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Best Cinematography: 1940s

Friday, August 24, 2012

1940: Rebecca (George Barnes)
Oscar winner: Rebecca (B&W),
The Thief of Bagdad (Color)

1941: Citizen Kane (Gregg Toland)
Oscar winner: How Green Was My Valley (B&W),
Blood and Sand (Color)
Was this film nominated?: Yes

1942: The Magnificent Ambersons (Stanley Cortez)
Oscar winner: Mrs. Miniver (B&W),
The Black Swan (Color)
Was this film nominated?: Yes

1943: Casablanca (Arthur Edeson)
Oscar winner: The Song of Bernadette (B&W),
Phantom of the Opera (Color)
Was this film nominated?: Yes

1944: Double Indemnity (John F. Seitz)
Oscar winner: Laura (B&W), Wilson (Color)
Was this film nominated?: Yes

1945: Leave Her to Heaven (Leon Shamroy)
Oscar winner: Leave Her to Heaven (Color),
The Picture of Dorian Gray (B&W)

1946: Notorious (Ted Tetzlaff)
Oscar winner: Anna and the King of Siam (B&W),
The Yearling (Color)
Was this film nominated?: No

1947: Black Narcissus (Jack Cardiff)
Oscar winner: Black Narcissus (Color),
Great Expectations (B&W)

1948: The Red Shoes (Jack Cardiff)
Oscar winner: Joan of Arc (Color),
The Naked City (B&W)
Was this film nominated?: No

1949: The Third Man (Robert Krasker)
Oscar winner: Battleground (B&W),
She Wore a Yellow Ribbon (Color)
Note: The film won the 1950 Best Cinematography Oscar.

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