Monthly Wallpaper - June 2012: Queer Cinema

In celebration of Gay Pride month, Movie Dearest once again offers up a special calendar wallpaper for June paying tribute to some of the best in queer cinema.

The 2012 edition features such classic faves as Victor/Victoria, Ma Vie en Rose and In & Out alongside more recent Dearie Award-winners as The Kids Are All Right and Weekend (available August 21 on DVD and Blu-rayfrom the Criterion Collection).

All you have to do is click on the picture above to enlarge it, then simply right click your mouse and select "Set as Background". (You can also save it to your computer and set it up from there if you prefer.) The size is 1024 x 768, but you can modify it if needed in your own photo-editing program.

Reverend's Interview: Charlie David's Kiss

Actor-writer Charlie David is well known to gay audiences thanks to his steamy turn as Toby on Dante's Cove as well as the movies A Four Letter Word and Mulligans (based on his novel). His latest feature, Judas Kiss, will be having its Southern California premiere on September 16 as the opening night selection of the Long Beach Q Film Festival. It will also be released on DVD October 25. David plays Zachary Wells, a successful, egotistical filmmaker who unexpectedly undergoes an intriguing journey both backward and forward in time during a visit to his film school alma mater. The 31-year-old star, who lives in Canada when he isn't traveling the world, recently chatted with me via e-mail in advance of his new project's Los Angeles-area debut.

REV: Judas Kiss is quite different from and more intellectual than most gay themed movies out there. What did you think when you first heard about the project or read the screenplay?

CD: I was intrigued with the idea of getting a second chance at life. I was going through a period of reflection living in South Africa for six months last year and asking myself questions about where I wanted to go next in my life, career and relationships. The characters in Judas Kiss go through similar reflections and so the screenplay certainly resonated with me.

REV: How did you approach your character in Judas Kiss and his rather unique dilemma? How is this character different from others you have played?

CD: I most often play the good guy and although the role of Zachary Wells is not necessarily the antagonist he’s certainly a manipulative guy. I think an actor can get lost in trying to create a character and so I always try to keep story as king. When everyone on the cast and crew is focused on telling the story in the best possible way, all the pieces come together naturally. I’ve never had a substance abuse problem, never had the misfortune of sexual abuse but was able to find other elements of desperation within my own psyche that allowed me to understand the role and hopefully do it justice.

REV: What has been the response of audiences at screenings so far?

CD: The audiences have overall been surprised by the film, I think. It’s definitely a different genre, a different kind of story than what we often see in LGBT film. I think that’s the best part of the film; it’s likely not what you would expect and our team is proud to be offering something unique.

REV: You've already had a pretty lengthy career in film, TV and music for a young performer. What originally led you into the performing arts?

CD: I’ve just always loved being a storyteller and when asked what I ‘do’ in life that’s the answer I give. I love sharing stories – in my writing, acting, hosting, producing, directing – it’s all the same passion with different mediums and means. I started young and spent a lot of my youth on tour buses doing musicals, then got into a band in Vegas and spent my late teens and early 20's opening for artists like Pink, Destiny’s Child, Sisqo, Rick Springfield and Snoop Dogg. I always wanted to work in film and television, though, and when those opportunities came calling I jumped at the chance. I definitely work hard; I have a lot of fun but I’m always looking forward to create opportunity. When my calendar isn’t booked at least six months in advance I have minor meltdowns until it fills up a year in advance. Then I can breathe again.

REV: You are also a published author. How do you keep all your projects and interests in balance? Are you currently partnered or in a relationship?

CD: I love writing, it’s so cathartic for me. I work out in fiction fantasies and fixations from my real life. This year I released my third book, Shadowlands in paperback, eBook and audio book. I loved the audio book experience so much I’ve started recording other authors’ work for a few publishing houses. I’m an avid reader already, so doing the recording seemed like a natural fit. Sometimes my life does seem to get a little out of control, and then I simply take a break, go do some yoga or go to the gym and come back. Even though at any given time there may be a dozen projects in various stages of creation, production or distribution, there are always both hectic and slow periods of each process. That natural ebb and flow helps keep my life in balance. I actively date and treasure the guys in my life. It may not be traditional but then again neither am I. I love the one I’m with, as the song goes, and am open and honest about that.

REV: What are you working on now, or what projects would you like to develop in the future?

CD: We are going into production on season six of (the LGBT travel series) Bump at the end of summer, which will have me globe trotting until the end of March 2012. We’ve got some great destinations this year: Brazil, Colombia, Costa Rica, India, Taiwan, Portugal, Germany and Tahiti, to name a few! On the weeks of hiatus from the show I’m shooting a pilot for a new fashion TV show I’ll host in Toronto. I’m also excited to direct for the first time this fall. It’s a one-hour documentary for Logo on youth who are HIV positive, with subjects in different North American cities. Last year, we produced three films and they are all coming out on DVD this fall: Judas Kiss, 2 Frogs in the West and Beyond Gay: The Politics of Pride. Outside of work, I’m becoming addicted to yoga, learning French, looking at the stars on a blanket in my backyard and marveling at this miraculous journey on planet Earth.

To learn more, visit Charlie's official website.
Interview by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Reverend's Reviews: Fall Into New Releases

Summer is over and young people are back to school. A flurry of new GLBT-interest movies on home video this month, though, offers tantalizing viewing options for the fall. First out of the gate on September 1st is Finding Mr. Wright, from Nandar Entertainment. It stars the always amusing Rebekah Kochan (best known for the Eating Out series) as well as one of our favorite out actors, Matthew Montgomery, in a contemporary screwball comedy involving Hollywood politics and gay romance. Montgomery reveals an endearing, previously unseen funny side, and comedian Jason Stuart is thrown in for good measure.

On September 13th, the 2010 festival hit Leading Ladies will make its DVD debut courtesy of Wolfe Video. While it primarily puts a lesbian spin on the 1992 Australian film Strictly Ballroom, the plot also features an overtly gay character played by cute Benji Schwimmer, season 2 winner of TV's So You Think You Can Dance. Schwimmer isn't the only connection between that series and this movie; the show's choreographer, Melanie LaPatin, staged the dances in Leading Ladies and stars as the overbearing mother of two sisters groomed for ballroom competition stardom. When one of her daughters becomes pregnant and the other falls in love with another female dancer, Mom is less than pleased.

Leading Ladies suffers initially from some forced performances and dialogue but both improve as the film moves along. There are some great dance numbers, notably one between Schwimmer and a hunky suitor and another set amongst the aisles of a grocery store, and fine photography by Peter Biagi throughout. The moral of the story -- "Let love lead" -- becomes clear early on and serves as important guidance through the difficult choices the main characters have to make.

A more unusual, less polished but very effective glimpse into love and its challenges is provided by Open. The first American film ever to win the Berlin Film Festival's prestigious "Teddy" Jury Prize, it is set for a September 20th release on DVD and streaming video by Ariztical Entertainment. A striking feature film debut (despite some amateurish performances) by writer-director Jake Yuzna, Open focuses on the travails of two atypical couples. One pair is comprised of hermaphroditic individuals given to frequent cosmetic surgery in their effort to be as similar in appearance as possible. As one observer notes of them, "They truly feel they are one entity, and they want their bodies to reflect that." When one has to travel, an androgynous acquaintance threatens to come between them.

The other couple features a young man who falls in love with a female-to-male transgender person. As they work to define their relationship and sexual interactions, the trans partner's troubled past provides challenges. When the trans character unexpectedly becomes pregnant, a whole new set of questions emerges. Open is a unique and engrossing exploration of the ever-increasing diversity in human relationships.

Finally, IFC Midnight is unveiling the provocative Autoerotic in September via Video on Demand (VOD). While there isn't much GLBT content in this anthology of four stories that expose some of the more secretive aspects of sexuality, the best segment is about a very pregnant married woman who accepts another woman's offer to help her achieve orgasm, something her loving husband hasn't been able to provide in the latter months of her pregnancy. It is simultaneously funny and erotic, mainly because it is told with considerable honesty. Both lesbian and straight women should thoroughly enjoy it.

Reverend's Ratings:
Finding Mr. Wright: B-
Leading Ladies: B
Open: B+
Autoerotic: C+

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Reverend's Preview: Disney's D23 Expo Returns to Anaheim

D23 serves as the official club for die-hard fans of all things Disney. While a bit pricey to join, D23 certainly isn’t as exclusive as Disneyland’s fabled Club 33, which reportedly has a decade-long waiting list to get in. For those unaware, the “D” in D23 stands for Disney, naturally, and “23” is a shortened form of 1923, the year Walt Disney Studios was founded in Hollywood.

The bi-annual D23 Expo, which will take place August 19-21 at the Anaheim Convention Center, will once again provide a unique opportunity for non-members to savor the history and magic behind Disney’s greatest creations. Billed as “the ultimate Disney fan experience,” the first D23 Expo was held in September of 2009. The event was well attended if on a slightly smaller scale than some expected, and featured live appearances from the likes of Johnny Depp and Nicolas Cage.

I personally enjoyed several of the behind-the-scenes workshops offered and the fabulous “Treasures of the Walt Disney Archives” exhibit. Showcasing 80+ years of Disney history, it featured amazing props such as the Nautilus submarine model from the Disney classic 20,000 Leagues Under the Sea as well as costumes worn in Mary Poppins, Babes in Toyland, Tron, The Rocketeer and the Pirates of the Caribbean series. This year’s exhibit space will be twice as large as 2009 and includes Walt Disney’s personal limousine, among other new items.

Walt Disney Studios has experienced both hits and misses during the past two years. While their live-action, Tim Burton-directed version of Alice in Wonderland was a colossal global hit, The Sorcerer’s Apprentice, Prince of Persia: The Sands of Time and the expensive Tron: Legacy foundered. Toy Story 3 and Tangled delighted both critics and moviegoers, but The Princess and the Frog and Cars 2 weren’t as successful. Still, the Disney legacy endures among both GLBT and mainstream devotees.

A highlight of each D23 Expo is the Disney Legends ceremony, which will be held the morning of August 19. This year’s honorees will be the late Jim Henson, creator of the Muppets; Regis Philbin; Guy Williams, who stirred many a young gay man’s heart in the 1950’s-60’s as Zorro as well as star of the non-Disney TV series Lost in Space; and “Disney Princess” voice actresses Jodi Benson (The Little Mermaid), Paige O’Hara (Beauty and the Beast), Lea Salonga (Aladdin and Mulan) and Anika Noni Rose (The Princess and the Frog). Past recipients include Julie Andrews, Dick Van Dyke, Annette Funicello, Robin Williams and Angela Lansbury, as well as out composers Elton John (The Lion King) and the late Howard Ashman (The Little Mermaid, Beauty and the Beast).

Special sneak peeks will be provided of upcoming Disney productions such as this November’s The Muppets, the beloved characters’ first big-screen outing since 1996, and next summer’s animated adventure Brave. There will also be a special screening of 1994’s The Lion King in 3D for the first time prior to its release on Blu-ray this fall.

Each D23 Expo is partly devoted to celebrations of Disney films celebrating significant anniversaries. This year’s roster includes Dumbo (70 years old), the animated Alice in Wonderland (60 years), 101 Dalmatians (50 years) and Beauty and the Beast (20 years). Attendees are encouraged to dress in costume as their favorite Disney characters throughout the weekend.

Tickets are required for admission to the D23 Expo, and may be purchased in advance by visiting the D23 website.

Preview by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Reverend's Reviews: Sexually-Charged New Releases on DVD

Just when summer couldn't get much hotter, both men and women have provocative movies guaranteed to raise their temperatures out on DVD this month. For the ladies (and for men interested in good international cinema), Argentina's celebrated The Fish Child (El Niño Pez) is now available from Wolfe Video. The film, named after a traditional Guarani folk tale that figures in the plot, was an official selection at 2010's Outfest, Frameline, Berlin and Tribeca film festivals.

The romance between Lala (Inés Efron) and Guayi (Mariela Vitale Emme) has been forbidden by Lala's father, not only because Guayi is the family's maid and thus from a lower class but because both of them are women. Having essentially spent their adolescence together, Lala and Guayi are only feeling their love become more intense. Matters aren't helped when Lala is jailed for a crime in which she played part several years before. Guayi launches a risky plan to rescue Lala and take down a drug kingpin who has his eye set on Lala. Things come to a head in a violent, climactic showdown.

The Fish Child is very well acted and beautifully shot, especially during some dreamy underwater scenes. The film was made by Lucia Puenzo, who previously did the striking XXY about the plight of an intersex teenager. Her style is very observational and some may find it slow-moving, not unlike a Terrence Malick movie (The Thin Red Line, the current The Tree of Life). Also, Guayi comes across as unhealthily obsessive at times but it's all in the name of love and devotion.

Meanwhile, Blackmail Boys spins a cinematic web of young gay love, prostitution, religious hypocrisy and, yes, blackmail. The DVD will be released August 30 by TLA Releasing. It is written and directed by Bernard and Richard Shumanski, talented brothers who also made the similarly edgy, gay-themed 2009 movie Wrecked.

Sam (played by Nathan Adloff) and Aaron (Taylor Reed) have been boyfriends since they met during college four years prior. Sam has more recently moved to Chicago to attend art school but the men's relationship has continued long-distance. Art school, however, is expensive and Sam's parents have cut him off due to his homosexuality. Unable to find a job that will pay him enough for housing and tuition, Sam has turned to prostitution as what turns out to be a lucrative option.

While Sam has told Aaron about his temporary vocation, Aaron doesn't realize how uncomfortable he feels about it until he visits Sam one weekend. The situation is initially made more difficult when Aaron spies on Sam with one of his high-paying clients and recognizes the john as a fundamentalist Christian, rabidly anti-gay author/radio talk show host. When Aaron informs Sam of this, the boys hit upon the idea of blackmailing the homophobe as a means of financing Sam's education. Things don't quite go according to plan.

Blackmail Boys is obviously low-budget and the filmmaking technique is crude in spots. Adloff and Reed aren't the most professional actors but there is a nice, natural look to them and their relationship. They also display abundant nudity and sex in this relatively brief (67 minutes) movie. Most surprising, though is the participation of indie actor-director Joe Swanberg (Hannah Takes the Stairs, the upcoming Autoerotic). He gives a great, fully-committed performance as Sam's hypocritical (not to mention married) Christian client. Not only does Swanberg nail the inner conflict and self-loathing that many such men experience, but he is depicted in graphically sexual scenes with Sam that couldn't have been faked, as well as masturbating on camera.

There are several twists as well as some humor and social commentary in the script, and I appreciated it's unexpected ending. If you're in the mood for a sexy if imperfect morality tale that might make you question your assumptions, buy or rent Blackmail Boys today.

Reverend's Ratings:
The Fish Child: B
Blackmail Boys: B-

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Reel Thoughts: Cherish

While you’ll have to wait until March 1 to see Cher in her most recent role in Burlesque on DVD, now is the perfect time to check out her first roles, followed by four of her notable performances since then. Cher: The Movie Collection gives you six chances to cherish Cher, even if the films are sometimes a hoot or a drag.

The first DVD is more of a Sonny movie than a Cher one. Good Times, starring Cher’s ex, the late Sonny Bono, is a bizarre film filled where the then-hot duo are being cajoled into making Hollywood trash by none other than George Sanders, channeling his Addison DeWitt character from All About Eve. It’s hard to care whether or not the “kids” sell out and make the hillbilly hit Sanders wants, since their alternatives are a bunch of skits (a western, a jungle saga and a private eye spoof) done better on their variety show. Still, both Sonny and Cher sing, and it’s fascinating to imagine that he was the bigger star back then.

Next is Chastity, where Cher plays a teen-aged runaway with a secret, who can’t let anyone get too close to her. People sure try, though, from the guy she scams at a gas station, to a nice guy she calls Andre to the lesbian madam of a Mexican whorehouse where Chastity hangs out after fleeing domestic bliss with Andre. It’s a 60’s road trip that is a hoot, but it’s most notable for its Phoenix locations. Look closely and you’ll see Wagon Wheel Kiddie Land (where the madam who looks like Shirley Partridge takes Chastity), the Phoenix Zoo, the long lost Japanese flower gardens on Baseline and Macayo’s on Central.

(It bears noting that Chaz Bono, Cher’s trangender son, was conceived during this film, and named for a character who is basically a hustler and wannabe hooker. It’s like Sir Anthony Hopkins naming his kid Hannibal.)

The next films are more familiar Cher fare, and probably don’t need introductions. As Dolly Pelliker in 1983’s Silkwood, Cher plays the lesbian roommate of Meryl Streep’s ill-fated whistle-blower. Cher captures her character’s conflicting loyalties perfectly. Her Oscar-nominated performance put her on the map as a dramatic actress.

Then comes her Oscar-winning performance in 1987’s Moonstruck, where Cher plays Loretta, a dowdy New York bookkeeper who blossoms when forced to choose between a nice-guy suitor (Danny Aiello) and his handsome estranged younger brother (Nicolas Cage). This is Cher at her best, and she’s luminous in the role.

1990’s Mermaids comes next, starring Cher as the scandalous single mother of Winona Ryder and Christina Ricci, who is adorable in her very first film. The collection ends with 1999’s Tea With Mussolini, Cher’s only trip to period drama à la Merchant Ivory. Franco Zeffirelli directed this semi-autobiographical story of a boy raised by an Englishwoman in Mussolini’s Italy. Cher is gorgeous as Elsa, a Jewish-American heiress who falls victim to internment while trying to help a group of British women (Maggie Smith, Joan Plowright and Judi Dench).

Certainly, there are titles missing from this collection, since it contains only MGM releases, but Cher: The Movie Collection is a great way to enjoy Cher’s second best talent after singing.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Dearie Awards 2010: Documentary of the Year - STONEWALL UPRISING

The seminal event in GLBT liberation history finally received the unadulterated film treatment it deserved in the revelatory documentary Stonewall Uprising. Previous docs have dealt with events leading up to and following the riots that occurred in and around Greenwich Village's Stonewall Inn in the summer of 1969, and one fictional movie (1995's Stonewall) depicted some of the events and players involved. It wasn't until 2010, however, that this assemblage of you-are-there archival footage and interviews with participants on both sides of the divide came together with the admirable intent of trying to separate fact from legend.

The result is more inspirational than anything we've witnessed before, and Stonewall Uprising (due on DVD April 26) is a true must-see for neophyte students and long-dedicated activists alike. When a New York City police officer (now in his 80's) who was there questions the wisdom of the crackdown on the Stonewall, attention must be paid.

Honorable Mentions:
8: The Mormon Proposition was an eye-opening, if not exactly unbiased, exploration of the Church of Jesus Christ of Latter Day Saints' well-organized support of California's Proposition 8, which sought to amend the state's constitution to prohibit same-sex marriage. Of course, there's no rule that says filmmakers, including documentarians, have to be unbiased; if there were, Michael Moore would have been out of a job long ago. As legal challenges to the now-infamous Prop 8 continue to be filed and heard, time and justice will hopefully declare it unconstitutional once and for all. Until then, the religious forces of opposition to marriage equality need to be called out, and this film does an exceptional job at that.

Walt Disney Studios had a notoriously difficult time adjusting to meet more sophisticated audience expectations between the 1970's-1980's. Waking Sleeping Beauty provides an intimate peek behind the scenes during the company's late 80's makeover that ushered in an animation renaissance with such massive successes as The Little Mermaid, Beauty and the Beast, Aladdin and The Lion King. Interestingly but perhaps unsurprisingly, the film hints that these significant Disney achievements might not have been possible if not for the artistic contributions of gay talents/visionaries Howard Ashman (who died, tragically, of AIDS-related complications in 1991) and Elton John, among others. An all-around insightful film for all of us "Disney queens" out here.

Click the following links to read our original reviews: Stonewall Uprising, 8: The Mormon Proposition and Waking Sleeping Beauty.

UPDATE: Stonewall Uprising is now available on DVD from Amazon.com.

By Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Reverend's Reviews: Soul & Bone

The summer 2010 movie season winds down this weekend, and it's been a better-than-average one in terms of both studio and indie films being embraced by critics and audiences alike. Toy Story 3, Inception and Despicable Me are a few examples of the former, while The Kids Are All Right, The Girl Who Played with Fire and Cyrus were smaller-budget hits.

I only recently had the chance to watch Winter's Bone, the Sundance-acclaimed drama (it won the fest's Grand Jury Prize and Waldo Salt Screenwriting Award) that was originally released in June (it will be released on DVD and Blu-ray October 26). Easily one of the best films of the year thus far, it reveals with empathy-building clarity a community that more "mainstream" Americans — including those of us in the GLBTQ community — prefer to ridicule, if not outright ignore.

Set in the Ozark Mountains of Missouri, the gripping Winter's Bone follows the plight of 17-year old Ree (a star-making performance by Jennifer Lawrence, who was recently signed to play Mystique in next year's X-Men: First Class). Ree, responsible for the care of a disabled mother and two younger siblings, learns that her meth-making, drug-dealing father has disappeared after posting the family's house as bail following his most recent arrest. If he doesn't appear in court as scheduled, the house will be seized and Ree and her impoverished family members will be out in the cold. She takes it upon herself to track her father down, discovering friends and foes alike in the process.

As Ree navigates the harsh climate — physical and social — viewers are introduced to a largely unknown world populated by people commonly referred to as "hillbillies" or "poor white trash." The community has its own rules and power structure, and Ree learns the hard way what can happen when these aren't respected. However, a clan-ish concern for Ree also becomes apparent, as well as an overriding respect for the local, natural environment. There are domestic and wild animals everywhere in Winter's Bone. While these serve a variety of practical purposes, none could be termed "abused."

By film's end, Ree's semi-naïve adolescence has come to an end but she has gained a closer family and a deeper respect for her neighbors. These "backwoods folk," or whatever we may sometimes be tempted to call them, have a lot to teach us.

Summer is ending on a cinematic high note with Soul Kitchen, opening today in Los Angeles prior to a national rollout this fall. A comedy-drama by Turkish-German filmmaker Fatih Akin (Head-On, The Edge of Heaven), it won a special jury prize at the 2009 Venice Film Festival.

Soul Kitchen isn't only the film's title; it is the name of a restaurant owned and managed by Zinos Kazantsakis (winningly played by Adam Bousdoukos). Zinos has been toiling for years to build up his clientele through a combination of deep-fried "comfort food" and funk music. The restaurant is a local favorite, but things take a turn when a variety of forces conspire against Zinos: a talented if strong-willed chef alienates his customers; his back slips a disk; his girlfriend moves to China; and his imprisoned brother, Ilias (the hot Moritz Bleibtreu, who was seen in last year's excellent The Baader-Meinhoff Complex), is let out on parole. Oh, yeah, and a slimy real-estate shark is maneuvering to buy the restaurant for a greedy developer (Udo Kier of Andy Warhol's Dracula and Frankenstein fame, and memorable as "Hans" in My Own Private Idaho).

According to a producer's note, Soul Kitchen has its roots in a cinematic genre popular in 1950's Germany known as "Heimat" films. Heimat translates as "home," as in "a place of family and friends ... a place of escape and of magic where you fall in love or fail in love." The current movie has more of a 70's vibe to it via the music (by Kool & the Gang, Quincy Jones and Sam Cooke, among others), psychedelic closing credits and rapid-fire editing. It also boasts an amusing, relatively tame orgy — inspired by an aphrodisiac-laced dessert — that wouldn't be out of place in one of Warhol's or Russ Meyers' soft-core classics.

Even if it is occasionally predictable, Soul Kitchen serves up a tasty dish.

Reverend's Ratings:
Winter's Bone: A
Soul Kitchen: B+

UPDATE: Winter's Bone is available on DVD and Blu-ray and Soul Kitchen is available on DVD from Amazon.com.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.