A Man for All Seasons

A Man For All Seasons, 1966
Directed by Fred Zinneman
Nominated for 8 Oscars, Won 6
Up Against: Alfie, The Russians are coming! The Russians Are Coming!, Who's Afraid of Virginia Woolf?, The Sand Pebbles

This movie tells the story of Thomas More, a Chancellor to King Henry VIII. Thomas was a moral man, and stood up firmly, for what he believed in. And in this case, he disagrees with Henry wanting to divorce his current wife so he may wed Anne Boleyn. And this movie tells of how he stood up against it all, and in the end, paid for it with his head.

While I found the first hour or so to be a little slow, the second half was a lot more interesting. The first half told of how Thomas More rose to become a Chancellor, and how the King kept trying to gain his approval for the divorce and new marriage, whereas the second half was about how King Henry deems himself Supreme Head of the Church so he can warrant his own divorce rather than waiting for the Pope's approval, how More resigns rather than accepts this, as he see's it as an abomination to what God wants for his people. A new oath is instated about the marriage, and must be signed or you are guilty of high treason, which More eventually is.

As mentioned, it took a little bit to get interesting (for me), so the storytelling was a little choppy. However, the acting was good. Paul Scotfield, who played Thomas More, won Best Actor for this role, and rightly so. He was calm and clear, but very powerful and authoritative. John Hurt was great as Richard Rich (who was apparently an unknown at the time, and this helped launch his career. Crazy to think he plays Ollivander in Harry Potter, he was such a little dweeby character), and just all the supporting cast was great. As I understand, it was a pretty all-star cast.

The costume design, additionally, was great. They were colourful and you could very much tell the difference between the rich, who were overly decked out, and the more middle-class.

The story itself is an interesting one. More is an amazing man, who stood up for what he believed in all his life, and even died for it. He was a Man of God, and really lived it, and made sure others knew it too. It's truly an inspiring story. The movie really showed his strength and conviction and the screenplay, as well as More's character itself were really well written.

Overall, it wasn't my favourite BP, nor was it near my least favourite, and it hit around the middle of the 25 I've already seen. (I'm keeping a list of best to worst, which I'll post when I've watched all 84 winners... though it could be 85 by the time I'm done..). But a good movie, a strong message and story, with solid acting.

7/10

The Sundowners

I’ve never made a list of my 50 favorite films, but if I ever do, “The Sundowners” (1960) would certainly make the final cut.

This is one of the best family films of all time, a warm and absolutely wonderful film set in Australia in the 1920s. It concerns a family of “sundowners”, those people that don’t have a home and travel by wagon from place to place, wherever the sun goes down. There’s the father Paddy Carmody (Robert Mitchum, sporting a dead-on Australian accent), wife Ida (Deborah Kerr) and teenage son Sean (Michael Anderson, Jr., later the youngest of the Sons of Katie Elder). Ida and Sean are eager put an end to their nomad existence and settle down, but Paddy doesn’t want to, not wanting to be tied down to any one place and the responsibilities that entails.

The movie doesn’t really tell a story in the traditional sense, but instead shows the trials, joys and heartbreaks of living on the road. Paddy and Ida have been together for almost 15 years and remain deeply in love, though they have very different ideas about what they want out of life. The brusque and macho Mitchum and sensitive Kerr were great friends in real life, and had the greatest respect for each other’s talents. They play beautifully together.

Along the way to drive a herd of sheep to market, they pick up a drover, played by Peter Ustinov, who decides to stick with them ever after the sheep are delivered. They have adventures while on the road, including a dangerous brush fire, and the accidental purchase of a race horse. They stop at a shearing station for several months, where the highlight of the film occurs, a shearing contest between Paddy and an elderly gentleman from a rival shearing station.

The film was exquisitely shot in location in the Australian Outback. Director Fred Zinneman doesn’t overdo it with fancy camera angles or obtrusive editing. He lets the story breathe, and lets the actors inhabit their roles. I’ve seen this movie several times, and never get tired of it. It reminds me in some ways of another classic family film, “I Remember Mama” (1948). After about 10 minutes, I forget I’m watching a movie, and feel like I’m actually there, watching events in real time unfold before my eyes.

I’m not sure why the film isn’t better remembered today. It was certainly well regarded at the time, earning Academy Award nominations for Best Picture, Director, Actress, Supporting Actress (Glynis Johns) and Adapted Screenplay. Maybe it’s because most people would blanch at the idea of watching a family of sheepherders set in 1920s Australia. Maybe it’s because the words “Robert Mitchum” and “family movie” don’t normally go together.

Whatever the reason, “The Sundowners” is an absolute gem, and one of the finest movies ever made. They don’t get better than this.

Rating for “The Sundowners”: Four stars.