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Showing posts with label Bond. Show all posts
Showing posts with label Bond. Show all posts

Skyfall

Friday, November 2, 2012



Could high expectations be the reason for Skyfall's downfall? Maybe, but then the film does stand tall on its feet even though it isn't as great as the initial reviews suggested. Mind you, it's a solid film and one of the best Bond films we have had, just not the best. Personally, I still hold Casino Royale as the film that took Bond to an entirely new level and made it grittier and darker than its predecessors and Skyfall continues on the same theme with only minor changes thrown in to stir up the audience, which in all honesty is a good thing.

Talking about Skyfall in detail would be giving away too much. Just like any good spy thriller, it is laden with enough twists and turns that even disclosing one would result in the breakdown of the entire film. So, I’ll simply say that the story gets personal this time, as did Quantum of Solace, but with adjustments that make Skyfall a lot more enjoyable. The typical Bond-British humor is there, the Bond girls are there, the usual characters are almost all there, but what we do have in addition is a Bond villain after a long time that will stand the test of time and remain memorable. The credit for that goes to Javier Bardem who portrays the villainous Silva with such panache that by the last act even Craig's Bond ends up with a major complex as he comments on Silva's ability to make a somewhat grand entrance.

Where Skyfall succeeds is in cunningly holding a few Aces up its sleeves. What is does beautifully is make the audience nostalgic about the entire franchise highlighted even more with the classic theme song by Adele which is reminiscent of the earlier Bond films. There is enough exploration of the past, both in the films story and in the execution of the film by director Sam Medes, that any ardent fan of the series could not help but fall for this new Bond that is all business and much less talk than his earlier avatars. There is also a certain progressiveness to the entire character development of Bond to the extent the three films starring Daniel Craig come very close to being termed as a trilogy, and maybe that is why my personal favourite remains Casino Royale because it was responsible for kick-starting this new age of Bond.

Skyfall makes for recommended viewing even if you are not a Bond fan. The story, while it has its inside jokes, can be understood and enjoyed by a first timer. I have always believed that having a memorable villain means half the battle is won for any action film, and Skyfall ticks that box with a certain pride and a willingness to explore the boundaries of what the audience expects. With the promise that Bond will returnthings look promising for the future, and I have a slight inkling that the next Bond film will be even more back to the basics when it comes to those three Gs; Guns, Girls, and Gadgets.

Rating 4/5     
  

The Names Bond, James Bond...

Saturday, November 13, 2010

He's cool. He's suave. He's James Bond! Today marks the day of GROOVERS AND MOBSTERS PRESENT: BOND, JAMES BOND

I was kindly asked by Andy Hart to take part in the multi-Bond marathon, along side some of the finest bloggers on the net. Each of us picked a Bond, picked a film, and went to work! Taking all of our Bond knowledge and cramming it into one jam packed post. Which Bond did I pick? You know I went obscure - George Lazenby and On Her Majesty's Secret Service. Not because I think he's the best Bond. But rather that I think he's the most, arguably, lambasted Bond, and I don't think it's all his fault.

So, be sure to click the link above for all the Bond goodness, and while you're at it, read my thoughts on Lazenby and On her Majesty's Secret Service below the dotted line!

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The simplest way to summarize George Lazenby’s brief stint as the iconic James Bond is to simply take everything the 2006 Bond film Casino Royale does righ, carry it to the highest area of mediocrity, and you’ll end up somewhere near On Her Majesty’s Secret Service. As pure an example of a misguided effort if ever there was one.

Caught in some frail attempt at being all things at once, Lazenby’s Bond is ultimately a mock-up of all Bond was and ever would be. A collection of Bond archetypes wrapped into one character. The audience never connects with Bond because he feels disconnected with himself. Bond moves flawlessly between playboy, cynic, thinker, tough guy, and lover without ever a reason. Such personality changes occur only by the will of the writers, as they try desperately to combine previous Bond incarnations with their own ideas for the future.

The result is a blend of high aspirations with unlevel storytelling. The first hour and a half of the film alone is spent setting up Lazenby’s Bond, and the world in which he lives. The writers do so by blending plot elements, and characters, from the Connery days with their own spin, trying to balance them into a cohesive story. It doesn’t work, and the viewers pay the price for it. Narrative wise it all works out, just not in favor of those who find themselves particularly drawn to Connery.

Still, the most unfortunate thing for On Her Majesty’s Secret Service is Peter R. Hunt’s direction of fight sequences. Watching Lazenby punch vaguely in the direction of a bad guy, followed by a quick cut to said bad guy flying the other direction, is hardly thrilling (not to mention the countless continuity errors it causes). By the ending these scenes get borderline silly, failing to capture the intensity and grittiness it seems Hunt was aiming for.  This comes in stark contrast to Hunt’s elongated action sequences (such as the infamous ski scene) which are creative, well thought out, and shot (though they are noticeably outdated).

On Her Majesty’s Secret Service may be one of the more faithful Bond adaptations, it’s just not one of the better ones. Even in its best moments, the movie can’t help but feel as if there’s always something wrong.


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