100 Women Directors Worth Watching

AA = Academy Award (for the film)
doc. = Documentary, ss = Short Subject
Personal favorites highlighted in blue
[Updated 4.30.11]

Those with the most awards

Aparna Sen (Mr and Mrs Iyer-02, House of Memories-00) India, 12 awards

Caroline Link (Nowhere in Africa-01, AA; Beyond Silence-96) Germany, 25 awards

Debra Granik (Winter's Bone-10, 26 awards) 17 awards


Deepa Mehta (Earth-96, Fire-98

RED RIDING HOOD

Written by David Johnson

Directed by Catherine Hardwicke

Starring Amanda Seyfried, Shiloh Fernandes, Max Irons, Gary Oldman

and Julie Christie

The Wolf: You're afraid of me.

Valerie: I'm not afraid. I simply have no interest in talking nonsense.

Filmed in British Columbia, RED RIDING HOOD opens on stunning aerial shots gliding through grand mountains, surrounded by thousands of fir trees, pristine lakes and feathery cloud formations. The shots distinctly reminded me of another supernatural “thriller” shot in the same location and, not coincidentally, by the same director. The director in question is Catherine Hardwicke and RED RIDING HOOD is her first film since she initiated the TWILIGHT series. The opening gave me reason for concern; I had no interest in reliving that tedious vampire series after all. Unfortunately, Hardwicke had other plans.

By the time we are introduced to little red, Miss “What big eyes you have?” herself, Amanda Seyfried, it is pretty clear that this attempt to recount the classic folk tale about a little girl in a red cape and the big, bad wolf waiting to devour her in the forest, is going to amount to nothing more than adolescent angst disguised as epic filmmaking. Seyfried’s mountain town is being terrorized by a werewolf but more importantly, Seyfried is being pawned off in marriage to one guy (Max Irons) while her heart belongs to another (Shiloh Fernandez). The sets, cinematography and score do their best to fill in the terribly thin premise but it isn’t enough to make us forget that Hardwicke has just made another other worldly love triangle tailored to a very specific demographic.

Pandering to a teenage audience is what ultimately takes all of the bite out of RED RIDING HOOD. By trying very hard to recapture that same desperate love at all costs tone the TWILIGHT series relies so heavily on, Hardwicke undermines the intensity of the more horrific story elements she has at her disposal. Seyfried is torn and to make matters worse, one of her suitors might actually be the wolf. Fortunately for her, loving the beast is fully acceptable behaviour for young girls these days. At least in the movies, it is.