107. The Best Exotic Marigold Hotel

107. (11 May) The Best Exotic Marigold Hotel (2012, John Madden)* 61

THE DEBT

Written by Matthew Vaughan, Jane Goldman and Peter Straughan

Directed by John Madden

Starring Helen Mirren, Sam Worthington, Jessica Chastain and Tom Wilkinson

Stephan Gold: Truth is a luxury.

Debt has always been something of a dirty word but hopefully the anxiety it inspires in people won’t keep them away from the new John Madden film, entitled THE DEBT. Those who do see it will be swept up in a whole other kind of restless stress, the kind only a good thriller can provide. Madden’s remake of the 2007 Israeli film tells the story of three young Mossad agents (Sam Worthington, Jessica Chastain and Martin Csokas) and their successful mission to hunt down and kill one of the worst Nazis to go missing after the war. Many years later, Ciarin Hinds, Helen Mirren and Tom Wilkinson must cover up the lies surrounding that mission that they’ve been hiding ever since.

Debt weighs you down and and the trio of combatants in THE DEBT know this all too well. Without revealing what they’re keeping secret, the secrets themselves have kept all three of them trapped in the 1960’s, when they successfully caught one of the most nefarious, infamous, and not to mention fictional, nazis ever to escape capture at the end of World War II. While they keep him under watch and await instructions as to what to do with him, things go awry. This is where the lying starts and the truth threatens to show it’s “ugly” head some 30 years later. The time passed has given the initial debt time to grow and now their lies echo around the world. While the global impact of the truth coming out would be monumental, Mirren, as Rachel Singer, is most worried her daughter will find out her mother has been lying to her for her entire life.

Aside from the clear morality lesson at play, THE DEBT, does not spend a lot of time trying to make grand statements, political or otherwise. Instead, it focuses on maintaining suspense while exposing the humanity of what it means to lie about something on such an international scale. Sure, the players are only debating coming clean now that their cover could potentially be blown but that does not take away from the weight they have carried all these years. Their personal debts have taxed them all greatly and the performances, great across the board, including yet another mesmerizing turn from Chastain, are all heavy and harrowing. It is not about emotion for them but rather everything they do is for the mission. Fortunately, Madden accomplishes his mission with style and great tension, allowing for him to make good on this debt.

THE GREEN HORNET

Written by Seth Rogen and Evan Goldberg

Directed by Michel Gondry

Starring Seth Rogen, Jay Chou, Cameron Diaz, Tom Wilkinson and Christoph Waltz

Britt Reid: That is the balls.

I’ve got to give it up for Seth Rogen. The man has gone from full on geek to perpetual stoner to slimmed down, unexpected superhero in Michel Gondry’s most indisputable attempt to penetrate the mainstream, THE GREEN HORNET, a big budget 3D adaptation of the popular 1930’s radio series. Rogen’s transformation is admirable but ultimately not as successful as it needed to be to irradicate the image of the affable teddy bear character we’ve all come to know, love and get slightly tired of in recent years. Subsequently, THE GREEN HORNET plays like a laid back stoner flick without the actual weed, and Rogen, without the haze of smoke surrounding him, is just not as funny as he is when he’s high. That said, he could have been high throughout the entire production for all I know. It just isn’t written in this time.

Rogen co-wrote the script to THE GREEN HORNET with SUPERBAD co-writer, Evan Goldberg. Under Gondry’s somewhat scattered direction, their screenplay becomes a surprisingly well-woven send-up of many superhero clichés, while remaining reasonably grounded in a realistic place, with the exception of random misplaced bursts of Gondry’s hyperactive imagination. Rogen plays Britt Reid, the only heir to his father’s (Tom Wilkinson) newspaper fortune. Britt lost his mother when he was just a boy and his relationship with his father has always been strained, living in that vastly cast shadow. His life is one party after another until his father dies suddenly. Unable to resolve the public admiration for a man who never seemed to care about him, Britt decides he is going to save the world his way – in a green mask and hat, one bad guy at a time.

Of course, Britt can’t do this alone so he enlists the help of his super genius buddy, Kato (Jay Chou), to be his alter ego, The Green Hornet’s sidekick. He also takes Cameron Diaz into his fold but she just looks confused as to when her career became about playing such superfluous secondary characters the whole time. Together Britt and Kato form something much stronger than your everyday bromance; each of them now orphaned, they actually become brothers. It is their relationship, uneven and influenced by class and status yet still devoted, that makes THE GREEN HORNET so relatable and real, which is a lot to say about a movie where guys can stop time in their mind. This is the age of the every man superhero after all. The trouble with regular guys though is that they are often nowhere near as funny as they think they are.