Pages

Powered by Blogger.
Showing posts with label John's books. Show all posts
Showing posts with label John's books. Show all posts

Now Available in Paperback: Horror Films of the 1980s (2007; McFarland)

Sunday, October 28, 2012


The second of my big decade survey books, Horror Films of the 1980s (2007) has just been re-published by McFarland in paperback format.  It's available through McFarland  and also at Amazon.com.

If you're debating picking it up, now that it's (a little...) cheaper, here are some reviews.

From Library Journal:


"Muir again plunges into the dark, following his Horror Films of the 1970s(McFarland, 2002), named an ALA Outstanding Reference Source in 2003. 

Appropriate to the so-called era of greed, he has this time added more of everything: films, background, appendixes, and critical analyses. 

Part 1 provides a concise, overarching summary of the decade's social and political climate; juxtaposed photos of President Ronald Reagan and A Nightmare on Elm Street's Freddy Krueger encapsulate the period's startling contradictions...A time line highlighting noteworthy current events accompanies each year and is followed by ample, witty, well-versed entries on films ranging from Poltergeist and Aliens to Cellar Dweller and Hide and Go Shriek...BOTTOM LINE: The summary in Part 1 would befit a college history lecture; the book as a whole is highly recommended..."

From Choice: 

"As readable and entertaining as it predecessor, this tremendous tome of terror is the quintessential concordance to the films of the dead teenager decade...Muir opts for comprehensiveness, covering each of the 300 horror flicks released between 1980 and 1989...

...Muir's genius lies in his giving context to the films. He offers a time line of events for each year, and his introductory essay documents the 1980s uncertainty that led the genre to become both influential and profitable.

...With the skill of a Jason, Muir has carved out a niche for himself with this kind of reference work. As fun as the films it documents, it will make readers run screaming for the local video store..."


From Booklist:

"The author watched hundreds of films, interviewed talents behind the movies and invited guest reviewers and critics to round out the details...Writing is clear, with a personal but expert tone. The 2-column layout facilitates reading the dense text."

"Can a horror film reference book be pleasurable browsing? This volume does a good job, combining useful information and enjoyable commentaries, and is recommended..."



From Gale-Thomson:

"Like Jason, Michael Myers or Freddy Krueger, John Kenneth Muir keeps returning to horror films for a little more fiendish fun. In this episode, Muir surveys 300 films of the 1980's, or as he calls it, the "Dead Teenager Decade."...Muir closely examines organizing principles, plot devices, and the use of conventional characters. He looks hard for points to praise, but never lets sloppy work go without comment...Muir weaves contemporary commentary, thoughtful analyses and humor into a true art form. His entertaining guide will find fans in academic and public libraries. "


From The American Library Association (ALA):

Horror Films of the 1980s, by John Kenneth Muir (829 pages, March 2007), tackles the “dead teenager decade” of horror cinema with his characteristic comprehensiveness, insightful commentary, and trenchant wit.

A sequel to his 2002 Horror Films of the 1970s (the “disco decade”), this volume contains two introductory chapters that offer a sociopolitical context for horror (“Which towering figure dominated the ‘greed is good’ decade? Freddy Krueger or Ronald Reagan?”) and an analysis of 1980s horror conventions and subgenres. 


Films are arranged by year, rated on the traditional 1 to 4 star system, and accompanied by quotes from critics, cast and crew, synopsis, commentary, memorable lines, an occasional interview extract, and legacy." 





Tonight: Destinies - The Voice of Science Fiction

Friday, October 26, 2012

Tonight at 11:30 pm, I'll be a guest on Dr. Howard Margolin's genre talk show, Destinies - The Voice of Science Fiction on WUSB, 90.1 FM to talk about my recent book, Horror Films of the 1990s (McFarland; 2011).

It was a fascinating (if not always great...) decade for horror movies, and I always enjoy talking about horror movies in the age of The Blair Witch Project, Scream and Silence of the Lambs.

Howard is a great interviewer, so I'm really looking forward to the show, and hope you'll join us as we talk scary movies in the nineties.  

If you can't listen to the program live, the episode will be archived, and I'll get that information to you over the weekend.

Hope to see you tonight!

Ask JKM a Question #35: Cover-Images on My Horror Decade Books?

Sunday, September 23, 2012


A reader, Chad (Chadillac) writes:

I own your three Horror Movies of the decade books and had a question regarding the book covers. I know you have a great respect for The Blair Witch Project so it makes sense that it graces the cover of the 1990's book. 

I was wondering if you could explain why It's Alive and The Lost Boys were chosen for the 1970's and 1980's? Is the cover meant to symbolize the most iconic horror movie of the decade? How much say do you have over the selection?

That’s a terrific question, Chadillac.  Thank you for asking it and thank you for purchasing my big horror movie decade books too.  I know they don’t come cheap!

I love writing those books, and McFarland is a great publisher.  I’ve been in business writing books for  McFarland since I signed my first contract in 1994, so it’s a happy and long-standing relationship.  I consider the publisher family.

That fact established, I don’t have cover image approval in terms of these books.  That’s not a unique arrangement to McFarland, by the way.  It’s true of most writer/publisher relationships.  It's just how the business tends to work.

In terms of these three books, I select photos from my personal collection/archive, and then send them to McFarland with the final manuscript, including captions.  However, McFarland chooses the cover images.  I was very happy that they went with my suggestion for Horror Films of the 1990sThe Blair Witch Project (1999).

Regarding Horror Films of the 1970s, I don’t think I even offered  a recommendation, so far as a cover image was concerned.  But I was gratified with the selection of Larry Cohen’s It’s Alive because I felt that this particular film encompassed many critical ideas of the decade’s horror films, from reproductive/women’s rights (Demon Seed, The Stepford Wives) to pollution and the environment (Empire of the Ants, Prophecy) to evil children (The Exorcist).  It seemed like a perfect choice to me.

I did offer an image that I would have liked on the cover of the book when I wrote Horror Films of the 1980s. It’s a shot of Michael Myers from Halloween IV: The Return of Michael Myers.  

In this image, he’s carrying a huge butcher knife, and behind him, there is an infinite regression of reflections in a mirror.  I love this image, because I feel it embodies, in some sense, the idea of the slasher format’s prominence in the Reagan Decade.  

Like the image of Michael with the knife, there was one slasher film after the other after the other, going on for eternity, it felt like.

Yet honestly, I very much like The Lost Boys image on the cover of Horror Films of the 1980s, because it also captures the kind of “punk” look or aesthetic of the decade. 

Today, I enjoy and appreciate all three covers because they each consist of a single, uncluttered image (a monster baby, a vampire, or a human face) enshrouded or surrounded by a field of darkness/blackness.  

This look gives the books a uniformity that I appreciate since I view the three “Horror of” tomes as part of a consistent and continuing series.  So in this case, perhaps I should thank McFarland for taking the longer view of the series as a whole, instead of following my specific advice about one chapter...

Great question!

Don’t forget to ask me more questions at Muirbusiness@yahoo.com
 

Blogger news

Blogroll

Most Reading