary tale of a woman that found peace, solace and motivation in doing puzzles.

Film is impressive as a debut for a filmmaker that used to work mostly in casting as has very high production values, director got amazing performances by well-known Argentinean actors, and clearly presents us with a very interesting director that crafts her work very carefully, taking her time and not rushing. Definitively she is in my radar and will follow her career. Now is no surprise why film premiered in competition at the 2010 Berlinale and collected honors in the fest circuit.

But, yes, there is one important but. Definitively movie is NOT for all audiences and my best reference is that if you liked Pablo Giorgelli's Las Acacias, then surely you will like this movie that has slow pace, lots of silences, mostly expressionless performances, relies in showing common/ordinary situations, has the "feeling" that nothing happens, and at moments, has some soapy melodramatic characters reactions, which cut the smooth flow and allows you to recapitulate, take a breath, to continue looking for pieces of this puzzle.

When reading about movie discovered many relating this movie to Caroline Bottaro's Joueuse (Queen to Play) which I didn't do spontaneously but recognize that the plot essence is similar, a game that propels change in a woman. Here is a puzzle in the other is chess. Having seen both movies I find them different and with my love for French cinema in mind, I have to say that I find this Argentinean French production to be better as Natalia Smirnoff's storytelling technique is highly superior while Bottaro's was definitively mainstream cinema.

I strongly recommend movie to those that like Latin American great cinema and the particular storytelling style described in previous paragraph. Then, this is a movie that all women of certain age should watch as story definitively will uplift your spirit.

Big Enjoy!!!

Watch trailer @MOC

Il Richiamo (The Call)

A small movie with a small story that absolute grows exponentially in front of you, fast quite fast thanks to the most wonderful camera that produces awesome Buenos Aires and Patagonia beauty shots, very good tech specs, good performances and a hand that merges all together so well that's not easy to believe that this is the second film by Stefano Pasetto. Beautiful movie, very beautiful movie.

Film tells the story of two very different women, Lea (Francesca Inaudi) and Lucia (Sandra Ceccarelli), the first wanting to live her life to the fullest the other living a suffocating tedious life, how they meet and how they go to one of the most beautiful places in the world, La Patagonia. Their story is a love/attraction tale that is underdeveloped as such, as to me is the excuse to explore momentaneous freedom away from urban responsibilities. So even do has all the elements to make it attractive to those that enjoy the lesbian interest genre, I'm afraid is not at all the usual movie in the genre as not only transcends the two-women story but also the storytelling style will not please many.

But that's exactly what makes this movie great as the narrative and visual storytelling style is truly compelling, engaging and remarkable, making the experience a very interesting cinematic one when you enjoy films that are more visual than dialogue or situation oriented. But let me remark that film has a very coherent visual narrative, so good that probably if you turn off sound you will be able to tell what movie is all about.

Confess that was a surprise as decided to watch because the lesbian interest label, but definitively in difference to the previous reviews, this movie belongs to genre but absolutely transcends it so much that I'm sure many will not enjoy it as also doesn't have a positive ending. So, if you watch for the same reason as me, be aware that story might disappoint you, but maybe, maybe you will enjoy this great movie.

Strongly recommend this movie to those that enjoy European movies as even if is an Argentinean co production, film looks and feels more Italian/European than Latin American cinema. Yes I enjoyed movie a lot and this is the kind of movie that I can watch twice or more and still enjoy what I see.

Enjoy!!!

Watch trailer @MOC

2012 Winter Movie Bits

Here are some bits about movies that didn’t touch me enough, at least enough to write something about them.

This Must Be The Place. I have no clear idea of what was I expecting from this movie but Paolo Sorrentino credentials gave me expectations of an intense cinematic experience. Can’t say movie is bad as it’s not, much less that Sean Penn is bad as he gives an excellent performance but there is something that bothered me. I saw two styles, thus two movies; one I liked, happened in Europe, the other I didn’t, set in USA. Not as intense as I was hoping and wish film styles blended better; hope next Sorrentino film stays in Europe only. Enjoy! Italy, France and Ireland.

Drive. With all the awful marketing promotion I delayed watching as much as possible as imagined movie was going to be very violent. It is not and end up enjoying the story, the performances and fabulous Nicolas Winding Refn style. If you don’t care about violent movies do not skip this one as not only is not that violent but you will be missing a great movie with great actors’ performances and an acceptable story. Enjoy!!! USA.

Martha Marcy May Marlene. Actually I liked movie and as I said after watching if it wasn’t for them talking English I would have say that this is an European movie, maybe German, good German cinema and Elizabeth Olsen has a great performance, should have gotten an Oscar nod as she does world class acting. If you haven’t seen it, do not skip it worth watching no matter how story is. Enjoy!!! USA.

Young Adult. I believe I’m a Diablo Cody fan and really are looking forward to her directorial debut. In a nutshell this Jason Reitman film has outstanding –and very sharp- dialogues and an amazing performance by Charlize Theron, so good that the classic drunk scene made me feel very awkward, so much that had to “close” my ears and really close my eyes. Do not skip this movie as is a fantastic movie about those really dysfunctional individuals that never grow up. Enjoy!!! USA.

The Iron Lady. Meryl Streep does an outstanding performance that in my opinion does not save the movie that should have been more a made for TV movie, unlike the famous The Queen. I really HATED the story as was a not-kind and very unpleasant to watch portrait of a famous woman. There was NO need to tell the story from this point-of-view even when intention was to humanize Mrs. Thatcher. Can you think about an alive male statesman that was an object of a “humanizing” portrait such as this one? I can’t. Anyway even when Streep deserves Oscar I wish the American Academy wouldn’t celebrate her greatness in such a poor movie. Sigh. UK and France.

J. Edgar. Talking about humanizing famous man this Clint Eastwood film does that with perhaps one of the must “larger-than-life” American infamous law iconic figure and in this sense Eastwood absolutely succeeds as Hoover is seen more like a person than a not-so-positive legend. But film has something that makes the end product not outstanding and not relatable. I believe is the screenplay and yes, performances, the later is hard for me say as I believe Eastwood is a master filmmaker, but I know that once in a while he does movies that leave me wondering why he did them and these films have big stars as leads –remember Angelina Jolie movie? Anyway, watch it without expectations and maybe you will learn that Hoover actually did something good. Enjoy. USA

A Dangerous Method. Complex movie, too much psychoanalysis (as it should be) not much entertaining as is very brainy, thus “dry”; but then what was there to expect from a movie about the founders of modern psychology? (lol!) Indeed most of what I heard already knew and had to pay to learn it! Didn’t enjoy much actors’ performances especially Keira Knightley was not good and at times very unpleasant to watch. Watch at your own risk. Enjoy. Canada, UK, Germany, and Switzerland.

Octubre (October). Been waiting a long time to watch this Vega brothers film and no, I was not really impressed with their much praised film. Peruvian cinema has so much evolved and leaped into the international arena that I was hoping for a world class cinema experience. It was not. Movie has more the regular Latin American style and well, has an entertaining story good enough for an entertainment escape moment. Watch at your own risk. Enjoy. Peru.

Un Cuento Chino (Chinese Take-Away). What do you think of a story that starts with a cow falling from the sky into a small boat and killing the woman that was about to get a marriage proposal? That’s exactly how this sometimes comedy sometimes drama starts plus sets the tone and manner to everything that follows. Is an entertaining movie quite well done with the always outstanding and reliable performance by Ricardo Darin. Enjoy!! Argentina and Spain.

Violeta se fue a los Cielos (Violeta Went to Heaven). For me Violeta Parra is an icon and watching her bio was not easy as tells –and made me recall- about turbulent times in the Latin American region not only Chile. Still, I believe Andres Wood does a good job as she was portrayed as what –everyone says- she was, a not pleasant woman. I like her songs and this movie will not change that, but maybe I liked better the idea I had of her in my head than the one portrayed here. Watch at your own risk, especially if you know who Violeta Parra is and her outstanding poetry in her lyrics. Enjoy. Chile, Argentina and Brazil.

Apflickorna (She Monkeys). Lisa Aschan much honored debut film is a very interesting essay on very young and young women –or should I say children?- behavior as story is strong and yes, not easy to watch. But what makes film quite outstanding is Aschan magnificent visual and narrative storytelling style. Looking forward to her next film and suggest you do not skip this movie, but be prepared as story is not light. Yes has some lesbian interest but in my opinion film transcends the label both because story as because the superb filmmaking style, so wider audiences should be able to enjoy this very European movie. Enjoy!!! Sweden. Lesbian interest.

Poulet aux Prunes (Chicken with Plums). After Persepolis I was really hoping for an outstanding story and was looking forward to see how directors move from animation into live filmmaking; then Mathieu Amalric is a very special performer that either you love him in a particular role or you don’t. Here Amalric is the don’t-like kind and live film does not reach the same great levels of their animation film. For me story is not that interesting –at least as much as was Persepolis- even when I recognize that’s magical. Some say is a very French movie, I don’t agree, film does not look or feel French or European at all. But I hope next film by Vincent Paronnaud and Marjane Satrapi regains the magic that Persepolis had. Enjoy! France, Germany and Belgium.

La Source des Femmes (The Source). I was really looking forward to watch this Radu Mihaileanu film with a story that revolves around women. I really like Leïla Bekhti performances as well as excellent Hiam Abbass and good Hafsia Herzi; can’t complain as it was good watching them here but didn’t enjoy much the story as I believe is one I have seen before told in many more compelling ways. Still, visually this film is a true beauty that will feast your eyes. Enjoy! Belgium, Italy and France.

Les Géants. Bouli Lanners films are not easy to watch for me as was unable to watch Eldorado, but wanted to try to watch this Cannes honored movie. I couldn’t, had to stop watching as was feeling physical sick and very uncomfortable. A story of three kids that never imagined could be portrayed so not easy to watch for the most non-sense simple situations. Watch at your own risk. Sigh. Belgium.

Polisse. Not sure what was going to watch here as Maïwenn movies are always not very easy to watch or enjoy. Well, definitively this one has not her usual style and style becomes maybe more commercial as film looks and feels like mainstream cinema –and could extend it to being like a movie made for the small screen. Still film tells a compelling story about children and actors give very good performances, which makes film worth watching. Do not skip it, even if you don’t particularly like French cinema, you will enjoy this movie. Enjoy!! France.

Les Femmes du 6e étage (The Women on the 6th Floor). Watched because Carmen Maura got a Cesar nomination –which she won- but I’m no fan of French comedies as no, I don’t particularly enjoy their humor. Still film is a lot more a drama than a comedy and was a true pleasure to watch Fabrice Luchini performance. Movie is quite watchable and yes I do recommend it for an escape moment, French style of course. Enjoy!! France.

وهلّأ لوين؟ Wo Hallah La Wen? (Where Do We Go Now?) Nadine Labaki mesmerizes me as an actress and most of all as a director. I really LOVED Sukkar Banat (Caramel) so can deny that had HUGE expectations for her next movie. In my opinion her second movie is VERY different to her first and yes, I did enjoy a lot more her first than her second. Story here is very relevant plus her visual and narrative filmmaking style are interesting, but I have seen this story told before in more compelling and emotional ways. Still it was a true pleasure to watch Nadine Labaki in the screen, which makes movie worth watching. I’m really looking forward to her third movie that hope has a more universal story developed with her particular style. Enjoy. France, Lebanon, Egypt, and Italy.

Café de Flore. A very pretentious movie by Jean-Marc Vallée that many say is about love, me I say is an anatomy of a separation told by mirrored stories that happen in the past (Paris) and the present (Montreal) but thanks to pretentious editing –yes editing is what makes this film pretentious- time is senseless crisscrossed, rewind, and forwarded. Better editing could have made mirrored stories more flawlessly intertwined and movie more enjoyable. I really enjoyed Hélène Florent performance and believe she stole the movie. If you don’t mind to watch a movie that moves (too much) in time to tell a story that somehow is predictable (was for me) and journey is not that enjoyable, then watch this film for the love story that many people see in it. Enjoy. Canada and France.

Oslo, 31. August (Oslo, August 31st). Loved Reprise and yes had expectations. Second Joachim Trier film has the same great filmmaking style as his first film but tells a simple story that with his style becomes quite disturbing. So much disturbing that yes, I do suggest you avoid this film as you could get really depressed by Trier’s interpretation of Pierre Drieu La Rochelle’s 1931 Le Feu Follet. Here is not an alcoholic but a drug addict, yet drama is SO well developed that will hurt you inside –where hurts more. Okay, is a very good movie, but find a good state of mind to watch it or you will get very depressed. Enjoy! Norway.

The Artist. Just realized that I didn’t wrote about this movie that in my opinion glorifies Hollywood cinema like no American film has ever done, so it’s no surprise that film became a favorite of critics and the American industry. I enjoyed movie, it was entertaining but as I mentioned elsewhere, if I wanted to honor American silent cinema I could watch so many good films with many excellent silent actors that this film will absolutely pale in the comparison. Obviously film doesn’t look or feel like French cinema and wonder if the honor of being the most honored French movie of all times really celebrates this cinema and not the American one. Watch movie just because won Oscar and if you have to watch all Oscar wining movies. Enjoy! France and Belgium.

I’m sure I forgot many more movies but this is it for today.

Cheers.

Las Acacias

If you ask me what type of movie would I like to see a lot more nowadays my answer absolutely is the type Las Acacias has. What a fantastic movie, one that makes you feel good, makes you wonder why cinema doesn’t have more stories told like this one and one that absolutely deserves all the honors that has been collecting since premiering at 2011 Cannes where won the prestigious Camera d’Or plus the Grand Rail d’Or, the ACID Award and the Young Critics award in the Semaine de la Critique section.

As you know I don’t like to know much about a movie and in this case I knew nothing, zip, nada. I strongly suggest that if possible that’s the best way to watch this marvelous movie that slowly, very slowly will grow in you, grab you, hold you tight with a big smile in your face and won’t release you –nor your smile- until is over.

Let me just share that Pablo Giorgelli’s film is what we could call a road movie but is of the unexpected kind –if you know nothing about story- that starts near the Paraguay/Argentina border and ends in Buenos Aires, Argentina; trip is done in a trailer and yes, there are handheld cameras that will allow you to feel inside the cabin the uneven roads the truck transits. It’s great.

Actually have to comment that last year Canes Critics’ Week had fabulous movies like this one and Take Shelter, which is NOT common as usually the strangest/weirdest movies are screened in this section; second all the honors that film have been collecting all over the world are extremely well deserved for a fantastic story, great production values, excellent performances and a filmmaker that masters the art of storytelling with images, little details and very little dialogue. While is not unique certainly is not common so-well done in Latin American cinema, thus chapeau Master Giorgelli!

All right is not for all audiences unless you prepare for a very slow storytelling, a long while where nothing seems to be happening, lots of silences where actors expressions –or lack of expressions- (including an impressive baby) tell everything that’s going on and an intrusive camera with many handheld takes.

Strongly recommend this movie to all that enjoy great world-class cinema and especially to those that enjoy Latin American cinema, even when story is not local, is really universal and filmmaker transcended most styles that predominate in the region. Oh yes, I enjoyed the movie well-beyond my expectations and well, when movie was over I was surprised beyond my imagination with the high quality of this complete cinematic experience.

Big Enjoy!!!

Watch trailer @MOC

2011 Premio Sur Winners

Winners are in *BLUE. Not long ago the Argentinean Academy announced the nominees for this year Premio Sur and here they are.

Best Film
Aballay, el Hombre Sin Miedo (Aballay, the Man without Fear), Fernando Spiner
El Estudiante (The Student), Santiago Mitre
Juan y Eva (Juan and Eva), Paula De Luque
*Un Cuento Chino (Chinese Take-Away), Sebastián Borensztein

Best First film
*El Estudiante (The Student), Santiago Mitre
El túnel de los huesos (Tunnel of Bones), Nacho Garassino
Fase 7 (Phase 7), Nicolás Goldbart
Vaquero (Cowboy), Juan Minujín

Best Director
Sebastián Borensztein for Un Cuento Chino (Chinese Take-Away)
Santiago Mitre for El Estudiante (The Student)
Carlos Sorín for El Gato Desaparece (The Cat Vanishes)
*Fernando Spiner for Aballay, el Hombre Sin Miedo (Aballay, the Man without Fear)

Best Actress
*Moro Anghileri in Aballay, el Hombre Sin Miedo (Aballay, the Man without Fear)
Valeria Bertuccelli in Viudas (Widows), Marcos Carnevale
Graciela Borges in Viudas (Widows), Marcos Carnevale
Julieta Díaz in Juan y Eva (Juan and Eva)

Best Actor
Pablo Cedrón in Aballay, el Hombre Sin Miedo (Aballay, the Man without Fear)
*Ricardo Darín in Un Cuento Chino (Chinese Take-Away),
Rodrigo De La Serna in Revolución, el cruce de los Andes (aka San Martín: El cruce de Los Andes)
Estaban Lamothe in El Estudiante (The Student)
Osmar Nuñez in Juan Y Eva (Juan and Eva)

Not really curious about the Argentina submission to Oscar or many of this year nominations, but yes I looking forward to watch Ricardo Darin performance in Un Cuento Chino. To check nominees in all categories go here. Award ceremony will be in the middle of December.

La Mirada Invisible (The Invisible Eye)

Mesmerizing film by Diego Lerman that will immerse you into an Argentina 1982 voyage where on the streets of the Argentinean capital people are challenging the military dictatorship but in the very traditional upper class school, that used to be called “Ciencias Morales” (Moral Sciences), everything is perennial calm with days passing by as if nothing is happening. That’s the setting to this story that can be a little disturbing thanks to an excellent inexpressive performance by Julieta Zylberberg that with tiny movements tells more than with words.

Story is sort of metaphor to what happened in March 1982 at Buenos Aires and tells about innocent and naïve Maria Teresa (Zylberberg) a 20-years-old classroom assistant that one of her main duties is to keep intact strict school discipline under the supervision of Mr. Biasutto, the chief classroom assistant, who seems to like and protect her like a father does with a daughter or a teacher with a student, as young Marita –as her family calls her- is relatively new to this job. Mr. Biasutto purpose is to teach Marita how to arrive at what he called “the optimum surveillance point” where nothing is missed and everything is scanned without alarming students. She has to become the invisible eye. But young and lonely Marita notices a student doing something wrong and keeps quiet; he becomes her fixation and wishes to survey him everywhere including at the boys restroom. With Mr. Biasutto’s permission Marita is authorized to investigate students that are allegedly smoking at the boys restroom and what follows is Marita’s downfall which is quite “metaphorical” similar to what happened in Argentina in those days.

You have no idea how tension is very slowly built in this fantastic movie that has mostly superficial everyday school dialogue, many silences and many takes with camera following Marita walking the majestic school building corridors or crossing the patio, the last making breathtaking visual compositions. When story climax arrives you are sort of prepared but still is very disturbing.

I believe that even if you’re not familiar with Argentina history you will enjoy this thrilling drama for just the apparent intense story; but knowing the events will allow you to see the other movie layer. But you will easily get that repression doesn’t achieve the best of results –whether it’s military coup or a young women trying to break free.

Film was official selection at 2010 Cannes in the Quinzaine section and the 2010 San Sebastian festival in the Horizontes Latinos section; this after being the winner in the previous year of the Sundance/NHK International filmmaker and part of Cannes’ Atelier de la Cinefondation. Those are very good credentials that absolutely describe an excellent character driven drama and a great, yet young, filmmaker.

Film is must be seen for those that enjoy Latin America films and for those that like their films to be well-crafted with a look and feel that resembles good European cinema.

Enjoy!!!

Watch Trailer @MOC