Showing posts with label 127 Hours. Show all posts
Showing posts with label 127 Hours. Show all posts
BREAKING NEWS: James Franco wasn't high
Friday, April 1, 2011
Apparently this still matters. If you don't know, just hours after hosting this year's Academy Awards, the internet was flooded with speculation regarding Franco. Rumor had it, the 127 Hours star was high as a kite during the ceremony, thus explaining his apathetic line delivery and generally unenthusiastic nature. I never really bought it then, and I still don't know. Whether or not the host was high doesn't absolve the writers of randomly dressing him up as Marilyn Monroe or shoving low-brow Charlie Sheen humor into his mouth. The writing was just bad. At least Franco can commiserate with an unpopular past Oscar host, David Letterman. It goes without saying that laying an egg on Oscar night didn't do too much damage to Letterman's career.
That being said, Franco wasn't the world's best host. But as he put it on Letterman the other night, that doesn't really matter. No matter who hosts the Oscars, they're going to be reamed the next morning and then forgiven eventually when everyone forgets just what the host did that was so awful to begin with. Thankfully, Franco doesn't sound like he'll accept an unlikely return invite anyway. People forget the "Oh we want him back" man of the moment, Hugh Jackman, got tepid reviews of his Oscar telecast.
But above all, even with all this slandering of Franco's character, we have to stop caring so much about the telecast itself. It's designed and meant for people who don't care about the Oscars. Those who root for whatever nominee's name they recognize and whatever blockbuster film they saw. The average viewer doesn't care about Art Direction, or who's favored to win Best Cinematography. The telecast is a money-making machine, and still foolishly attempting to pander to a younger demographic (see: Anne Hathaway and Franco). It's unfortunate they were roped into this, but at the end of the day, few people will even remember they hosted the ceremony. Can you even name half of the hosts this last decade?
Great, he wasn't high. Who'da thunk? Moving on.
.
Labels:
127 Hours,
Anne Hathaway,
Charlie Sheen,
David Letterman,
James Franco,
Oscars
Tis the Season: The Academy Award Nominations
Tuesday, January 25, 2011
(Scroll over any film title for the full Black Sheep review.)

THE KING'S SPEECH leads the Oscar tally with 12 nominations, including nods for Best Picture and Best Direction of course, as well as one for each of the principal cast members. TRUE GRIT follows closely in second place with 10 nominations, thanks to an unexpected direction nod for Joel Coen and Ethan Coen. THE SOCIAL NETWORK and INCEPTION, then come in third place with 8 nominations between them. I was expecting a stronger showing for these two films and slightly less for the Coen Brothers picture to be honest, but in general, I am very happy with the direction the Academy went in this year with their nominees. There were a number of surprises and snubs, which is inevitable, but for the most part, I think Oscar got it right. Shall we break it down even further then?

Most of the Best Picture nominees were considered locks this year. Really, it seemed as though three films were fighting for the ninth and tenth slot when it came down to it. Those three films would be 127 HOURS, WINTER'S BONE and THE TOWN. Ultimately, it was THE TOWN, Ben Affleck's critically acclaimed dramatic thriller, that missed out. It actually only garnered one nomination, in the Supporting Actor category for Jeremy Renner, when it was considered a strong contender in the Best Picture race, as well as the Adapted Screenplay category. Both 127 HOURS and WINTER'S BONE fared much better than expected and will certainly benefit from these nominations. 127 HOURS, which scored nods for its screenplay as well as the lead performance by Oscar host, James Franco, rolls into 600 theatres this weekend and could use the boost at the box office. WINTER'S BONE meanwhile, is already available to rent or own. This fantastic indie picked up well deserved nominations for it's star, Jennifer Lawrence, and supporting actor, John Hawkes, as well as a nod for its screenplay.

The lead acting categories played out exactly as I wanted them to. The most triumphant success amongst them may be Javier Bardem's seemingly miraculous nomination for his incredible performance in BIUTIFUL, a Mexican film that has not been seen by many at this point. The Alejandro Gonzales Inarritu directed picture, also nabbed a Best Foreign Language spot. Michelle Williams scored her second career nod for her performance in BLUE VALENTINE. This was also not a lock so I am thrilled to see her get this well deserved accolade, as it will also drive more people to see this bleak film. Her co-star, Ryan Gosling, did not make the cut finally.

The supporting acting categories provided some of this morning's biggest surprises. The biggest of those would certainly have to be Jacki Weaver, nominated for her performance in the little seen, ANIMAL KINGDOM. She was always a contender but there was a great deal of confusion in this category this year. Ultimately, Hailee Steinfeld, scored her nomination for TRUE GRIT in the supporting category, when there was much debate over whether she would end up in the lead actress race. Lesley Manville, in ANOTHER YEAR, had a similar confusion and ended up not being recognized in either category, not that she was a shoe-in for either really. A notable absence here would have to be Mila Kunis, in BLACK SWAN. I never saw her performance as award worthy but it was certainly being talked up quite a bit in recent weeks and I thought she would end up on the list. On the men's side, it was the aforementioned nod for Hawkes in WINTER'S BONE that blocked out another young hopeful, Andrew Garfield, in THE SOCIAL NETWORK.

Perhaps the biggest snub amidst this morning's nominations is Christopher Nolan being locked out of the Best Director race once again. He did earn his second nomination for writing INCEPTION today but he was considered a sure thing is the directing category. He has been nominated three times by the Director's Guild of America, including this year, but is consistently shut out here. Instead, the fifth slot went to the Coen Brothers, as mentioned before. Aside from THE SOCIAL NETWORK director, David Fincherm and the Coens, the remaining three nominees are all here for the first time. They are Darren Aronofsky for BLACK SWAN, Tom Hooper for THE KING'S SPEECH and David O. Russell for THE FIGHTER.

The rest of my shocks and disappointments are as follows. While I am thrilled to see Mike Leigh score a nomination for the beautiful original screenplay, ANOTHER YEAR, I am surprised not to see BLACK SWAN there. In fact, I am a little surprised that BLACK SWAN only managed 5 nominations in total the way that film's momentum has been building. I didn't truly expect Daft Punk to score a Best Original Score nomination for TRON: LEGACY but it would have been a hoot if they did. I was very happy to see the progressive Trent Reznor and Atticus Ross score for THE SOCIAL NETWORK make the list though. Oh, and I know BURLESQUE was bad but you could have found at least one song from that the film to round up the Original Song nominees to five. There was another glaring INCEPTION snub in the editing category. I thought for sure that was a lock. I'm very pleased to see great films like Banksy documentary, EXIT THROUGH THE GIFT SHOP and Pixar animated short, DAY & NIGHT, earn their spots in their respective categories. Speaking of Pixar, TOY STORY 3, picked up five nominations of its own, including Best Picture and Original Screenplay. And finally, represent Canada! Denis Villeneuve's INCENDIES scored Canada a nomination in the Best Foreign Language race.

I've done the math and I was 87% accurate in my predictions. I got all the lead acting nods right (even Bardem!) and suffered one wrong answer in each of the other categories I made predictions for. Look for reviews of many of the nominated films to come in the weeks ahead on Black Sheep Reviews and I invite you to share your opinions on the Oscar nominations below.
The 83rd annual Academy Awards will be presented on February 27, and hosted by James Franco and Anne Hathaway. This is the full list of nominations:
BEST PICTURE
BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE
Javier Bardem in BIUTIFUL
Jeff Bridges in TRUE GRIT
Jesse Eisenberg in THE SOCIAL NETWORK
Colin Firth in THE KING'S SPEECH
James Franco in 127 HOURS
BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE
Annette Bening in THE KIDS ARE ALL RIGHT
Nicole Kidman in RABBIT HOLE
Jennifer Lawrence in WINTER'S BONE
Natalie Portman in BLACK SWAN
Michelle Williams in BLUE VALENTINE
BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE
Christian Bale in THE FIGHTER
John Hawkes in WINTER'S BONE
Jeremy Renner in THE TOWN
Mark Ruffalo in THE KIDS ARE ALL RIGHT
Geoffrey Rush in THE KING'S SPEECH
BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE
Amy Adams in THE FIGHTER
Helena Bonham Carter in THE KING'S SPEECH
Melissa Leo in THE FIGHTER
Hailee Steinfeld in TRUE GRIT
Jacki Weaver in ANIMAL KINGDOM
BEST ACHIEVEMENT IN DIRECTING
Darren Aronofsky for BLACK SWAN
Ethan Coen, Joel Coen for TRUE GRIT
David Fincher for THE SOCIAL NETWORK
Tom Hooper for THE KING'S SPEECH
David O. Russell for THE FIGHTER
BEST ORIGINAL SCREENPLAY
BEST ADAPTED SCREENPLAY
BEST ANIMATED FEATURE
HOW TO TRAIN YOUR DRAGON
THE ILLUSIONIST
BEST FOREIGN LANGUAGE FILM
BIUTIFUL
DOGTOOTH
IN A BETTER WORLD
INCENDIES
OUTSIDE THE LAW
CINEMATOGRAPHY
EDITING
ART DIRECTION
ALICE IN WONDERLAND
COSTUME DESIGN
ALICE IN WONDERLAND
I AM LOVE
THE TEMPEST
MAKEUP
THE WAY BACK
ORIGINAL SCORE
HOW TO TRAIN YOUR DRAGON
ORIGINAL SONG
"If I Rise" from 127 HOURS
"Coming Home" from COUNTRY STRONG
"I See the Light" from TANGLED
"We Belong Together" from TOY STORY 3
SOUND MIXING
SOUND EDITING
UNSTOPPABLE
VISUAL EFFECTS
ALICE IN WONDERLAND
DOCUMENTARY FEATURE
EXIT THROUGH THE GIFT SHOP
GASLAND
INSIDE JOB
RETREPO
WASTE LAND
DOCUMENTARY SHORT SUBJECT
KILLING IN THE NAME
POSTER GIRL
STRANGERS NO MORE
SUN COME UP
THE WARRIORS OF QUIGANG
ANIMATED SHORT FILM
DAY & NIGHT
THE GRUFFALO
LET'S POLLUTE
THE LOST THING
MADAGASCAR, A JOURNEY DIARY
LIVE ACTION SHORT FILM
THE CONFESSION
THE CRUSH
GOD WE LOVE
NA WEWE
WISH 143
For more information on the Academy Awards, please visit their website at Oscars.org.
Labels:
127 Hours,
Academy Award,
Black Swan,
Fighter,
Inception,
Kids Are All Right,
Oscar,
Social Network,
The King's Speech,
Toy Story,
True Grit,
Winter's Bone
Tis the Season: The Film Independent Spirit Awards
Wednesday, December 8, 2010
(Scroll over film titles for the full Black Sheep review.)
Last week, I was in Montreal on non-movie related business. It was consuming to say the least. Not only did I miss the announcement that James Franco and Anne Hathaway will be hosting the Oscars, but I also missed the nominations for the Film Independent Spirit Awards. This ceremony is always held the evening before the Oscars and honours the best in American independent cinema, including shout-out's to foreign entries and documentaries as well.

The 2010 nominees are a fantastic bunch with a couple of notable exceptions that could cripple Oscar odds right from the start. Leading the pack with seven nominations, is WINTER'S BONE, the "chilling" tale of survival in the Ozarks, with nods for Best Feature, Director (Debra Granik) , Lead Actress (Jennifer Lawrence), Screenplay (Granik and Anne Rosellini), Supporting Actress (Dale Dickey) and Supporting Actor (John Hawkes). The film is considered an underdog at the Oscars and this will certainly assist its Best Picture odds, as well as its actors' chances. Coming in next with 5 nods is the summer indie favorite, THE KIDS ARE ALL RIGHT, from director, Lisa Cholodenko. Cholodenko earns nods for writing and directing, while the film nabs a Best Feature nod and stars Annette Bening and Mark Ruffalo earn acting kudos in their respective categories. The film has a good shot at the Oscar Top 10 and Cholodenko might nab a screenplay nod as well, but no nomination for Julianne Moore in such a competitive year here, where she should have easily been rewarded, is a very bad start for her.

The Best Feature category is rounded out by 127 HOURS, BLACK SWAN and GREENBERG. Of the five nominees, GREENBERG is the only entry I don't believe in. I doubt the love shown here will translate elsewhere either. RABBIT HOLE would have been a much stronger choice. Still, the John Cameron Mitchell film was honoured with screenplay and direction nods, as well as one for lead actress, Nicole Kidman and lead actor, Aaron Eckhardt. Meanwhile, Oscar front runner, THE KING'S SPEECH earns a slot in the Foreign Film category, the only one it could have hoped for. This will certainly be the first amongst many accolades for the Tom Hooper hopeful. I was also disappointed not to see more love for the Nicole Holofcener gem PLEASE GIVE, which took just one nod for screenplay.
The Independent Spirit Awards will be held on February 26, 2011 and hosted by Joel McHale, the star of television's "Community". Here are the major category nominees:
BEST FEATURE
BEST DIRECTOR
Darren Aronofsky, BLACK SWAN
Danny Boyle, 127 HOURS
Lisa Cholodenko, THE KIDS ARE ALL RIGHT
Debra Granik, WINTER'S BONE
John Cameron Mitchell, RABBIT HOLE
BEST SCREENPLAY
Lisa Cholodenko, Stuart Bloomberg, THE KIDS ARE ALL RIGHT
Debra Granik, Anne Rosellini, WINTER'S BONE
Nicole Holofcener, PLEASE GIVE
David Lindsay-Abair, RABBIT HOLE
David Lindsay-Abair, RABBIT HOLE
Todd Solondz, LIFE DURING WARTIME
BEST FEMALE LEAD
Annete Bening, THE KIDS ARE ALL RIGHT
Greta Gerwig, GREENBERG
Nicole Kidman, RABBIT HOLE
Jennifer Lawrence, WINTER'S BONE
Natalie Portman, BLACK SWAN
BEST MALE LEAD
Ronald Bronstein, DADDY LONG LEGS
Aaron Eckhardt, RABBIT HOLE
James Franco, 127 HOURS
John C. Reilly, CYRUS
Ben Stiller, GREENBERG
For a full list of nominees and more information on the Film Independent Spirit Awards, visit their website, Spiritawards.com
Labels:
127 Hours,
Awards,
Black Swan,
Greenberg,
Independent Spirit Awards,
Kids Are All Right,
Tis the Season,
Winter's Bone
Black Sheep @ The Box Office
Sunday, November 28, 2010
Turkey time has come and gone and apparently it was not so difficult for a good chunk of you to roll yourselves off of your couches and make your way to one of the many movies released this past week. Granted, the majority of the money was split almost evenly between two family films but 'tis the season, right?
HARRY POTTER AND THE DEATHLY HALLOWS (PART ONE) (click title for review) narrowly held on to its crown this weekend, after pulling in stellar numbers all week. The total cume now stands at $220 million in North America, putting it well on track to easily become the most successful film of the franchise. Coming in second place, which could turn into first place for the weekend if the estimates don't hold after the official numbers are released tomorrow, is Disney's 50th animated feature, TANGLED, an update on the "Rapunzel" story. With $69 million in five days, it far surpassed my expectations and, from what I hear, the film ain't half bad either.

On the other hand, three other wide releases played to very tepid audiences this weekend. The most successful of the trio was the Christina Aguilera / Cher musical romp, BURLESQUE (click title for review). Like everything else Aguilera released this year, her film debut was not well embraced, pulling in less than $4K per screen. Performing only slightly better per screen was the romantic drama, LOVE AND OTHER DRUGS (click title for review), with Jake Gyllenhaal and Anne Hathaway. The film, which features Gyllenhaal as a Viagra salesman, probably would have benefitted from popping a couple of little blue pills itself if it wanted to make an, uh, bigger impression. And, after spending years playing to the family crowd, The Rock returns to action in FASTER with a very slow start, with the lowest average of any of the four wide releases.

Just below the Top 10 again this week is the Danny Boyle directed true story, 127 HOURS (click title for review), starring James Franco. Adding another 185 screens saw the film's returns improve another 88%, the Top 10 now closer than ever. The big art house success this week though is the Oscar front runner, THE KING'S SPEECH (click title for review), from director, Tom Hooper. This Colin Firth period piece played to a fantastic per screen average of $87.5K on just four screens in all of North America, certainly leaving distributor, Alliance, a little speechless.

NEXT WEEK: As awards season approaches, there is more excitement on the limited release front than the wide front, with only one semi-wide release next week, THE WARRIOR'S WAY (???) on 1500 screens. More importantly though, the oft delayed Jim Carrey / Ewan McGregor gay prison comedy, I LOVE YOU, PHILIP MORRIS, finally sees life on the outside, on 6 screens. And Darren Aronofky's highly anticipated ballet thriller with Natalie Portman, BLACK SWAN (click title for review), hits 19 screens.
Source: Box Office Mojo
Black Sheep @ The Box Office
Sunday, November 21, 2010
Harry Potter and friends prove they've still got a little magic we haven't seen up their sleeves as HARRY POTTER AND THE DEATHLY HALLOWS conjures up the best opening weekend in the franchise's history! The $77.8 million opening weekend the previous installment, HARRY POTTER AND THE HALF-BLOOD PRINCE, pulled in is certainly nothing to scoff at, but it is also the second lowest opening weekend tally of all seven Potter films. It seemed like Potter mania had topped out but fans and more prove that everyone wants to see how this saga will end.





HARRY POTTER AND THE DEATHLY HALLOWS started strong with $24 million in midnight showings Thursday night. This is the most for the series and the third highest midnight gross in history behind the last two TWILIGHT chapters. And the history making doesn't stop there. Friday's combined total of $61 million was the fifth biggest opening day in history. It was also the second biggest November opening behind TWILIGHT: NEW MOON ($142 million). In fact, Harry Potter titles make up the rest of the Top 5 in that category. Overall, the latest Harry Potter ranks as the 6th best opening weekend in history, right behind the $128 million IRON MAN 2 opening weekend. THE DARK KNIGHT still holds that record with $158 million. The first film, HARRY POTTER AND THE SORCERER'S STONE, remains the highest grossing Harry Potter pic with a domestic total of over $317 million. With this incredible start and Thanksgiving next weekend, HARRY POTTER AND THE DEATHLY HALLOWS could easily shatter that. Black Sheep reviewed Harry's latest adventure this week. Click here for the review.

And while one boy grows stronger, another man gets weaker - at least at the box office anyway. Russell Crowe's latest thriller, THE NEXT THREE DAYS, officially generated no interest in filmgoers. I guess even grandparents caught the Hogwarts crew. This Paul Haggis film is his second strike as a director after the dismal returns for his last film, IN THE VALLEY OF ELAH. Black Sheep interviewed the Canadian director this week. Click here for the interview.

The Doug Liman film, FAIR GAME, finally snuck into the Top 10 on 386 screens. It shouldn't make it much higher mind you. Poised to capture a spot very shortly though is the Danny Boyle platform success, 127 HOURS (click title for review). This week's gross improved another 108% after adding another 86 screens. And it was a modest debut for British export, MADE IN DAGENHAM. The Nigel Cole film pulled in an average of $13K per screen on just 3 screens. Look for Black Sheep's interview with the director later this week. The fantastic film expands next Friday.

NEXT WEEK: It's turkey time which means way too much to eat at the theatre. Four films open on Wednesday in wide release and each is as fattening as the next. In descending order of screens, they are Disney's TANGLED (3500), Cher's BURLESQUE (2800), Jakey-pooh's LOVE AND OTHER DRUGS (2300) and The Rock's return to action, FASTER (2300). Best Picture front runner, THE KING'S SPEECH, starring Colin Firth, opens on 4 screens on Friday. Read the Black Sheep review for it now though. Just click here.
Source: Box Office Mojo
Labels:
127 Hours,
Box Office,
Harry Potter,
Next Three Days,
The King's Speech
Black Sheep @ The Box Office
Sunday, November 14, 2010
For the second week in a row, the Will Ferrell led animated film, MEGAMIND, leads the box office. And for the second year in a row, Denzel Washington makes a train movie that misses out on coming in on the first track.



UNSTOPPABLE is apparently a bit of an exaggeration. The Tony Scott film pulled in a solid $23.5 million, pretty much on par with the first weekend take of last summer's THE TAKING OF PELHAM 123, also directed by Scott. Washington however saw a much stronger debut with Janurary's THE BOOK OF ELI, which opened with about $10 million more in a month known for low grosses. UNSTOPPABLE opened at number one on Friday but with the built-in family audience waiting for the actual weekend, MEGAMIND was easily able to pull ahead to take the crown.

The week's two other wide releases both opened to disappointing results. The Rachel McAdams vehicle, MORNING GLORY, was clearly hoping to capture some of the same love that was bestowed on similar demo skewed picture, IT'S COMPLICATED. A $12 million five-day start is about $14 million shy there. Still, a tepid reaction to a romantic comedy is not as tragic as a heavily uninterested reaction to a sci-fi thriller with high hopes. SKYLINE was unable to tap into the geek market that makes so many a film successful these days with it's $11.7 million start. Fortunately, its reported budget is just about $10 million so everything from here is space gravy, assuming such a thing exists.

Two well received platform releases continued strong expansions. Naomi Watts and Sean Penn reteam to see FAIR GAME increase over 65%, hitting $1.1 million on 175 screens. Danny Boyle could be poised to see another hit, as 127 HOURS added 18 screens for a grand total of 22 and saw a 77% increase and a $20K+ per screen average. I don't see the film finding as much Oscar love as his Best Picture winner, SLUMDOG MILLIONAIRE, but James Franco's personal buzz and the intrigue created by more people requiring medical attention at intense screenings should guarantee continued interest for some time to come.

NEXT WEEK: Russell Crowe hopes recent attention in adult fare will spoil over to his latest excursion, THE NEXT THREE DAYS on 2500+ screens. Look for the Black Sheep interview with director, Paul Haggis, to follow next weekend as well. Crowe might get lucky considering all the kids will be elsewhere, with HARRY POTTER AND THE DEATHLY HALLOWS (PART ONE) opening on over 4000+ screens.
Source: Box Office Mojo
127 HOURS
Wednesday, November 10, 2010
Written by Danny Boyle and Simon Beaufoy
Directed by Danny Boyle
Starring James Franco

Aron Ralston: This rock has been waiting for me my whole life.
I thought that winning an Oscar might mellow SLUMDOG MILLIONAIRE director, Danny Boyle, but it only seems to have fueled his fire. Before anything has a chance to happen in his latest, 127 HOURS, the screen is split into three and images of people going to work or running marathons are inundating the screen at rapid speeds. I understand that he has his own style but I want to see Boyle just let the action unfold for a change, instead of just chopping it up and rearranging it visually to simply make it look cooler. At times in Boyle’s career, it has felt like the images needed the overt style to become relevant or meaningful but this time is different. Boyle has finally found a story that begs for his personal yet simultaneously impersonal touch.
127 HOURS is the story of an adrenaline junkie, a nature nut, a loner. Forcing an image to wake the heck up and jump off the screen itself is akin to what protagonist Aron Ralston (James Franco) does whenever he can. And when he can’t make that happen, he would almost rather be alone. He seeks out thrills to elevate himself above the mundane just like Boyle tries to enhance his image. When Ralston gets away from the city though and into the peaks and valleys of Blue John Canyon, Boyle slows his pace and allows the sheer grandness and beauty of the landscape to speak for itself. And speak it does. It asserts itself and its immovable brilliance by reminding man just who’s in charge here after all when it almost swallows young Ralston whole.
Ralston is a real person and in 2003, he spent a sum total of, you guessed it, 127 hours literally stuck between a rock and hard place when a rock fell with him into a cavernous gap and crushed his arm against the wall. Franco’s journey as Ralston is rarely easy to bear and sometimes just as difficult for us to take as well. His spirit goes from exuberant to painfully sober to near delirium and he carries it off with a strength I’m not the least bit surprised to see. Boyle was sure to lighten the tension with flashbacks that inform us of exactly everything Ralston still has to live for, which in turn teaches him a thing or two about how to actually live for it. The point may be somewhat plain but the experience that is 127 HOURS is a testament to an amazing feat of human endurance and perseverance, as well as an adventure that won’t soon be forgotten.
Labels:
127 Hours,
Aron Ralston,
Danny Boyle,
James Franco,
Simon Beaufoy
TIFF Review: 127 HOURS
Thursday, September 16, 2010
Written by Danny Boyle and Simon Beaufoy
Directed by Danny Boyle
Starring James Franco

Aron Ralston: This rock has been waiting for me my whole life.
I thought that winning an Oscar might mellow SLUMDOG MILLIONAIRE director, Danny Boyle, but it only seems to have fueled his fire. Before anything has a chance to happen in his latest, 127 HOURS, the screen is split into three and images of people going to work or running marathons are inundating the screen at rapid speeds. I understand that he has his own style but I want to see Boyle just let the action unfold for a change, instead of just chopping it up and rearranging it visually to simply make it look cooler. At times in Boyle’s career, it has felt like the images needed the overt style to become relevant or meaningful but this time is different. Boyle has finally found a story that begs for his personal yet simultaneously impersonal touch.
127 HOURS is the story of an adrenaline junkie, a nature nut, a loner. Forcing an image to wake the heck up and jump off the screen itself is akin to what protagonist Aron Ralston (James Franco) does whenever he can. And when he can’t make that happen, he would almost rather be alone. He seeks out thrills to elevate himself above the mundane just like Boyle tries to enhance his image. When Ralston gets away from the city though and into the peaks and valleys of Blue John Canyon, Boyle slows his pace and allows the sheer grandness and beauty of the landscape to speak for itself. And speak it does. It asserts itself and its immovable brilliance by reminding man just who’s in charge here after all when it almost swallows young Ralston whole.
Ralston is a real person and in 2003, he spent a sum total of, you guessed it, 127 hours literally stuck between a rock and hard place when a rock fell with him into a cavernous gap and crushed his arm against the wall. Franco’s journey as Ralston is rarely easy to bear and sometimes just as difficult for us to take as well. His spirit goes from exuberant to painfully sober to near delirium and he carries it off with a strength I’m not the least bit surprised to see. Boyle was sure to lighten the tension with flashbacks that inform us of exactly everything Ralston still has to live for, which in turn teaches him a thing or two about how to actually live for it. The point may be somewhat plain but the experience that is 127 HOURS is a testament to an amazing feat of human endurance and perseverance, as well as an adventure that won’t soon be forgotten.
Labels:
127 Hours,
Aron Ralston,
Danny Boyle,
James Franco,
Slumdog Millionaire,
TIFF
TIFF'D: Wednesday, September 15
Day 7 is a strange day at TIFF for me. It feels to some extent like the festival ended yesterday. I have no more interviews. There are only press screenings scheduled still for the next couple of days. Past that, I will try to catch some public screenings if they’re not off sale. The first half was insanity. I ran around everywhere and had plenty to report on but with things dying down now, I don’t have nearly as much to do nor do I have as much to report on. And to top it off, I have a full on head cold.
I figure I will just let you know what to expect from Black Sheep Reviews for the remainder of the festival. Tomorrow will feature a re view of Danny Boyle’s 127 HOURS, the follow up to the Oscar winning phenomenon, SLUMDOG MILLIONAIRE. That’s about it though. I am seeing three movies tomorrow and as I really should be in bed instead of in a theatre, I will be taking it as easy as possible.
Friday will feature a special weekend edition of TIFF Bits. The last weekend of the festival tends to bring back many festival favourites and I will do my best to steer you toward the best films playing in the last weekend of this incredible festival. Getting tickets is your problem though.
Friday will also feature a review of NEVER LET ME GO, which I will be seeing in just a half hour. Saturday will feature the last TIFF review and it is for one of my favourites from the festival, Joaquin Phoenix documentary, I’M STILL HERE.
On the last day of TIFF, I will give you my recap of the entire experience and run down for you my Top 5 TIFF films as well as my choice for the worst film I caught at TIFF. I still have about ten or s films before those choices are made and plan on doing my best for you in my now somewhat limited physical capacity.
Thanks again for all your support.
Happy TIFF!
Subscribe to:
Posts (Atom)










