Showing posts with label edmond o'brien. Show all posts
Showing posts with label edmond o'brien. Show all posts
White Heat (1949).
Tuesday, August 14, 2012
White Heat(1949). Film Noir. Cast: James Cagney, Virginia Mayo and Edmond O'Brien, Margaret Wycherly and Steve Cochran. Directed by Raoul Walsh from the Ivan Goff and Ben Roberts screenplay based on a story by Virginia Kellogg.
While Cody Jarrett and his ruthless gang robs a train, Cody kills the engineers and as one of them falls, it hits a steam valve, scalding bad guy, Zuckie Hommell.
Along with Cody's mother and his wife Verna, the gang hides out in the mountains. Ma, is the only one who knows what to do to help him though his migraine headaches. She also helps him fight off Big Ed Somers, who wants to take over the gang and get Verna for himself.
During a thunderstorm, Cody decides to leave the hideout with his gang. He tells Zuchie that he will send a doctor back to take care of him, but.. orders Cotton Valleti to kill him. Instead Cotton, pretends to kill him and leaves a pack of cigarettes behind.
After Zuckie's body, is found along with Cotton's prints on the cigarettes, the Treasury Department has enough evidence to link the train robbery to Cody's gang. Agent Philip Evans and his men come close to catching Cody, but.. thanks to Ma, the gang escapes.
Cody, comes up with an alibi for the murderous train robbery, by confessing to a smaller robbery in Illinois that took place at the same time. Evans, knows that Cody is lying, but.. cannot prove it. He sends undercover agent Hank Fallon. Under the name Vic Pardo, Hank to jail, where he plans to befriend Cody.
Meanwhile.. Big Ed, takes over the gang.
At the prison, Hank saves Cody's life when Roy Parker, one of Big Ed's thugs, try to kill him. After Ma hears about the attack, she promises Cody that she will take care of Big Ed. Back in his cell Cody, has one of his headaches and Hank helps Cody, the way his mother did. Later that night, Cody shares his plans to escape. Hank, passes on the escape plans to an agent who is pretending to be his wife, but.. on the day of the planned escape, a newly arrived prisoner tells him that Ma is dead.
Cody, loses it in the prison mess hall and is taken to the dispensary. There, he uses a smuggled gun to take the doctor hostage and along with Hank, Parker and two other in-mates, makes his escape. Outside, Cody kills Parker and then heads for Bakersfield to avenge Ma's death.
Even though it was Verna, who killed Ma, she tells Cody that Big Ed shot her in the back. Cody kills Big Ed and then joins the rest of the gang. Cody, plans to rob a payroll by sneaking the gang into a company inside an oil tanker. Will Hank, be able to tip off the police in time, before any one else is hurt?.
Fun Facts:
If the surprise expressed by James Cagney's fellow inmates during "the telephone game" scene in the prison dining room appears real, it's because it is. Director Raoul Walsh didn't tell the rest of the cast what was about to happen, so Cagney's outburst caught them by surprise. In fact, Walsh himself didn't know what Cagney had planned; the scene as written wasn't working, and Cagney had an idea. He told Walsh to put the two biggest extras playing cons in the mess-hall next to him on the bench (he used their shoulders to boost himself onto the table) and to keep the cameras rolling no matter what.
The unusually close relationship between Cody Jarrett and his domineering mother was inspired by real life bank robbers Kate Barker (aka "Ma Barker") and her sons.
I' m not really a James Cagney fan but, I did enjoy him in this film His character, Cody Jarrett, is one of the best classic movie bad guys you will find on film. Cagney's wife, is played very well, by one of my favorite actress Virginia Mayo. The final scene of White Heat, is one you will not soon forget.
Margaret Wycherly (26 October 1881 – 6 June 1956), was primarily a stage actress, appearing in one silent film. In 1929 at the advent of sound pictures she appeared in her second film, but first talkie, The Thirteenth Chair, based on the 1916 play by her husband in which she had starred. The film was directed by Tod Browning and was in the genre of mystery-old house melodrama.
Twelve years later, Wycherley appeared in Sergeant York in 1941. She was nominated for the Academy Award for Best Supporting Actress for the role of Mother York, though perhaps her best remembered screen role was as "Ma Jarrett", the mother of the psychopathic gangster Cody Jarrett, in White Heat (1949), which famously starred James Cagney.
Wycherly starred in several popular Broadway plays, including Tobacco Road, Random Harvest, Liliom, Six Characters in Search of an Author and The Thirteenth Chair (which role she reprised in the film of the same name). Her other films include Keeper of the Flame, The Yearling, Forever Amber, The Man with a Cloak and Johnny Angel starring George Raft.
Labels:
edmond o'brien,
james cagney,
the 40s,
virginia mayo,
white heat(1949)
Best Supporting Actor 1964: Results
Wednesday, January 11, 2012
5. Edmond O'Brien in Seven Days in May- O'Brien has limited opportunities due to the nature of the film, but he still manages to realize his alcoholic senator quite well.
4. Lee Tracy in The Best Man- Tracy is good in showing the differences between his warm great facade, and his cynical side he shows behind close doors.
3. Stanley Holloway in My Fair Lady- Stanley Holloway gives a very enjoyable performance that is very entertaining, he also handles his songs incredibly well making them some of the best moments of the film.
2. John Gielgud in Becket- Gielgud although is in the film for less than ten minutes makes a sustainable impression instantly bringing Louis to life as a charismatic, humorous, and strong willed King.
1. Peter Ustinov in Topkapi- Good Prediction Dinasztie. This is a very good year actually with all of the nominees giving good performances. The best though is easily Peter Ustinov even though to be fair he had an advantage since he is the lead of his film. Ustinov nonetheless gives an absolutely hilarious performance, that makes Arthur Simpson a wonderful endearing character that is joy to follow through the film's story.
Deserving Performances:
George C. Scott in Dr. Strangelove
Frank Overton in Fail-Safe
Fredric March in Seven Days in May
4. Lee Tracy in The Best Man- Tracy is good in showing the differences between his warm great facade, and his cynical side he shows behind close doors.
3. Stanley Holloway in My Fair Lady- Stanley Holloway gives a very enjoyable performance that is very entertaining, he also handles his songs incredibly well making them some of the best moments of the film.
2. John Gielgud in Becket- Gielgud although is in the film for less than ten minutes makes a sustainable impression instantly bringing Louis to life as a charismatic, humorous, and strong willed King.
1. Peter Ustinov in Topkapi- Good Prediction Dinasztie. This is a very good year actually with all of the nominees giving good performances. The best though is easily Peter Ustinov even though to be fair he had an advantage since he is the lead of his film. Ustinov nonetheless gives an absolutely hilarious performance, that makes Arthur Simpson a wonderful endearing character that is joy to follow through the film's story.
Deserving Performances:
George C. Scott in Dr. Strangelove
Frank Overton in Fail-Safe
Fredric March in Seven Days in May
Labels:
1964 Best Supporting Actor,
edmond o'brien,
John Gielgud,
Lee Tracy,
Peter Ustinov,
Stanley Holloway
Best Supporting Actor 1964: Edmond O'Brien in Seven Days in May
Edmond O'Brien received his second and final Oscar nomination for portraying Senator Raymond Clark in Seven Days in May.
Seven Days in May is a political thriller about an attempt to overthrow the U.S. government.
Edmond O'Brien portrays one of the loyal men to the president Jordan Lyman (Fredric March who gives the best performance in the film, but probably suffered from category confusion). O'Brien role is rather simple in that he acts as an operative for the president in trying to find out the truth behind a secret army base. Edmond O'Brien although has a descent amount of screen time he spends most of the time listening to others as he attempts to either help the president or decipher the mystery of the possible coup. O'Brien is required to develop his whole character as he moves through the plot.
O'Brien actually handles this quite well and does develop Raymond Clark into an actual person despite limitations caused by the type of film it is. In all of his scenes he makes an enjoyable characterization of a real old timey southern Senator, who drinks to much, but does believe in the president and plans do to his best to help him. O'Brien has some very good mannerisms here, that although he ensures they are very distinct he also never overplays them to the point that they become caricature.
He realizes Clark with these mannerisms very well showing exactly where he comes from and as well as his clear history in politics. O'Brien creates the history of the man simply in his face. O'Brien is good as he proceeds to show Clark as a flawed man being an aged alcoholic, but still a man with pride, as O'Brien shows in his scenes of supporting the president. O'Brien has the passion of Clark just right as it certainly is reduced by age and drink, but it still is clearly apparent. This is not an amazing performance by O'Brien, but most certainly an interesting one and from what he did do with Clark, I actually wish he had been given more to do in the script than he was allowed.
Seven Days in May is a political thriller about an attempt to overthrow the U.S. government.
Edmond O'Brien portrays one of the loyal men to the president Jordan Lyman (Fredric March who gives the best performance in the film, but probably suffered from category confusion). O'Brien role is rather simple in that he acts as an operative for the president in trying to find out the truth behind a secret army base. Edmond O'Brien although has a descent amount of screen time he spends most of the time listening to others as he attempts to either help the president or decipher the mystery of the possible coup. O'Brien is required to develop his whole character as he moves through the plot.
O'Brien actually handles this quite well and does develop Raymond Clark into an actual person despite limitations caused by the type of film it is. In all of his scenes he makes an enjoyable characterization of a real old timey southern Senator, who drinks to much, but does believe in the president and plans do to his best to help him. O'Brien has some very good mannerisms here, that although he ensures they are very distinct he also never overplays them to the point that they become caricature.
He realizes Clark with these mannerisms very well showing exactly where he comes from and as well as his clear history in politics. O'Brien creates the history of the man simply in his face. O'Brien is good as he proceeds to show Clark as a flawed man being an aged alcoholic, but still a man with pride, as O'Brien shows in his scenes of supporting the president. O'Brien has the passion of Clark just right as it certainly is reduced by age and drink, but it still is clearly apparent. This is not an amazing performance by O'Brien, but most certainly an interesting one and from what he did do with Clark, I actually wish he had been given more to do in the script than he was allowed.
Best Supporting Actor 1964
Friday, January 6, 2012
And The Nominees Were:
John Gielgud in Becket
Lee Tracy in The Best Man
Peter Ustinov in Topkapi
Stanley Holloway in My Fair Lady
Edmond O'Brien in Seven Days in May
John Gielgud in Becket
Lee Tracy in The Best Man
Peter Ustinov in Topkapi
Stanley Holloway in My Fair Lady
Edmond O'Brien in Seven Days in May
Labels:
1964 Best Supporting Actor,
edmond o'brien,
John Gielgud,
Lee Tracy,
Peter Ustinov,
Stanley Holloway
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