The Kennedy and Bush dynasties (not to mention the currently on-trial  John Edwards) can't hold a candle to the Chandlers, the scheming  political family at the center of The Fix.  This stage musical was first presented by impresario Cameron Mackintosh (Les Miserables, The Phantom of the Opera)  in London in 1997 but is only now receiving its West Coast US  premiere through May 20th courtesy of Long Beach, California's renowned  International City Theatre (ICT).
When presidential front-runner  Reed Chandler suddenly dies during sex with his mistress, his Oval  Office-obsessed widow (a delicious Alix Corey) sets her sights on their  decidedly deficient but photogenic son, Cal (the vocally- and  physically-gifted Adam Simmons), as the new candidate.  With the aid of  Reed's polio-afflicted but politically-experienced brother, Grahame (a  superb Sal Mistretta, who theatre buffs may recognize as Pirelli in the  home video version of Sweeney Todd with George Hearn and Angela Lansbury), Cal's unlikely rise to power begins.
The musical's book and score (by John Dempsey and Dana P. Rowe, who went on to adapt The Witches of Eastwick as  a musical for Mackintosh) aren't the greatest, leaving virtually no  scandalous-cliche stone unturned: adultery, drug abuse, questionable  paternity, mob ties, affairs with strippers, and even a creepy touch of  homosexual incest.   A couple of these would have been adequate.  It  also features only one particularly memorable tune (the seductive "I See  the Future," which is brilliantly staged here) while at least two  songs, "First Came Mercy" and "The Ballad of Bobby 'Cracker' Barrel,"  are redundant and/or excessive (though "Ballad" is undeniably amusing).
Criticisms  aside, this is a superior production boasting an excellent cast.   ICT director Randy Brenner definitely elevates the material, with strong  support provided by choreographer Heather Castillo and musical director  Darryl Archibald.  This is one of only a handful of U.S. mountings of The Fix since an initial, 1998 staging in Virginia where, interestingly,  Mistretta first played Grahame.   ICT has wisely, economically pared the  cast down to nine actors from an original count of 19.  Also, while The Fix is billed as a rock musical, Archibald's handling of the score is more subdued in its current Long Beach presentation.
Stephen  Gifford's scenic design evokes the center ring of a circus, and is  beautifully lit by Donna Ruzika.  It is the very talented, totally game  cast, though, that truly makes this production soar.  In addition to the  previously mentioned Simmons, Corey and Mistretta, William T. Lewis is  most effective as the observant ghost of Chandler Sr., Melanie Fernandez  sizzles as Cal's stripper-lover, Carrie St. Louis is great as Cal's  Nicole Kidman-esque wife, and David Michael Laffey is terrific in a  variety of roles but especially as Bobby "Cracker" Barrel.  The  remaining cast members, who are deserving of equal mention and praise,  are Jay Donnell and Stephanie Hayslip.
Not unlike our two chief options in the 2012 presidential race, The Fix is less than perfect but nonetheless demands consideration thanks to ICT.
Reverend's Rating: B
Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and Rage Monthly Magazine.
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