5. Denholm Elliot in A Room With a View- Elliot is fine in his few scenes but he never makes much of an impact with his performance.
4. Dennis Hopper in Hoosiers- Hopper gives a moving and effective performance that might not be on the level of his work listed below, but it is still a good performance.
3. Willem Dafoe in Platoon- Dafoe realizes his good sergeant character by never overplaying the part and turning his character into a believable descent man that is more than just a moral.
2. Tom Berenger in Platoon- I give the slight edge between the two Platoon men because he has the even greater challenge to avoid becoming just simple villain. He realizes the intensity and interestingly enough when he can the humanity of his character.
1. Michael Caine in Hannah and Her Sisters- Caine wins in this fairly strong year with his all over the place yet withdrawn and subdued performance as the man who lusts after his wife's sister. It it almost a scatter shot of emotions which Caine is able draw upon to realize his character while even finding some humor in the role as well.
Deserving Performances:
Dennis Hopper in Blue Velvet
Daniel Day-Lewis in A Room With A View
Steve Martin in Little Shop of Horrors
Showing posts with label Denholm Elliott. Show all posts
Showing posts with label Denholm Elliott. Show all posts
Best Supporting Actor 1986: Results
Friday, March 30, 2012
Labels:
1986 Best Supporting Actor,
Denholm Elliott,
Dennis Hopper,
Michael Caine,
Tom Berenger,
Willem Dafoe
Best Supporting Actor 1986: Denholm Elliot in A Room With A View
Tuesday, March 27, 2012
Denholm Elliot received his only Oscar nomination for portraying Mr. Emerson in A Room With A View.
A Room With A View describes the troubles a young woman faces (Helena Bonham Carter) due the repression involved with Edwardian society.
After winning three Baftas in a role for a supporting actor Elliot finally received an Oscar nomination for his role in this film. I imagine this possibly helped give Elliot the edge with voters over Daniel Day-Lewis from the same film for portraying the stiffest of all Edwardians. Elliot portrays quite a different character in Mr. Emerson who does not abide by many of the Edwardian requirements for proper living and of course behavior. He is a bit more emotional and flamboyant that the ideal Edwardian person, as is his free spirited son George (Julian Sands).
The part is actually rather limited and simplistic though. All Mr. Emerson does is act a little flamboyant, as well as shows his caring for his son who he wants the best for. He is only in a few scenes actually and his impact on the film is not all that great. Denholm Elliot though does his best to infuse life into his part in small ways in his short scenes. He most certainly has an energy in his scenes showing how he is not at all repressed like many of the other people who bend to the rules of society. As well as showing a quiet passion and love for his son showing that Mr. Emerson wants what is best for his son.
Denholm Elliot certainly does fulfill his role. I would in fact say he fulfills it as about any other actor could have. He is a nice enough presence in the film really, but he really is not a particularly memorable one either. I won't say this is his fault in the least he just is not given enough to do. It is never a bad performance in any shape or form. It is an entirely suitable performance for the film, and he does not waste his screen time as he very well could have. In the end though it just is not a remarkable performance, and his nomination for this film was not needed.
A Room With A View describes the troubles a young woman faces (Helena Bonham Carter) due the repression involved with Edwardian society.
After winning three Baftas in a role for a supporting actor Elliot finally received an Oscar nomination for his role in this film. I imagine this possibly helped give Elliot the edge with voters over Daniel Day-Lewis from the same film for portraying the stiffest of all Edwardians. Elliot portrays quite a different character in Mr. Emerson who does not abide by many of the Edwardian requirements for proper living and of course behavior. He is a bit more emotional and flamboyant that the ideal Edwardian person, as is his free spirited son George (Julian Sands).
The part is actually rather limited and simplistic though. All Mr. Emerson does is act a little flamboyant, as well as shows his caring for his son who he wants the best for. He is only in a few scenes actually and his impact on the film is not all that great. Denholm Elliot though does his best to infuse life into his part in small ways in his short scenes. He most certainly has an energy in his scenes showing how he is not at all repressed like many of the other people who bend to the rules of society. As well as showing a quiet passion and love for his son showing that Mr. Emerson wants what is best for his son.
Denholm Elliot certainly does fulfill his role. I would in fact say he fulfills it as about any other actor could have. He is a nice enough presence in the film really, but he really is not a particularly memorable one either. I won't say this is his fault in the least he just is not given enough to do. It is never a bad performance in any shape or form. It is an entirely suitable performance for the film, and he does not waste his screen time as he very well could have. In the end though it just is not a remarkable performance, and his nomination for this film was not needed.
Best Supporting Actor 1986
Monday, March 26, 2012
And the Nominees Were:
Tom Berenger in Platoon
Willem Dafoe in Platoon
Michael Caine in Hannah and Her Sisters
Denholm Elliott in A Room With A View
Dennis Hopper in Hoosiers
Tom Berenger in Platoon
Willem Dafoe in Platoon
Michael Caine in Hannah and Her Sisters
Denholm Elliott in A Room With A View
Dennis Hopper in Hoosiers
Labels:
1986 Best Supporting Actor,
Denholm Elliott,
Dennis Hopper,
Michael Caine,
Tom Berenger,
Willem Dafoe
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