Best Pictures Ranked (of the 30 so far)

So to celebrate that I've watched and reviewed I'm posting the ranking, from worst to best, of all the Best Picture's I've watched so far. You may not agree with my rankings, but I thought I'd be a fun little thing to commemorate making it to 30, after only 6 months of reviewing and blogging.

(note: some of  the ratings don't go in order. I rate films not compared with anything else but the overall thought, and sometimes films that got a lower rating overall, I enjoyed better than something that was a .5 higher.)

30. How Green Was My Valley  4/10

This film was just very long, and very dull, with very little action, nor anything of interest. It told the story of a family living in a Welsh coal-mining town. It sounded like it would be funny and interesting but didn't turn out that way, for me.

29. West Side Story- 4/10

I've never really understood the hype over this musical. The songs were alright, and the choreography was great, but the acting was pretty terrible, the story line (Romeo and Juliet modern-day retelling in New York with Americans vs. Latinos? With gang/turf wars?) was pretty lame too. It just wasn't the musical for me.

28. Going My Way- 6/10

Again, while it sounded like an interesting story, and Bing Crosby is a really good actor, it was a bit too long, and a bit too much not like what it said it was going to be. And just sort of dragged out the story line. There were a couple nice songs in it though.

27. The Broadway Melody- 5.5/10

Honestly, I thought this movie was pretty impressive for a movie made in 1930. The first talking film to win, and the 2nd winner overall. While it wasn't overly interesting, it was neat to recognize some of the music. And it was pretty good for something so old.

26. American Beauty- 5/10

While I realize this movie is supposed to be complex, and "deep", I just can't take movies like this very seriously, nor can I find myself to empathize for the main character. Sex and nudity don't go well with me either.

25. Shakespreare in Love- 6.5/10

While I thought it was alright, it's just funny to see what the Academy thinks is the best. Personally, I would've pushed it off as another period piece chick flick with lots of big name actors.

24. All Quiet on the Western Front- 6/10

WWI is something I find so tragic. So it was interesting to watch one of the first movies on the topic. While it was made in 1930, it was pretty impressive. The special effects weren't terrible, and the acting was quite good. However the story was a little slow and the characters weren't very connectable.

23. Terms of Endearment- 6.5/10

This was a cute story with good acting. However, some of it felt a little unrealistic, and some of it was just boring. And then the end came as a bit of a shocker, but I felt I hadn't connected well with any of the characters to really care as much as I ought to.

22. All About Eve- 6.5/10

One of the first Hollywood satires. It was a funny story, but was a little too drawn out at 2 hours and 18 minutes. It had a funny, witty script, and had some great performances (including an early Marilyn Monroe appearance).

21. Forrest Gump- 6.5/10

While we've seen movies time and again with people with "simple" mind views, Forrest Gump is probably the best known. While Tom Hanks have an amazing performance, the movie couldn't seem to decide if it was serious or funny, and that really hindered it for me.

20. A Man for All Seasons - 7/10

Being a Christian myself, I felt this movie had a very strong message, and found it quite inspiring. In the typical "die for what you believe in" this movie was well acted, if a little long.

19. The Departed- 7/10

Martin Scorsese's very first Best Picture and Director win. While it was good, and had an interesting plot, excessive swearing always puts me off a movie a little bit. And gangster/crime movies aren't really my thing. However, Leo, Matt, Mark and Jack were all fantastic.

18. Casablanca- 7/10

One of the big classics on the list. Humphrey Bogart being that suave lover, and Ingrid Bergman as the confused woman in love, it was a classy movie, with an interesting story. While it wasn't my favourite movie ever, nor was it what I expected it to be, it was good.

17. No Country for Old Men- 7/10

Very different from all the other best picture winners is No Country for Old Men, based on the Cormac McCarthy novel. It's a thriller, with guns, blood, violence, drugs and money. Javier Bardem floored me in this role. But reading it was a 'fast-paced action thriller' really left me disappointed, since that wasn't what it was at all. It was slow-burning, and psychological. A second watching may bring up the rating.

16. Slumdog Millionaire- 7.25/10

India, slums, romance, and Who Wants to Be A Millionaire. This movie portrays the slums of India, and tells a young Indian boys story in a brutal and honest way. While it wasn't my favourite movie of the year, or even of the nominees, I understand why it won. (Oh, and the little kids were probably the best part of the movie)

15. Chicago- 7/10

I was surprised by enjoying this musical. I thought it was funny, and the way they song numbers were done was interesting and different from other musicals, being on stage, and as an "inner monologue". The dancing was great, and Catherine Zeta-Jones was brilliant and sexy.

14. An American in Paris- 7.5/10

After seeing Singin' In the Rain, I've been kind of a sucker for Gene Kelly and for tap dancing. While the movie wasn't as charming as Singin', and with less tap, this movie looked great, was fun, and had great dancing.

13. Gigi- 7.5/10

Another musical, starring Leslie Caron, who got her start in the previous movie, An American In Paris. This movie, while it wasn't the best musical ever was cute, and fun, and girly. And a girl like me likes stuff like that sometimes.

12. Million Dollar Baby- 7.5/10

The first half of the movie bored me a little bit. The second half I spent bawling my eyes out. Hillary Swank was simply amazing. It was very interesting, very sad, and really well made.

11. Rain Man- 7.5/10

Through this project has brought me to really love Dustin Hoffman. And this movie definitely showcased his amazing abilities. While the movie wasn't altogether exciting, Dustin Hoffman was truly incredible, and I hardly realized it was even a performance.

10. The Bridge on the River Kwai- 8/10

I thought this movie would be boring, but I found it quite interesting. It's very different from any war movie we've seen, and tells the interesting story of soldiers who are prisoners of war, and how one stood up for what he believed in, and how they were able to succeed. I liked it a lot.

9. The Lost Weekend- 8/10

I thought this movie was incredibly interesting. It's about an alcoholic, in the time when alcohol addiction wasn't talked about very much. It was well-acted, and showed it in a really personal way. I enjoyed it. 

8. Gentleman’s Agreement- 8/10

Another interesting movie, from around the same time period. It's about a reported who goes under cover as a Jew to write an article on antisemitism. While it only stayed in the upper class way of things, it was interesting nonetheless and really showed how much antisemitism there was in the States. 

7. The Artist- 8.25/10

This year's winner, and the first silent film to win since the 20's (and only the 2nd one overall). It's a love story, but it's more than that. It's the rise and fall of the silent film era. It's depression and loneliness, pride and cowardice. Jean Dujardin gave an amazing performance and the film was really fun, as well as interesting. 

6. Annie Hall- 8.25/10

Probably one of the only comedies to win Best Picture (only comedy?). It's the story of a disfunctional relationship, not unlike (500) Days of Summer. It was cute and funny, and Woody Allen is adorable. 

5. Driving Miss Daisy- 8.75/10

I know a lot of people give this movie heck for winning, but I watched it with my mum, and we both really enjoyed it. Morgan Freeman is so great, and this role gave him a different side that I hadn't seen him do before. It was cute, fun, and just a nice movie. I like those kind too. 

4. Kramer vs. Kramer - 8.75/10

This is the movie that made me really like Dustin Hoffman. I'm too young to have really seen him in anything before, and I thought this movie was really good. I cried, and I laughed. Dustin was great, Meryl was goooorgeous, and their little boy was adorable. An interesting insight on divorce, when the dad is usually the one made out as the bad guy or the cheater. 

3. Titanic- 8.75/10

I'm a sucker for this movie, what can I say? I have a strange fascination with Titanic in the first place, so I'm pretty biased towards anything on the subject. Leonardo DiCaprio was great, and Kate Winslet was heartbreaking. I like romance, I like Titanic, and I cried a lot.

2. The Hurt Locker- 8.75/10

I'm really not sure why I liked this movie so much. I don't get into politcal movies, and I've never much been a fan of war films either, but I really, really liked this movie. It was different, gritty, and threw me right into the Iraq war. It had the interesting way of not being biased to one political take on the war or the other. It was more about the people, how they dealt with the war, and their feelings. I don't know why, but it was so good. 

1. Oliver!- 9/10

Childhood favourite, there's always a bias. This film never gets old, the music is fabulous and it's just so fun. I love this movie. 

So there you go, everyone. All 30 of the Best Picture's I've watched, ranked from worst to best. I know many will disagree, but I have a funny taste in movies. Enjoy!

A Word on Watching Older Movies

Everyone has their own reasons for watching older films.  Some do it because they like the memories old black and white films bring up, others do so to capture a director's or an actor's filmography, and some purely for entertainment.  I do it for all these reasons, but given the opportunity, I do it for another.  Yearly Perspective.

To understand exactly what I mean, you have to understand my philosophy on the Oscars.  I talked about it in an earlier blog, but I'll do some quick summarization for you.  I don't prescribe to the notion that the Oscars award the best films of the year, but rather they highlight some of the best in their nominations, just not necessarily their winners.  What I like most is trying to get into the mindset of someone deciding those races, as a voter.  And to do this well, you have to see all the nominees in all the races in all (or most of the important) categories.  For example, seeing all the Best Picture nominees of 1999 (and other major categories) before claiming that American Beauty is my favorite of the year.  This isn't simply for personal annual awards, but rather, to see how everything stacks up.  There are a ton of winners out there that get panned because they don't hold up over other winners...but in many of those cases, the year itself was weak in that category.

Recently, I've been diving back into 1987, 1991, and 2002.  Here and there, seeing as many films from those years as possible that I hadn't seen before and figuring out what I like best.  In the grand scheme of things, this process is more for my amusement.  I like it because it allows me some concentration on a year, much like I get to do when I'm living out and following the current Oscar race.  When you're in the middle of an Oscar season, you're granted time to mull over your favorites, seeing how certain performances relate to each other and how they are dwindled to five nominees.  In concentrating retrospectively, you get to do the same thing.  Most people revisit a movie, and then watch another one that was made 30 years earlier, and then go see Hop the next day.  I just find this activity interesting, it's a fun investigation of one particular year of at the Oscars.  Only then can you say with confidence just which film is your favorite of any given year.

Setting Sail

For a while now I've wanted to start a film blog. For an even longer while, I made excuses as to why I wasn't starting one: not enough time, too many blogs, "no one is going to read it," and now a momentary pause as I figure out just what to write for my first post on Sam Watches Movies.

And so here is the introduction! Again, if you missed the banner beneath the blog title, my name is Sam. I'm what is widely considered a film buff, I watch movies as much as possible with a focus on trying to see new movies. New to me, that is, not necessarily the newest movies of the year. Because to me, a classic movie isn't a classic if you haven't seen it before.

My taste in film is part populist (The Dark Knight, Love Story, Pirates of the Caribbean, Ghost, Back to the Future, Anchorman, Toy Story 3) and part respected drama or comedy (Casablanca, The Silence of the Lambs, Michael Clayton, Up in the Air, American Beauty). Separating the two entities is impossible. To me, your favorite movies are the best movies; the movies you love are the ones you'll remember forever, not just because they're well-written, well-acted, or considered important but because you connect to them.

Also, I'll be writing in-depth Awards Season coverage when the time comes and retrospective commentary of Oscars past, in addition to film reviews (new and old), and general articles focusing on performances, directors, actors, and craftsmen.

Buckle your seatbelts, this is gonna be a bumpy ride.

Black Sheep's Blu-Tuesday

The month of September was a little busy for me. There was that little film festival, TIFF. It really took up a good chunk of my time so I was not able to keep up with the current Blu-Ray releases each week. Well, September is definitely over and instead of focusing on what came out today to rent and own, I will take a look back at the bigger titles that were missed in the weeks prior.

MARS ATTACKS!

(Warner Brothers)

It is not surprising that Tim Burton likes B-movies. It is a little more surprising that he is such a big Hollywood player now when you watch his 1996 film, MARS ATTACKS! This is a B-movie done A-styles. Everyone from Jack Nicholson and Annette Bening to Sarah Jessica Parker and Pierce Brosnan stars in this ode to the aliens from outer space movie. Although the film no longer inspires me to, “Ack! Ack! Ack” alongside those hilarious, homicidal aliens, it is still a ridiculous good time.

THE PLAYER

(Warner Brothers)

This 1992 film will certainly be counted amongst the late Robert Altman’s greatest achievements. With the exception of some questionable hairstyles and shoulder pads, THE PLAYER holds up very well. Tim Robbins plays Griffin Dunne, a Hollywood executive who is being stalked by a writer. It gets hairy and it couldn’t come at a worse time considering there is talk around the studio that he is on his way out. Everyone from Angelica Huston to Bruce Willis to Julia Roberts cameos in this Hollywood murder mystery. It will grab you and get you hooked from the opening 8 and a half minute shot.

GLEE - SEASON ONE

(20th Century Fox)

There is no denying it. GLEE is the biggest new show to emerge from last year. Fox is so happy with it that they have renewed it through its third season already. Watching the first season straight through was actually a lot of fun. The moments that didn’t work so great when the show was airing (ie. the return from hiatus) aren’t as bad sandwiched between all the fantastic moments that came out of the first year at McKinley High (ie. The Power of Madonna episode, start to finish). My neighbours must be sick of me singing along to every single song … except “U Can’t Touch This” in the library. I totally skipped that one.

CHARADE

(Criterion Collection)

I had the pleasure of catching this 1963 Stanley Donen picture this past weekend. I must admit that I had never even heard of it but it jumped out at me on the shelf and was exactly the speed I needed that night. Audrey Hepburn and Cary Grant star in this occasionally hokey but more often than not twisty comedy that actually keeps you guessing until the end. The pair are delightful and the cinematography is often surprisingly ambitious and impressive. Henry Mancini’s jazzy score makes it the perfect film to watch if people come over for cocktails.

A BOUT DE SOUFFLE (BREATHLESS)

(Criterion Collection)

I wish I had known that Criterion was planning on restoring and releasing this Jean-Luc Godard classic. If you know the site, then you might already know that this Nouvelle Vague masterpiece is one of my all-time favorite films. And it isn’t just me. It is widely considered to be a quintessential piece of film history. This doesn’t make it for everyone but the way Godard pokes fun at American cinematic conventions is so ludicrously delightful that you cannot help but get on board if you’re in the right mood. Before you know it, you will be lost in the breathtaking black and white imagery – so French, so romantic, so meaningless. (Read the full BREATHLESS Black Sheep review here.)

AMERICAN BEAUTY

(Dreamworks)

I’ve always loved this film. I think I saw it four or five times in the theatre alone. When I sat to watch it again recently, more than ten years after its initial release, I marveled at how shocking it still was. I could pretty much mouth the entire film if I tried but this particular viewing kept throwing me off. So many of the film’s elements – from the video taping to the pot smoking – are almost completely conventional now but were practically unused at the time. Even the central awakening of Lester Burnham’s (Kevin Spacey) character comes from a sexual fascination with an underage teenager (Mena Suvari). This Best Picture Oscar winner still stands as one of the best pictures of all time and you haven’t seen roses fall from the ceiling until you’ve seen them on blu-ray.

With all this catching up to do, I haven't even touched October yet. Here are a list of choice titles available today on Blu-Ray for the first time ...

BEAUTY AND THE BEAST (Walt Disney)

THE KARATE KID (Walt Disney)

THE EXORCIST (Warner Brothers)

GRINDHOUSE (Vivendi Visual Entertainment)

THE LAST OF THE MOHICANS (20th Century Fox)

THE MALTESE FALCON (Warner Brothers)

THE TREASURE OF THE SIERRE MADRE (Warner Brothers)

SPLICE (E1 Entertainment)

Source: blu-ray.com