Reel Thoughts Interview: Wickedly Divalicious

Thousands of audience members have fallen in love with Alli Mauzey as Glinda in various Broadway companies of Wicked, but her breakout role was her hilarious role as crazy Lenora in the musical Cry-Baby, based on the John Waters comedy. (If you haven’t seen her perform the showstopping “Screw Loose” on YouTube, watch it immediately!) The girl from Anaheim Hills who grew up to watch over the Land of Oz from a floating bubble will be joining fellow Wicked alum and Broadway star Nicole Parker for two nights of delicious displays of their diva mastery with the Phoenix Symphony September 28th and 29th. I caught up with Mauzey and asked her what makes her a Wicked Diva, and what’s next for the rising star.

NC: So, what makes you a Wicked Diva?
AM: All being a Wicked Diva means is that Nicole and I got to star as Glinda and Elphaba in Wicked on Broadway. We're not divas in the negative sense for sure! We would be the first people to call each other out on that! The night is a celebration of these two iconic women that we got to play and a celebration of so many more women in pop music, classical music and Broadway.

NC: What are your favorite roles that you’ve played? What roles do you want to play but haven’t?
AM: I love playing Glinda, and I loved playing Lenora in Cry-Baby and Audrey in Little Shop of Horrors. Roles I hope to play, well, originating roles is ideal. I also love the character of Lizzie in 110 in the Shade and I love her music in that show.

NC: I was lucky enough to see you in Cry-Baby in La Jolla and then in New York . You were hilarious and I still rave to my friends about your performance of “Screw-Loose”. What was that experience like?
AM: Thank you! Cry-Baby was the first time I had originated a role. That combined with the character having a few "screws loose" gave me the freedom to be boundless in creating her. In my mind, there was nothing Lenora could do that was too absurd or too crazy because in her mind it always made sense. It was such a blast to work on a character like that. Very freeing.

NC: I am bummed that they never made a cast album of Cry-Baby. Isn’t there a following clamoring for that?
AM: Me too! I meet fans all the time who ask about a Cry-Baby cast album. It's too bad one didn't get done. It had some really fun music and lyrics. I mean, come on... the opening song, "Anti Polio Picnic"? "Girl Can I Kiss you With Tongue"? Anyone?

NC: What did you enjoy most about playing Glinda in the San Francisco production of Wicked?
AM: I fell in love with San Francisco! I had no idea how much I was going to love it. One of my favorite cities in the United States! I loved the ocean air in the city environment, I had no idea how much good food was up the there, and it just has some incredibly beautiful and breathtaking areas.

NC: I understand that you are from Anaheim Hills California. What was it like growing up near Disneyland , the Happiest Place on Earth?
AM: I love Disneyland! I've had an annual pass for as long as I can remember. Friday nights in high school consisted of meeting my friends at Snow White's Wishing Well in the park and hanging out until the park closed. And on some Saturday nights, Carnation Plaza had a swing band and you could go swing dancing which was always fun! Disneyland is such a familiar thing for me and I know the park like the back of my hand. I love taking people there who have never been.

NC: What was your journey to Broadway like?
AM: My journey to Broadway... It took me a while to warm up to being on stage because I was so incredibly shy as a child. My mother put me in some dance classes and such because my sister had been doing them but also because she thought it would help me come out of my shell. It was painful at first to have all the attention on me on stage. But the more I did it the more comfortable I became. But I mostly became comfortable because I had such a joy for singing and playing with my friends on stage. I also had other interests growing up but by the time I was ready to go to college, it just made sense for me to go into acting so I did. I moved to New York and graduated from NYU. Moved back to California after I graduated, got an agent in Los Angeles. One of the first auditions my agents sent me out on was for Hairspray. I went in for it, danced, sang, read sides and after a few callbacks got an offer to join the Broadway company so I moved back to New York and got my Equity Card and made my Broadway debut. It was an amazing show and I look back on it so fondly. I absolutely love the musical Hairspray. I was sad to see it close because it meant more people couldn't see it.

NC: What advice would you give to other aspiring Wicked Divas who want to follow in your footsteps (or floating bubble)?

AM: Work hard and always find the joy in it.

NC: What else would you like readers to know about you, your co-star Nicole Parker, and your concert?
AM: Nicole and I met doing Wicked in New York and have become such great friends since then. We had so much in common, grew up about 20 minutes from each other, knew some of the same people, worked at some of the same theatre in SoCal, et cetera. It was like connecting with an old friend even though we had just met. So when it comes to us and our concert, you see two friends rocking out and sharing stories and it's just a fun evening of great music and laughter. I have a blast with Nicole each and every time we perform together and I think audiences do too.

Interview by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Reel Thoughts Interview: Wickedly Talented

To look at Kyle Dean Massey’s resume, you, like him, might marvel at how in 2011, he played “a dead teenager, a Winkie Prince and a tap-dancing cowboy. Now let’s start all over.” Massey is a much sought-after actor who starred as the lead singer in Altar Boyz, as the “dead son” in Next to Normal and then as an aspiring country music singing cowboy whose main rivals were drag sensation Varla Jean Merman and hilarious out comedian Leslie Jordan. The show’s title Lucky Guy didn’t prove prophetic as the show closed quickly on Broadway. The good news is that it is bringing Massey back to Arizona as Fiyero, the gorgeous “Winkie Prince” who falls for the not-so-popular Elphaba in Wicked.

I spoke with Massey,  the handsome star and strong anti-LGBT bullying advocate, while he was finishing a long stop in Los Angeles.  “It’s always different,” Massey explained, about how coming back to the show on tour compares to doing Wicked on Broadway. “The chance to get to do the show in different cities has an effect on it as well. You learn that people in different cities are going to react differently, and that makes it exciting.”

Massey came out with a moving “It Gets Better” video because the Arkansas-born actor wanted kids to know that he came from the same background and now he’s on Broadway. “It’s a disservice to the younger generation not to speak up. What motivated me to make mine was to make it for young gay theater kids.”

Having played the lead of Altar Boyz and now the romantic lead in every tween girl’s favorite musical Wicked has made Massey a teen idol. I asked him which show had the bigger groupies, and he responded that the “Altarholics” were more interested in the performers, while Wicked’s fans are more focused on the show itself. “People get very nervous at the stage door. They’ll ask to take a picture and you can literally see them shaking. That’s the great thing about theater, you can wait by the stage door and meet whoever you want, right after you’ve seen them on stage.”

Asked for the reason for Wicked’s popularity in the LGBT community, Massey replied, “Not to stereotype, but it’s based on The Wizard of Oz. What little gay boy wasn’t obsessed with that movie... I mean, come on,” he said laughing. "The music is very accessible and it’s just spectacular. It just hits on every level. Gay audience, straight audience, there’s something in there for everyone.”

“People identify very closely with one or the other girls, or even my character, who’s changed for the better. It’s just about allowing yourself to be different and how “different can be good” and how you have to look past some things in order to figure out what you think is best or good, or right or wrong.”

“Fiyero is a Winkie prince, and he’s always compared to JFK Jr. He’s royalty and he’s kind of a playboy. Everyone knows who he is, like the male version of a Kardashian. He’s just famous for being famous. He hasn’t done anything and isn’t motivated, he’s always had the means to make people do what he wants. He meets Elphaba and he is so intrigued that he doesn’t “work” on her, that his tricks don’t work on her, and so consequently, he listens to her and learns from her and by the end, he realizes that he wants more than just getting everything he wants, he wants to do good.”

“That show was certainly not smooth sailing,” Massey admitted about Lucky Guy, where Varla Jean Merman played a conniving country star and Leslie Jordan was her partner. “But Jeffrey (Roberson, Varla Jean's alter ego) and Leslie were serious pros. They are both so talented and they brought so much to the table. Leslie was constantly telling stories and I was thinking “You’ve got to be kidding. You’ve got to write a book!” I got to have a lot of fun scenes with Varla. She tried to seduce me, it was just campy and over-the-top and we got to have a good time.”

Xanadu, starring Cheyenne Jackson, was another highlight for Massey, who played a roller-skating muse. “That show was so fun, it was really like the little show that could. No one thought the show was going to run, and here we were getting Drama Desk and Tony Award nominations and appearing on all the morning shows. I don’t think that I’ve had more fun on a show ever.”

Tempe audiences will be the last to see Massey in Wicked, for now. Gammage is his last stop on the tour, but you can also see him on an upcoming episode of the CW show Heart of Dixie, where he plays a stripper who drives a party bus.

When told about Arizona Governor Janice Brewer’s “tiff on the tarmac” with President Obama, the photo of which has been photo-shopped to make Brewer into the Wicked Witch of the West, I asked Massey if all witches are redeemable or just Elphaba. “Well, Glinda is the one who’s redeemable, because Elphaba was always good. Some people, you can’t. Some people are too far gone, that’s for sure,” he said, laughing.

The Wicked tour is now playing through March 11 at ASU Gammage in Tempe, Arizona. For more information on these and future tour dates, visit the official Wicked website.

Interview by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Reverend's Report: Returns to Oz

Wicked, the lavish stage production based on a 1995 novel by gay author Gregory Maguire and featuring songs by Oscar-winning composer Stephen Schwartz, remains the top-grossing musical on Broadway eight years after its opening and has been a massive hit on tour. It returns to the Pantages Theatre in Los Angeles in late November for a month-long run.

Author L. Frank Baum originally introduced us to the magical world of Oz in 1900. His initial novel, The Wonderful Wizard of Oz (the first of 14 books set in Oz that he penned), was subsequently turned into a 1902 stage musical as well as the classic film of 1939 starring Judy Garland. A non-musical (and underrated, in my opinion) movie sequel, Return to Oz, was released by Walt Disney Pictures in 1985 and quickly flopped at the box office. Now, Disney is trying again with a new film, Oz: The Great and Powerful, scheduled for release in 2013. It stars gay-friendly "it" boy James Franco in the title role and is being directed by Sam Raimi of the Evil Dead and Spider-Man series.

Despite attempts by Disney and others to put Oz's ruling wizard front and center, it has long been the saga's women who have captured the public imagination. Whether they be the young Kansas farm girl Dorothy, unexpectedly transported to the land "over the rainbow" by a powerful tornado, or an assortment of witches both good and bad (played by the unforgettable Margaret Hamilton and Billie Burke in The Wizard of Oz as well as Michelle Williams, Rachel Weisz and Mila Kunis in the new production), the women of Oz continue to command attention.

Wicked is no exception. The stage musical, which is also slated for eventual adaptation into a movie by Universal Studios, recounts the story of how the prickly, green-skinned Elphaba first met and befriended the vacuous but saintly Galinda. Whereas the former would become best known in Oz as "the Wicked Witch of the West," Galinda (nee "Glinda") ultimately became identified along with Dorothy as its savior. Maguire's novel and the theatrical interpretation of it serve as potent political commentary, in which Elphaba is revealed as having good intentions while the Wizard plots to subjugate the citizens of Oz to his self-serving will.

The Oz books, movies and musicals have long held special relevance for GLBT people. I believe this is because we identify with the heroic journeys undertaken by Elphaba and Dorothy in leaving home, discovering their self worth and special/magical attributes, and ultimately helping others with the wisdom they have gained. As we mature in the GLBT community, our personal journeys often undergo a similar process.

In addition to the return of Wicked, two new books have recently been published that continue to explore the lessons we can gain from Oz and its inhabitants. Now available is And Toto Too: The Wizard of Oz - A Spiritual Journey.Written by Nathan Castle, a Dominican priest, it has been recommended by Rabbi Barton G. Lee as "of interest to all who ponder questions about God, ethics, and life's meaning(s) whatever their own religious background." And Maguire's fourth and final novel in his popular Wicked series, Out of Oz,was also released recently.

Clearly, the land of Oz continues to cast a magic spell through a variety of media more than a century since L. Frank Baum dreamed it up.

Report by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.