The Sandpiper(1965).

The Sandpiper(1965). Cast: Richard Burton and Elizabeth Taylor. Directed by Vincente Minnelli.

Laura Reynolds, is living a wonderful life as single, bohemian artist/model, with Danny her 9-year-old son (Morgan Mason, James Mason's son), in a run down beach house. Until one day Danny, shoots and kills a deer which gets him in trouble with the law and Laura is ordered by the court, to enroll him in the private school, headed by clergyman Edward Hewitt and his wife. Even though she is resentful at first, she is surprised, at how quickly Danny accepts the schools routine.

Laura and Hewitt, fall into into a passionate love affair after he walks in on her modeling nude for her artist friend. They spend many long afternoons together, along the beautiful surf and sand. Things are going well until, a jealous colleague of Hewitt, blows the whistle on the couple.

Tormented by guilt, Hewitt tells his wife, Claire about the affair, who is brokenhearted. He then makes a public admission. Laura furious that he exposed their private relationship never wants to see him again. How will Hewitt confront is problems?

This movie is filmed at the height of the Burton/Taylor popularity. We get to see a side of Liz Taylor, that is so different from past silver screen performances… here she plays a "new woman of the 60s," who believes in free love, which turns out to be the film's theme... Richard Burton, character once again pays the price for his actions..

 

Fun Facts:

Then unknown Raquel Welch doubled (uncredited) for Elizabeth Taylor in some of Taylor's beach scenes on location at Big Sur, California.

The third of eleven films that Elizabeth Taylor and Richard Burton starred in together.

Script was originally envisioned as a Kim Novak vehicle, until she had a falling out with producer.

Alternate Best Actor 1974: Results

5. Charles Bronson in Death Wish- Although the role probably could have been far more complex, Bronson still is consistently effective in his portrayal of one man's revenge even if it is in a relatively simple fashion.

4. Peter Falk in A Woman Under the Influence- Falk is good in his role always giving effective reactions throughout the film, that appropriately supports Gene Rowlands's great performance.

3. Gene Wilder in Young Frankenstein- Wilder is always very funny in his role, but really makes it work is his conviction in his portrayal of the insanity of his character. 

2. Walter Matthau in The Taking of Pelham One, Two, Three- Matthau is terrific here easily bringing a great deal of humor to his role without ever compromising any of his more dramatic moments.

1. Gene Hackman in The Conversation- Hackman stands easily as my choice in his incredible performance in this film. He is simply outstanding in his complex portrayal of this man's paranoia and guilt. There is not a single moment wasted in Hackman's unique and always fascinating characterization.

Overall Rank:

1. Gene Hackman in The Conversation
2. Art Carney in Harry and Tonto
3. Jack Nicholson in Chinatown
4. Al Pacino in The Godfather Part II
5. Walter Matthau in The Taking of Pelham One, Two, Three
6. Gene Wilder in Young Frankenstein
7. Jeff Bridges in Thunderbolt and Lightfoot
8. Clint Eastwood in Thunderbolt and Lightfoot
9. Peter Falk in A Woman Under The Influence
10. Dustin Hoffman in Lenny
11. Charles Bronson in Death Wish
12. Warren Beatty in The Parallax View
13. Peter Boyle in Young Frankenstein
14. Paul Newman in The Towering Inferno
15. Steve McQueen in The Towering Inferno
16. Cleavon Little in Blazing Saddles
17. Albert Finney in Murder on The Orient Express

Next Year: 1992

Alternate Best Actor 1974: Charles Bronson in Death Wish

Charles Bronson did not receive an Oscar nomination for portraying Paul Kersey in Death Wish.

Death Wish is a somewhat effective film about a man who becomes a vigilante after his wife is brutally murdered, and his daughter is raped by street thugs.

It is interesting that apparently Sidney Lumet was going adapt the novel Death Wish with Jack Lemmon in the lead. I must say I think Lemmon possibly could have given a great performance and he certainly would have been much more of an everyman since vigilante is not something that quickly comes to your mind with Lemmon. Charles Bronson on the other hand it might be one of the first things you might think of. I will admit that is probably helped greatly by the film series of Death Wish, but Bronson even before this film was usually an on screen tough guy.

Due to Bronson's previous screen credits his eventually becoming a vigilante does not seem like much of stretch, in fact Bronson seeming the happy family man seems more unnatural than being the killer. This is not against Bronson's performance as he believable enough in his family scenes. He has a strong enough warmth and what not, but rather it has to do with Bronson's type which always comes across as tough guy, not a former conscientious objector. Bronson is really an actor who showed mostly this very specific range in his performances.

This is not say that Bronson might or might not have been able to tackle a more complex form of this character, but it seems that the director really cast him more on his reputation as a badass than an actor. In fact there are many scenes where the direction in the film takes an approach for us to feel what Paul is going through by the the film rather than specifically by Bronson's performance. Two scenes in particular express this one being Paul's grief over his wife it cuts away from Bronson so fast you barely even know he is going through his heartbreak.

That first scene I write of more of shows all the aftermath such as her funeral, and we only see a small glimpse of Paul's reaction. Bronson is fine in his quick expression of Paul's disbelief and sadness but it is too short to be particularly powerful. His other scene is when Paul goes home after killing a man. Again we breifly get a glance at Bronson's expression but only for a second as he quickly goes and vomit. The film shows us the emotional consequence through the noise far more than with Bronson's performance, although again the brief moment is handled well enough by Bronson.

Bronson more fully comes into his own in his scenes what were the reasons why he was probably cast. The scenes being where Paul kills every mugger he happens to run into. Bronson in these scenes shows his particular skills as a performer well in these fast but intense moments. Bronson make Paul an incisive killer and he has a strong control over the moments. He makes Paul's killing something that is very much to the point. He shows that Paul does not intend to play around only kill those who he believes deserve to die for their criminal actions.

Of course the whole vigilantism aspect seems like a bit of a missed opportunity since being Charles Bronson there is not a learning curve. He instantly becomes a completely confidant killer, and is instantly imposing. He also instantly shows Paul to think himself quite cool in a way from the idolization the mysterious vigilante receives from some people. An actor like Jack Lemmon might have been able to bring about a slower, but more powerful of an average man transforming into someone far less ordinary killer. With Bronson it is less of a transition and more of just a realization.

I should say I never do feel that Bronson is bad in the role. He is consistently confidant, and when required he shows the appropriate emotions. My only problem comes in that the character of Paul Kersey could have been so much more, and could have been a fascinating delve into the psyche behind a vigilante. Instead Bronson settles with just making Paul into a watchable action hero who went on to appear in a total of four more films after this one.  I really could give Bronson less but really this is an entirely effective performance that does use the strengths of Bronson's onscreen persona well, even though I can't help but wonder if Paul could have lead to a truly amazing performance in another set of hands.

Alternate Best Actor 1974

And the Nominees Were Not:

Peter Falk in A Woman Under The Influence

Charles Bronson in Death Wish

Gene Hackman in The Conversation

Walter Matthau in The Taking of Pelham One, Two, Three

Gene Wilder in Young Frankenstein