Best Supporting Actor 1942: Results

5. Frank Morgan in Tortilla Flat- Morgan is by far the best part of a bad film bringing a lot of heart to his role of the dog lover.

4. Henry Travers in Mrs. Miniver- Travers portrays his usual nice old man role in his usual nice old man fashion. It is not a stretch for him, the part is very limited, but Travers does it well.

3. William Bendix in Wake Island- Bendix whole point in the film is to be funny, he is funny enough, and he is perfectly fine.

2. Walter Huston in Yankee Doodle Dandy- Huston gives a good performance as the warm and wise father. He is convincing in the vaudeville scenes, but his role is a little too limited for Huston to really to anything truly special in the role.

1. Van Heflin in Johnny Eager- Good prediction RatedRStar. Heflin very very easily wins this year. Heflin simply gives an outstanding performance. He absolutely steals the entire film, he brings genuine emotions, and an original character to a film that certainly needs it.

Deserving Performances:
Claude Rains in Now Voyager
Roddy McDowall in The Pied Piper

Best Supporting Actor 1942: Frank Morgan in Tortilla Flat

Frank Morgan received his second and final Oscar nomination for portraying Pirate in Tortilla Flat.

Tortilla Flat is about a group of poor Californian Mexican Americans, one of them becomes rich from inheritance which includes houses. His poor friends soon use one of the houses to their own ends.

Frank Morgan plays Pirate who doesn't once go arrr, or have an eye patch or a peg leg. That is because his name just happens to be Pirate in this film, and I thought I would mention this misconception could use up some space in this review since there is not all that much to this performance. Pirate here is an old man in the village who loves dogs, has money and for some mysterious reason is saving up money. I will give Frank Morgan credit out of the actors attempting to be Mexican Americans he probably does the best. This is not to say Frank Morgan is in anyway authentic, but hey he is most certainly much more believable than Spencer Tracy doing basically a reprise of his Captains Courageous accent.

Frank Morgan portrays Pirate sweetly enough who loves his dogs so much that he has saved up a great deal of money just to by a golden candle for remembrance of one of his former dogs. Pirate's story of wanting to save money for this candle and give to a church for Saint Francis is far more interesting and moving than anything else in the film. The only problem is well anything will look pretty good when compared to the rest of the film which is quite bad. It is not that the story is really incredible, or even all that interesting but at least there is something moving about Pirate's rather simple story. Frank Morgan though might have just too easy of a time being the best thing about this film, especially when compared to the inconsistency of Tracy, and the the obnoxiousness of John Garfield.

I really am in a bit of a spot because I do not want to be too hard on Morgan as he is fine in the role, but I really do not want to be too easy on him since the reason he sticks out in the film is mainly because of the lackluster quality of his surroundings. Morgan does put a great deal of heart in his performance showing the genuine love he has for his dogs that is unwavering. It is a nice tender performance of a nice tender character. He is not particularly complicated his main facet is just his love for his dogs, and later his joy when he is told he has friends besides just his dogs. Morgan does realize this main facet quite well though, and I certainly did care for his character unlike the rest of the film's characters. This is not anything amazing but I must say Morgan did steal the movie so he should be given credit for that, but not too much credit I guess.

Best Supporting Actor 1942

And the Nominees Were:

Frank Morgan in Tortilla Flat

Henry Travers in Mrs. Miniver

Van Heflin in Johnny Eager

William Bendix in Wake Island

Walter Huston in Yankee Doodle Dandy

Casanova Brown(1944).

Casanova Brown(1944). Cast: Gary Cooper, Teresa Wright, and Frank Morgan. Directed by Sam Wood.It was nominated for three Academy Awards; for Best Score, Best Sound, Recording (Thomas T. Moulton) and Best Art Direction (Perry Ferguson, Julia Heron).

When Casanova asks Madge's father, J. J. Ferris, for permission to marry Madge, her father believes that he is only marrying her for her money turns him down. Casanova and Madge, decide to ignore her fathers wishes and go ahead with their marriage plans. On the day of the wedding rehearsal, Casanova receives a letter from a maternity hospital in Chicago, asking him to contact Dr. Martha Zernerke. He thinks back: to when he first met his ex- wife Isabel's parents and when her eccentric mother wanted to consult the stars about their future.



The stars predicted disaster and he accidentally burns down the Drury mansion. When Mrs. Drury, says the fire is a warning about their future, their marriage is annulled. After sharing his story, with J. J. he decides to go to Chicago, but plans to be back in time to marry Madge.

At the hospital, Casanova, sees his baby for the first time. Dr. Zernerke, tells him that Isabel, has put the baby up for adoption. Casanova confronts Isabel, about the adoption and admits to her that he still loves her. Isabel, reminds him of his up coming marriage. Casanova, then decides to kidnap the baby.

Meanwhile Madge, is dressed in her bridal gown, when Casanova calls J. J. to break the news about the baby. Now, he has to tell his wife and daughter, that Casanova cannot make the wedding. Casanova, takes the baby to his hotel room where, he is helped by the maid and the bell captain.

When the bell captain, still wearing his hotel uniform, visits the hospital, asking too many questions Casanova worries.. that they will trace the baby back to the hotel.

Madge and her father and Isabel and her father, arrive at Casanova's hotel room where the bell captain, informs them that Casanova has gone to City Hall to be married to the maid. Casanova, hides with the baby in a different hotel room. Who will Casanova end up with at the end of the day, the maid, Madge or will it be Isabel?

This is one of those fluffy romance movies, where the characters find themselves always at odds with each other. The cinematography is really wonderful. If you are a hopeless romantic you will love this film.

Anita Louise (January 9, 1915 – April 25, 1970), made her acting debut on Broadway at the age of six, and within a year was performing in Hollywood films. By her late teens she was being cast in leading and supporting roles in major productions, and was highly regarded for her delicate features and blonde hair.

As her popularity in Hollywood grew, she was frequently described as one of cinema's most fashionable and stylish women. Her reputation was further enhanced by her role as Hollywood society hostess, with her parties attended by the elite of Hollywood.

Among her film successes were: Madame Du Barry (1934), A Midsummer Night's Dream (1935), The Story of Louis Pasteur (1935), Anthony Adverse (1936), Marie Antoinette (1938), The Sisters (1938) and The Little Princess (1939).

By the 1940s, she performed in minor roles and acted very infrequently until television provided her with better opportunities. She played one of her most widely seen roles as the mother, Nell McLaughlin, in the CBS television series, My Friend Flicka from 1956–1957.