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Showing posts with label foreign film. Show all posts
Showing posts with label foreign film. Show all posts

Memories of Murder (Korean)

Wednesday, October 19, 2011


Every time I am about to watch a Korean film, my heart simply warms up. There is something so spectacular about the movies that have come out from this part of the world, that it amazes me why it has not yet become as mainstream as say Indian cinema. You are unlikely to find Korean films in a theater (aside from Festivals) and they have usually only gained success by word of mouth. Brash and genuinely original, Korean cinema is any cinema lovers dream come true.

Memories of Murder is a rather unorthodox serial killer film. Documenting one of Korea's still unsolved serial rape/murder case, the film follows a team of police officers as they try and nab a serial killer who is sexually assaulting and killing victims in a small village.


Initially, the movie seems farcical with the two police officers, Detective Park Doo-Man and Detective Cho Young-koo, almost comically running around the village trying to catch anyone suspicious, including a mentally disabled young man, to pin down the murders on. But, as the movie progresses, the audience realizes that the film amidst all the killings and growing mystery subtly highlights social issues such as police brutality. It also cunningly portrays the mounting frustration felt by the police officers as the serial killer goes about attacking, always a few steps ahead of them. The story does take a more serious investigative turn on arrival of the city Detective, Seo Tae-Yoon, but the desperation faced by the village detectives soon seeps into him as well with each new murder.


Memories of Murder is not for everyone. It's not gory, never really showing the murders taking place, but it is very gritty, realistic, and direct. The movie is extremely sexual in nature when it comes to the dialogues and like most Korean films Memories of Murder does not hide behind curtains. It uses a very "in your face" approach making the audience squirm every time new details about the serial killer emerge.

A borderline serial killer chase movie, an investigative journalism piece, and a fascinating study of human nature, Memories of Murder is cinema at its best.

A 5/5 Star Rating           

A Bittersweet Life (Korean)

Wednesday, August 31, 2011


Another Korean film. Another masterpiece. If I were to sum up A Bittersweet Life, I would say that it is a perfect amalgamation of different film genres. Just like its main character, Kim Sun-woo, the movie at first has the feel of a Gangster drama. Take a look deeper inside and you know that at the heart of it, it's a beautifully "unspoken" love story. Go further into the soul and you realize that it is a purely action filled revenge film.


The story isn't complex. It has its small twists, but focuses more on the characters. The film is more about human nature and how our ego, stubbornness, and sometimes the simplest of acts can be our own downfall. Taking care of his Boss' "young girlfriend", Heesoo (Shin Min-a), Kim Sun-woo (Lee Byung-hun) fails to inform his boss that she has been having an affair behind his back. This leads to his boss Kang (Kim Yeong-choel) taking out his anger on Kim by severely beating him and then slowly starts torturing him to death. This forms the premise of the film. What happens next is no surprise but still worth watching rather than me telling.


A Bittersweet Life is gruesome. There are scenes that make you cringe. There is blood, and lots of it. Still, amongst all the bloodshed there is certain harmony to everything. There are memorable scenes, one being the final talk between Kim and his boss Kang, in front of the bar called "la dolce vita". Like almost all Korean films I have seen, A Bittersweet Life is shot beautifully. Something I really liked was that even the scenes in the dark and in the rain are filmed in a way that you can see all the characters and know what is going on. I have seen time and again (especially in Indian cinema) where night scenes pretty much mean staring at a dark screen just listening to the dialogue.

So, does A Bittersweet Life strengthen my faith in Korean Cinema like its predecessors? Yes! It might not be as strong a film as The Chaser, but nevertheless it is a piece of cinema that deserves a 4/5 star rating from me.

The Man From Nowhere (Korean)

Friday, August 26, 2011


There is something fascinating about Korean cinema. For example, The Man From Nowhere at first watch seems generic to say the least, yet it manages to entertain the audience. You are bound to find similarities between the film and Leon and at times it has an Oldboy feel to it, still Ajeossi (Korean name) keeps the audience interested and at the edge of their seats.

The story is partly about revenge and mostly about the anti-hero being a savior. Certain events lead to our quiet hero Taesik (Bin Won) protecting a child Somi (Kim Sae-ron) living in his building and as a result taking on a local gang that have their fingers in pretty much everything from drugs, to organ trafficking to child kidnapping.

Just like in this movie, Korean cinema has always scored big on cinematography. The Man From Nowhere is great to look at. The POV camera shots and a number of others techniques are made use of in limited quantity, but high quality. I hope the director of my recently reviewed Hindi film Saitan would have learned something from this.


The basic premise of the story has shades of other films (predominantly Leon), but it still has enough twists along the way and is paced fast enough to keep everyone happy. Most of the characters are well defined, but hardly get enough screen time. The title character on the other hand has ample screen presence, and makes good use of it with a violent back story leading him to his present state of mind. 

I honestly cannot complain about the acting. Everyone performs well and Bin Won gets a special mention for portraying a character with many shades. Some might find that the villains are a tad over the top, but then I believe that in an action film like such, it's almost quintessential to have villains go all crazy. The blood and gore might be hard to look at, but it definitely adds to the feel of the movie.


Strengthening my liking for Korean films, The Man From Nowhere is a performance and action based gangster thriller that provides ample film watching excitement and for that it gets a 4 out of 5 star rating.     

PS: I decided to use the Korean version of the poster as the title photograph since I felt it had a much better impact than the “English” version which lacks depth.

Scenes from the Indian Film Industry

Sunday, February 6, 2011


Ever since I started blogging, aside from a couple of reviews from the Indian Film Industry, most of my reviews have been about films made in the US. I think it is about time I did a little bit in promoting the wonderful cinema that is being produced in my own country, India.



Just a quick note to inform the worldwide public that most of the people in the Indian Film Industry and a whole lot of citizens of India do not like the title "Bollywood" that has become so popular internationally. It's pretty much considered degrading and disrespectful to a vastly talented and original film industry. So it would be nice if everyone recognized the Indian Film Industry as just that and not a re-hash of Hollywood.

So here is a list of just a few of my favorite Indian films. I would like to warn you that you might be shocked to learn that a number of these do not contain any lavish music or dance sequences :-)



Udaan (2010) - Udaan (Flight) is one of the few indian films reviewed on my blog. It is a brilliant coming-of-age film that traces the journey of a teenager returning to his authoritarian father after many years in a boarding school. The performances from all the actors are simply brilliant and the story is as real as it can be. One of the few recent releases that have gone under my all time favorites.



Jaane Bhi Do Yaaron (1983) - JDBY (Let It Go Friends) is a comic satire on the corruption that handicaps India and one which is unfortunately as true today as it was when the film was released in 1983. The movie is about two photographers who want nothing more than to run a successful photo shop, but due to unfortunate events get entangled in a murder that takes them from beautiful newspaper journalists, to shady business tycoons, to the middle of a rather modern theatrical performance of Ramaya (which is till date one of the most comic scenes in the history of Indian Cinema). It was also responsible for kickstarting the career of some of India's most prominent actors. If you find the movie interesting make sure you give Manjula Negi's article "It Just Happened" a read. Link to the article - http://www.openthemagazine.com/article/art-culture/it-just-happened



Khosla Ka Ghosla (2006) - Khosla Ka Ghosla (Khosla's Nest) is once again a look at real life. The movie follows a middle class family's ordeals as they try to recover a plot of land illegally taken over by a local property dealer. Done in a light heartedly subtle comical fashion, the movie doubles as a con caper film as well.
Note: "Khosla" is a common Indian surname.



Lagaan (2001) - Probably one of the most well known and popular Indian films, Lagaan (Tax) is a fictionalized period drama that is based in India during the British Raj. It has some great characters, dance, music, and in a nutshell its about a village's quest to get rid of the yearly tax they have to pay to the British by playing a cricket match against them. Please, even if you are not familiar with cricket, do not let is hold you from watching the movie.



Ek Ruka Hua Faisla (1986) - Loosely translated it means "A held up judgement", but what it really is, is a remake of "12 Angry Men". I have watched this film many a times over the years and just happened to watch 12 Angry Men recently. Maybe it is my fondness for the Indian version, or maybe I found that the supporting characters in the original lacked the depth found in the remake, I do prefer the Indian version a whole lot more. So, have a go at it, even if it is to compare the two.



Dil Chahta Hai (2001) - "The Heart Wants" or Dil Chahta Hai is another coming-of-age film following three friends as they learn about relationships, friendship, love, work and pretty much everything else that life is all about. Once again a great cast and interesting story with strong performances make this a must watch film. The film also had a very urban feel and look to it, and having lived in a metropolitan city all my life, it was something me and my friends could easily relate to.



Rang De Basanti (Pain It Yellow) (2008) - So, another coming-of-age film of sorts (Yes! I see a pattern here as well), the movie looks at the youth of India through its main characters. What the film brilliantly does is portrays their thought process, their beliefs, and their aspirations by giving them all dual identities. In the present time they are all college going individuals, but in a process of making a documentary they each relive an important character from India's freedom struggle. The movie moves seamlessly between the two eras and culminates as the lost young souls realize the importance of their identity and eventually take drastic measures to rid our nation of corruption. Inspirational and heartening are two words that really describe the movie.



Bluffmaster (2005) - I am sure a whole lot of my fellow countrymen and women will cringe at the fact that I recommended this movie as a must watch. The reason why I do recommend it is because it has good song and dance sequences (you didn't think you could get out of it... did you?), it makes use of multiple starts who go about doing their jobs commendably, and lastly it is about a conman, so you know you will have a pretty good twist at the end. Now, I am not going to name the english movie it is loosely based on, but it does take some inspiration from it. Nevertheless, this rather modern film is perfect for some light fun viewing.



Satya (1998) - The South East Asian film industry is in a league of its own. They have specially been known for making some phenomenal gangster based films. So, being part of Asia, India was not going to be left behind. Satya (Truth) is the journey of a young man from the time he comes to Mumbai to his untimely death. It is also a hard hitting look at the Mumbai underworld and the lives of the various people who are drawn into a lifestyle of guns, women, and shady deals. Watch it for its raw feel and for the various characters, each of whom makes the movie his/her own.



Iqbal (2005) - Iqbal is a story about, well Iqbal. An 18-year-old deaf and dumb village boy who has only one aspiration and that is to play in India's National Cricket Team. The story is less about cricket, but more about facing adversities in life and aiming towards your goal. Iqbal, in this journey of his, on one hand faces criticism from his coach and father, but on the other hand has his sister and a washed up ex-cricketer who support and guide him towards success. The movie is simply a reminder that you should never let go of your dream and hard work always pays off.

So there you have it. 10 films from India that are a must watch. They are all available on DVD and all come with english subtitles. So, if ever in the mood for some foreign (or local if you are from India and have not seen any of the above) film watching, do give these movies a try. You will not be disappointed.

Thank you

Raghav
 

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