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Showing posts with label Julie Andrews. Show all posts
Showing posts with label Julie Andrews. Show all posts

The Final Conclusion - Best Actress 1982

Saturday, January 28, 2012

1982


So the much anticipated ranking is:

I'm not saying that Julie Andrews gives a bad performance in Victor Victoria. Although I was very amused by her occasionally, she didn't make her character as a fake drag queen very believable or interesting. It's not even really her fault, the part is just not right for her. She solves the comedy parts quite well, but she was not able to give a really layered performance. 


Sissy Spacek was able to get something out of her one-dimensional character. While her performance is far from dreary, she's not able to reveal as many layers of this character as she can with other roles. Although I appreciate the massive amount of talent and effort that she put into this part, I'm simply not impressed by her work in this movie. Something is really missing. 


Debra Winger is incredibly great in An Officer and a Gentleman, giving a deeply layered, very emotional and haunting performance that didn' cease to amaze me. She gets so much out of this seemingly one-dimensional character with the help of her wonderful, beautiful presence. She's just wonderful all around.

To say that Meryl Streep is great in Sophie's Choice would be a major understatement. She goes beyond the boundaries of acting and completely becomes Sophie Zawistowska. While the technical part of this performance is brutally perfect, it also strikes you emotionally. Nothing can compare to the horror and pain that Meryl displays on the screen. 


Jessica Lange is downright brilliant as Frances Farmer. Everything about her is just sheer perfection: her turbulent presence, her very emotional and passionate acting and her ability to keep control of her character. I'm not willing to say yet that this is her best work (I need to see more), but it's definitely a front-runner for that prize. Chilling, marvelous, terrifying, brutally amazing job from a great, great actress.

So I can proudly announce
that the winner is...
Jessica Lange
in 
Frances
A really tough one.

Final thoughts: Overall, a good year, with two brilliant performances. First I thought the choice would be a real Sophie's choice but in the end and it was and eventually, it's Jessica, which was surprising considering how long I had been championing Meryl's performance (I still do). I think I'm going to give Meryl a special award just like I gave it to Jane Fonda for Coming Home. I think the way they gave out the award in 1982 was a wise decision. I really loved Debra though she didn't even come close. The other two were pretty much forgettable. 

And now the clues: 
  • Cowardice. Cowardice. 
  • But what if you don't like what I got to say? :)
What do you think? 

Julie Andrews in Victor Victoria

Thursday, January 26, 2012

Julie Andrews received her third Oscar nomination for playing Victoria Grant, a struggling soprano who pretends to be a drag queen to get a job. Julie also won a Golden Globe for her performance, which was kind of a comeback for her. That being said, I don't think that she was a serious contender for the Best Actress award next to Meryl and Jessica. Because of the comeback story and the lots of other nominations for the films, she probably got ahead of Debra Winger in the final voting but I'm not even sure about that. 

I'm going to be perfectly honest and admit how much I dislike Victor Victoria. I don't want to offend the fans, but I found this movie to be incredibly predictable and even tiring to watch. The movie couldn't decide if it wanted to be a smart comedy on sexuality (failed) or an old-fashioned musical-comedy (failed). Sure, the music part is perfection (thanks to the great Henry Mancini who deservedly won an Oscar for his work here). But seriously the jokes are so lame despite the fact that they were intended to be raunchy. Seriously, I was just waiting for someone falling with a cake and guess what... The cast should be great, instead they are just OK: James Garner is somewhat bored, Robert Preston plays all the stereotypes possible and Lesley Ann Warren... I'm gonna shut my mouth about her. 

Victor Victoria was obviously intended by Blake Edwards to showcase the talents of his wife, Julie Andrews. Andrews was the box office darling of the 60s, she couldn't make a mistake and suddenly came the 70s and the new generation of actresses like Jane Fonda took over and there was no place for Julie's benevolent, darling presence. Only four films of hers were released and the only thing that brought some attention to her was her breasts. She certainly reached the point where she desperately needed a great comeback role. Her prayers must have been heard... at least by her husband. But not even this movie could restore her old status as the biggest star of Hollywood. 

I am actually quite fond of Julie Andrews as actress, after all, I made her my 1964 Best Actress pick (which, as I'd like to think, caused a kind of a stir among my dear readers). Her talent goes way beyond her perfect singing voice (just like Henry Mancini, I have a hard time believing that she ever made a false note), she's able to show innocence and goodness on the screen like nobody else, without becoming overly sentimental (OK, some really argue with that). She evokes some of my mostkindest feelings in me that while I'm watching her I feel like going back in time, which is kind of unusual for me with musicals as usually, I feel like commiting genocide and desroying my TV set after watching them (there are some exceptions, though). I can't help it. 

With Victor Victoria something really went wrong. In the beginning, when Julie plays the real Victoria, she's a real treat to watch: she's obviously having fun with the character, she knows how to portray her struggles with a sense of humor and she instantly won me over. Her deliveries were just excellent, her chemistry with Robert Preston worked wonderfully and I was thinking I would see a very entertaining performance with a touch of irony.

Things really start to get worse when she becomes Victor Victoria. I'll just go out and say that she's as believable as a drag queen as Cher would be as a reverend mother. Although it's great that, unlike Robert Preston, she avoided only relying on mannerisms and stereotypes but that resulted in one awful thing: she remained a woman playing a woman, not a woman playing a man playing a woman or whatever. She performed those songs excellently, but really, it was Julie Andrews singing, not Victor Victoria. The thing is that this is no big problem when you watch this movie for the first time, but on repeated viewings, it's just not enough: I could get DVDs of her concerts and watch them instead of this movie. 

The main problem is that this movie would have needed a more loud and over-the-top performer like Bette Midler in the lead. I'm not that huge fan of hers but I'd say she would have been the best option for this movie. Julie, as hard as she's trying, is not wild, loud and flambuoyant enough for such a character. I see that she was trying really hard, but honestly, the scenes where she tries to be seductive are the worst of all. There's nothing about her that would justify the attraction of James Garner's character. 

Victor Victoria is also desperate to give a kind of message about the place of women in the society but Julie, in with her saint-like presence, is simply not a believable when she's predicting the feminist messages. Although there's sort of a depth (or a point) in her dialogues with James Garner, she still comes off as weak and really boring. 

The silly comedy parts of the movie are the ones where Julie's at her best. Her comic timing works excellently and her presence is (as usual) really charming. Still, it's just not enough for her to have an effect on me. 

I'm not saying that Julie Andrews gives a bad performance in Victor Victoria. Although I was very amused by her occasionally, she didn't make her character as a fake drag queen very believable or interesting. It's not even really her fault, the part is just not right for her. She solves the comedy parts quite well, but she was not able to give a really layered performance. 

What do you think? 

The Next Year

Sunday, January 1, 2012

1982


So the nominees were:
  • Julie Andrews in Victor/Victoria
  • Jessica Lange in Frances
  • Sissy Spacek in Missing
  • Meryl Streep in Sophie's Choice
  • Debra Winger in An Officer and a Gentleman

    So after all, I did this year, which was really trending this time last year. There are many reasons why I'm doing it but it needs a long explanation. 

    What do you think? Who's your pick? What's your prediction for my ranking? :) 

    And with these five ladies, I wish you a very happy, succesful new year! Thanks a lot for your attention so far, writing for you is a real delight!

    The Final Conclusion - Best Actress 1964

    Sunday, March 13, 2011

    1964



    So the much anticipated ranking is:

    I can say that I got what I expected, a standard 60s musical performance from Debbie Reynolds. Although this work is really mixed and uneven, there are some scenes to admire or at least like about it. It's nothing mindblowing or ground-breaking but it did not bother me that much, so I don't feel bad about it.
    This is a great performance by the magnificent Sophia Loren, which may not be her career best but it's still very good work. Although there are amazing scenes in this work, the really common comedy scenes drag Sophia's performance down. She's still wonderful but she could have been once again mindblowingly brilliant.

    This is an incredibly hard performance to judge. Anne chose all the difficult and risky ways with her character but she succeeded and she was able to put on a shocking, perplexing and terrying character study of a woman who has serious problems in her life.

    This performance is also extremely hard to judge. It's full of fantastic scenes and it's overall effect is just brilliant and just like with Bancroft, I am not really sure what I am going to think about her. However, I just cannot overlook that Kim Stanley was able to put on a fantastic, chilling and unforgettable performance as Myra Savage.

    It's a great achievement and it's no wonder that it became an iconic performance among children. Because if you really want to see the wonders of this role, you must loose yourself and (and just like Banks) become a child again for two hours. I may be alone with this but I think that this is fantastic work.

    So I can proudly announce
    that my winner is...
    Julie Andrews
    in
    Mary Poppins
    Julie is preparing to accept this award... :)
    Final thoughts: A superb year but the performances were all so difficult to rate. My reaction to Julie Andrews was just as shocking to me as it was to you. Loren was great as expected, Bancroft was the most difficult to rate ever but now there are small problems that occured. I knew that Reynolds would suck and I loved Stanley when I first saw her, she was in a Bryan Forbes movie, so there was no surprise about her. However, after all Julie Andrews was a clear cut winner despite some tough competition from Kim Stanley. I think many of you think I'm crazy but I was truly captivated by Julie's performance and its mysteriousness.

    Omissions: 

    • Audrey Hepburn in My Fair Lady (she was way better than Debbie Reynolds)


    The ranking of the already reviewed years:
    1. 1969
    2. 1974
    3. 1989
    4. 1959
    5. 1964
    6. 1939
    7. 1977
    8. 2010
    9. 2009
    10. 1980
    11. 1941
    12. 1963
    13. 1966
    14. 1973
    15. 1990
    16. 1978
    17. 1954
    18. 1948
    19. 2002
    20. 1940
    21. 1998
    About the next year: I couldn't decide between two (consecutive) years. Both are said to be quite weak and yet I'm so interested in both of them. Plus they are from the decade I've been ignoring for a while. However, I've chosen the second year as I've seen only one of the nominees and I love when I have new performances to discover. The clues (quite easy ones):
    • (L) Nuns (L)
    • (L) Soaps (L)
    • Viva Italia!
    What do you think?

    Off-topic: I saw 127 Hours yesterday. It was BRILLIANT and would have deserved Best Picture (tied with Black Swan), Actor, Editing and Song. You lose a lot if you don't watch it in a movie theater (fantastic cinematogrpahy BTW and a directing that should have WON and it wasn't even nominated).

    Julie Andrews in Mary Poppins

    Saturday, March 12, 2011

    Julie Andrews received her first Best Actress nomination and only Oscar to date for playing Mary Poppins, the magic nanny in the Walt Disney movie, Mary Poppins. How did she win exactly? That's one of the biggest questions of the history of the Oscar but the answer is quite simple. Andrews' role of Eliza Doolittle was played by Audrey Hepburn and she had to make do with this role instead. Plus, Andrews was (going to be) a huge star and her movie was a huge success. It's interesting, though that her role is not baity at all. But I'll explain my thoughts on her.


    Mary Poppins is a great, moving movie that I HATED for the first time and LOVED now. It's so full of wit, love, beauty and emotions. I guess I needed to become more mature to understand its real message. I think the story is much more complex than one would imagine and nothing is as simple in it as it seems, I think. The technical part of it is great for its age and it's not even that ridiculous by today's standards. I'm not sure if I would vote this movie for the Best Picture but it's definitely close between Zorba the Greek and Mary Poppins.


    I think Julie Andrews is a very good actress who's always able to give very proper and entertaining performances which make your evenings in front of the TV pleasant. For instance, there's the queen from Princess Diaries. A very standard role in a standard movie but somehow she was able to create a really loveable and memorable character with her fantastic sense of humor and great acting talent.


    The 1960s were a great time for her. She was one of the biggest stars, she got leads in financially and/or critically succesful movies and this is all probably thanks to her starmaking turns in Mary Poppins and The Sound of Music. In both movies, she plays a nanny/governess who has a great relationship with the children and eventually she wins over the fathers. However, the two roles are somehow different. Both characters are free-spirited and joyful, however there's so much more mystery in Mary Poppins' part. Unlike Maria, Mary has a darker and even a bit bitchy side and she's much more firm.


    What I really admire in these performances is that Julie Andrews added depth to these characters and a considerable amount of emotions. I know that many of you disagree but I stand staunchly by my opinion. Mary Poppins is not a one-dimensional cartoon character that it could have been. In fact, as I said Andrews added very muh mystery to this woman. I mean, I always kept searching for answers about Mary. Who is she? Why is she a savior of families? Does she have a special gift or she's a witch? Or quite simply, she's just a symbol of the goodness that comes once in a while to save some souls.


    Julie Andrews' singing is naturally fantastic and she also dances quite well. Her experience on the stage most certainly helped her a lot in solving the musical parts of the performance. She's always what she should be: sometimes she's funny, sometimes she's superior, sometimes she's strict and occasionally, she's really touching. I mean that song called Feed the bird is extremely moving. Although she's not visible for most of the scene, her voice expresses so many emotions.


    One could also mention the scenes where Mary, Bert and the children go inside a picture. It's such a great, long sequence and I loved how clever and playful Julie was there. But I could also mention when they dance on the roofs and the chimnes with dirty faces. Everything becomes so loveable about her and it was just great.


    Julie Andrews also has wonderful chemistry with Dick Van Dyke and the children. The four work together incredibly well. It's great that Andrews doesn't act as if she was the mother of them but really as a nanny. However, Mary has deep love for these children. And in the end we can see that Mary Poppins also has a vulnerable side and that she indeed cared about this family. It's also a very touching moment. If you asked me, I woulf say my favorite moment of her whole performance was the one between her and the laughing uncle. That was just dead on.


    Julie Andrews comes in, gives a great acting performance as Mary Poppins, The Nanny. Everything is just delightful about her, both the character and the work of the actress. It's excellent work techincally and also in terms of the emotional effect. It's a great achievement and it's no wonder that it became an iconic performance among children. Because if you really want to see the wonders of this role, you must loose yourself and (and just like Banks) become a child again for two hours. I may be alone with this but I think that this is fantastic work.


    I bet this was a real shock for some of the haters. :D

    The Next Year

    Saturday, March 5, 2011

    1964


    So the nominees were:
    • Julie Andrews in Mary Poppins
    • Anne Bancroft in The Pumpkin Eater
    • Sophia Loren in Marriage Italian Style
    • Debbie Reynolds in The Unsinkable Molly Brown
    • Kim Stanley in Seance on a Wet Afternoon
    Wow, I know it's surprising that I'm going to do this year now but I just got The Pumpkin Eater and I haven't started reviewing 1991 (I can't resist), so I'm doing this year now and the first review comes next Friday (March 11th). I'm so excited about this year as I don't have a clue on who will get my vote. So interesting and it's rarely talked about besides Andrews.

    What do you think? What are your predictions? What's your ranking?
     

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