THIS IS 40

THIS IS 40
Written and Directed by Judd Apatow
Starring Paul Rudd, Leslie Mann and Albert Brooks

Debbie: F@#k 40. 40 can suck my d#@k.

Birthdays can be messy but they can still be fun. The same can be said of comedy guru, Judd Apatow’s latest, THIS IS 40. Apatow’s fourth film is being billed as the “sort-of sequel” to KNOCKED UP, because it catches up with two of the supporting characters from that film, Pete and Debbie (Paul Rudd and Leslie Mann), rather than the main protagonists (played by Seth Rogen and Katherine Heigl, neither of whom makes an appearance here.) At the time, Pete and Debbie were characters designed to show two expecting parents just how chaotic but bizarrely satisfying raising children and settling down can be. Fast forward a few years and these two are about ready to crack. And as Apatow ages, he too shows a few signs of cracking.

Pete and Debbie are both turning 40 within the same week. Her birthday is at the beginning of the week and is celebrated in quiet fashion with her immediate family, Pete and their two daughters, Sadie and Charlotte (played adorably by Apatow and Mann’s actual children, Maude and Iris Apatow). His birthday is to be feted in grand style at the end of the week with a multitude of party guests. The week that takes place in between these two events is one of the longest and most inconsistent trajectories I can imagine. What this couple has to go through in this week is a roller coaster of emotions and events that would surely send most people straight to divorce court. Pete and Debbie have a secret weapon though; every step they take is done so with hilarity and charm, and they are surrounded by an incredible supporting cast, including Albert Brooks, John Lithgow and Megan Fox.

Structural issues, and incessant Apple product placement aside, Apatow knows how to inject warmth and reality into comedy. This could be a direct influence of his borrowing from his own life to write THIS IS 40. While his strong understanding of human interaction and character infuses this work, making it feel like a more mature effort than previously produced films, his sympathy for his characters blinds him from creating a more cohesive final product. The moments are genuine and effective but just don’t connect at times. It is jarring to see this talented twosome fighting one moment, then having an amazing night together and then start fighting again the next day as if nothing ever happened. I get that this is how life works sometimes but this isn’t real life after all, and sometimes, Apatow loses sight of that ever so slightly.

FRIENDS WITH KIDS

FRIENDS WITH KIDS
Written and Directed by Jennifer Westfeldt
Starring Jennifer Westfeldt, Adam Scott, Jon Hamm, Kristen Wiig, Maya Rudolph, Chris O’Dowd, Ed Burns and Megan Fox

I don’t know if you’ve heard this one before but indulge me a moment. Couples, no matter how much chemistry they have, be that physical or emotional, will inevitably crumble to pieces when they bring kids into their lives. For years now, love and intimacy have been seen as the killers of freedom and individuality. Now, its time for babies to step in and bring their special brand of devastation to the cornerstone of American society known as marriage. Enter new comedy, FRIENDS WITH KIDS, from first time director, Jennifer Westfeldt, to either capitalize on or continue to perpetuate this modern notion.

FRIENDS WITH KIDS is a sharp, savvy comedy, set in what seems like the only place this story could take place, New York City. Two perfectly plutonic friends, played by the charmingly neurotic Westfeldt and the just plain charming, Adam Scott, decide to have a baby together when they see how their friends’ relationships have deteriorated after having them. They both want kids but they don’t want the disaster that comes with having them. Just look at their examples! To their right, they have Jon Hamm and Kristen Wiig. They used to have sex constantly but post-baby, they can barely look at each other. To their left, Maya Rudolph and Chris O’Dowd are drowning in diapers and despair. Can Westfeldt and Scott avoid the baby bomb that killed their friends? Though obvious counterpoints to play off of, this miniature BRIDESMAIDS reunion ensemble brings humanity to these characters, allowing them to be more real than they would have been in lesser hands. It may never get uproarious but Westfeldt provides her laughs with enough insight and heart to make them matter.

I know plenty of people who subscribe to this “Baby = Bad” theory and are putting off children specifically out of fear for what hell they will bring. That being said, I know just as many people who have children and who have become stronger families as a result. The truth of it is, and please keep in mind this is a truth spoken by someone who neither has children nor is in any position to have them anytime in the near future, that having children is difficult. It will place a strain on your relationship that may cause irreparable damage if you aren’t careful. If you survive the initial stress though, the strength derived from the experience is invaluable. And even though FRIENDS WITH KIDS is ripe with easy devices and tricks, Westfeldt (who incidentally wrote and starred in one one my favourite indies, KISSING JESSICA STEIN) is a clever enough writer to understand that even cliches have enough nuances of their own that separate them from the pack. From the way she takes care of her characters, you can tell this film is her baby.

Marty to Tackle Liz and Dick

Or, rather, according to Deadline New York, Oscar-winning director Martin Scorsese is in talks to helm a film about the love affair between the late Elizabeth Taylor and Richard Burton.  (Just look above, aren't they the cutest couple?)  No casting has been announced, but the rumor mill is atwitter with possibilities, from Charlize Thereon, Angelina Jolie, Anne Hathaway, and even Megan Fox.  I'm personally hoping Russell Crowe is tapped for Burton.

As you can tell from my background both on this blog and my Twitter, I'm a huge Liz and Dick fan, maybe less of their real life relationships and more of their on screen ones.  Together, when they were acting, it was like watching magic on screen.  The work they put together in Who's Afraid of Virginia Woolf is some of the best ever in a film, and how they play off one another is remarkable.  Aside from Bogey/Bacall and Tracey/Hepburn, this is Hollywood's greatest love story.

If you existed, I'd divorce you! 

But this is said to be about their love affair.  So be it.  I won't be judgemental of this project yet, for this is a tale of Old Hollywood and recently is any director has proven himself perfectly able to tackle Old Hollywood it's The Aviator helmer Scorsese.  This type of tale doesn't need just an apt director, it needs someone who loves movies and not just making them.  Scorsese is such a man.

Who do you think should play Hollywood's most heated couple?


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